It’s winter, sort of. The temperature has been consistently under 60 for about a week, aside from a weird day where it was 70. The 50-ish temps mean I switch coats to my leather jacket, which is always exciting to me, for like a day. I’ve written about this before, but I’m too lazy to look up the old posts. It’s always interesting to me, because after months of no jacket or a light jacket, the leather jacket feels like home to me. It’s so heavy, it feels like putting on armor. And the smell of the leather always brings back the memories of all these other points in my history, back to when I first bought my first leather jacket in 1993. (I’m now on my third.) So I like that, but in a few weeks, I’m going to wish I could trade the thing in for one of those Arctic parka things.

It’s really odd that New York has the most people wearing black leather motorcycle jackets compared to anywhere else I’ve lived, but I’m also given the most unending shit about my jacket, especially from people I work with. If you think it’s odd that a person would wear a black leather jacket, you’ve spent too long in the fucking Hamptons. Seriously, check out the other 40-some states some time. And yesterday, I was at a health food store (believe it or not, I take a shitload of vitamins and supplements these days, for fear that my immune system will slow down more and I will be exposed to all of the viruses and parasites in this city) and I completely forgot that I was wearing the hide of a dead cow in a place full of level 7 vegans.

And it’s weird that I even give a shit about that, and I think that the fact that I do is one of my biggest weaknesses as a human, because I care far too much what people think of me or my writing, and almost none of those people really give a shit about me at all. Like I spend a lot of time trying to contact authors of books I have read and enjoyed because I think that they would care about the opinion of a reader, and almost 99% of the time, they don’t even answer their mail. And I do that because I would hope someday that people would write me letting me know if they enjoyed my books, and that also seldom happens. There are times I believe in karma, mostly when a bunch of bad shit happens to me in one day, and I’m convinced that it’s all because I cheated on a precalculus test in 1989 or something. But then I think about the above construct, and realize that karma can probably be safely shelved away with all of the other religious theories in which I don’t believe.

I read a Jonathan Ames memoir called What’s Not To Love?, which was pretty hilarious and also made me think that maybe someday I’d like to write a straight-up memoir (as opposed to the Summer Rain-type autobiographical fiction thing.) And then we went to see the movie Running with Scissors last night, and that 90% unconvinced me. The movie was not bad, but it wasn’t really that funny to me. There were a couple of good lines, but all of them were in the trailer. It was an interesting movie, and some of the acting was great, but it just didn’t blow me away or anything.

This convinces me that I really don’t get the entire memoir genre that’s so popular, with Augustin Burroughs and David Sedaris and so on. I’ve tried to read their books, and they sort of drone on to me like a shopping list, but whenever I see a video or hear a reading of them, people laugh at all of these points that are supposed to be funny, and I don’t get it. I mean, the funny parts are amusing, and some might make me chuckle, but it’s not ha-ha funny to me. I’m sure it’s some sort of demographics thing, like the same reason that I find almost all of NPR completely unlistenable, but tons of intellectual types enjoy it 24/7. And the flipside is true - I don’t think it’s technically possible to be a fan of both this memoir genre and, say, Andrew Dice Clay. I absolutely fucking loved Fear and Loathing in Las Vegas, but I know a lot of people who thought it was about as compelling as films of botched colon surgery.

And I don’t give a shit in the sense that I bear no hostility towards that genre, and I can keep reading my stuff and ignoring their stuff, just like I do with country music, Harry Potter, the Lord of the Rings films, and whatever Disney/Pixar animated film of the month has talking fish, toys, cars, or whatever. But the problem to me is that I really do want to write a memoir in some sense, and just by picking that type of document, I’m instantly compared to these writers. And I simply don’t know how to write stuff that would appeal to that audience. I seriously think it would be easier for me to lay down a dance single in a studio, or maybe paint a modern art masterpiece than it would be for me to pen a memoir that was compatible with those standards in any way.

There’s also the issue that I’ve never been beaten, in rehab, on the streets, or sold to my mother’s shrink. I grew up in a tri-level house in a sea of tri-level and ranch houses, all with identical aluminum siding. There’s a part of me that thinks that because I haven’t lived a really out-there life, I couldn’t write a book about my life that would be interesting. But another part of me thinks it’s not the events, but how you frame them and write about them that makes it interesting. So who knows.

The zine is almost done, sort of. I have enough submissions to equal 170 pages, which was the length of #10. I have a few pending submissions that will maybe bring it up to 200. The cover’s not done or even thought about (I have the idea, just haven’t done it yet) but each story is already laid out in FrameMaker, so I don’t have a huge project ahead of me. I got a couple of last-second stories that were absolute fucking genius, so I’m happy with what’s going into this one. I am still nervous that I’m going to have to mail out more free copies than I will actually sell, and that’s a pretty legitimate fear, since it always happens. I want it to sell a lot of copies, and not because I make like 34 cents a copy, but because I want a lot of people to read some of the good stuff in it. And I want all of the authors in it to get some more exposure. My hope has always been that Y number of writers comes to the zine with their own audience of size X (the people who buy their shit no matter what), and so Y times X buys the thing, but some of the fans of one writer say “hey, that other writer is pretty cool too” and they go out and buy their books or read their web site or whatever. Last time, a couple of people posted links to the zine on their blog, and one person actually went out and pasted the press release into a jillion discussion boards and web sites. But yeah, not as much synergy as I’d hoped for. We’ll see how it goes this time.

(I’ve vaguely thought about writing a press release for the zine, mentioning that this guy used to write for my last zine, just so it shows in a million web searches. I’ve wasted a ton of time talking to the press about the guy, which converted to about zero book sales. If some idiot can get a book deal because they’re a 17-year-old blogger from Harvard, it seems like the distant zine buddy of the FBI’s most wanted might at least get me a column in Salon. But, I know I mentioned above that I didn’t believe in karma, but I think trying to huckster the terrorism angle would probably be a bad idea in general.)

I’m leaving for Berlin on Saturday. I have not done a single bit of preparation. Sarah picked out a bunch of restaurants. I bought a book, but read like a page of it. Time to get busy on that, although I’m now reading a bio of a Vietnam helicopter pilot, which is a bit more interesting…

I think I’m sick. Either that or I’m drinking ten glasses of water an hour because of some psychosomatic disorder, but I’ll probably stick with sick. It will be a nice weekend to do little, though. Too bad I have four new books that will get here after the weekend. I should time the Amazon purchases a bit better.

So I’ve been keeping a paper journal since 1993, and after a few odd-sized books, I finally settled on the Mead 120-page college rule 3-subject spiral notebook. I have about twenty of them filled with scribbling from years ago. I have been working on one at a slower rate, since life has changed and my routine has changed and I spend more of my time recapping my day and my thoughts with a person rather than with a page. My current one was started in January of 2005, and it’s just finishing. In comparison, I have one from June to December of 1996, same number of pages, all written front to back. Okay, I was more depressed then, but I’m also depressed at not writing that much.

So, I’m down to the last two pages in the 2005-2006 model, and it’s time to buy a new one. I went to the drug store next to work, and… they don’t have them. I went to two more stores, plus an Office Depot - no dice. They have heavy-duty, dayglo color, 18-pocket, super laminated, dinosaur and robot-themed, extra pages in the front and back with maps of the US and multiplication table notebooks. Not the regular, two-armed two-legged ones I have been able to find at every damn drug store from sea to shining sea over the last decade and a half. I looked on Amazon, and found that I could order them in cases of 24, or just one for $2.99 plus $5.99 shipping and it would take two weeks. And oh, every notebook on the market now has microperforated pages. Easy to tear out when you hand in your algebra homework. Easy to tear out on accident when you’re in bed writing. Easy to tear out when you even look at it on the shelf ten years from now. I’m certain the microperforation was pushed through by some legislative act of a California-based concerned parent group that are worried that children are going to tear out nonperforated sprial notebook pages and tear off the perforated edges and use it to choke themselves or possibly manufacture methamphetamines. I JUST WANT A GOD DAMNED NOTEBOOK, NOT A FASHION ACCESSORY!!!!

(I just found them tonight at the Rite-Aid by our house, though. $1.99 each. Only red or green, though. I bought three. That should last me until 2021 at my current rate of decay.)

I did a bunch of the zine layout tonight, while a marathon of “That 70s Show” ran in the background. Sarah is on her way home from a meeting in Chicago. I guess there were delays involving O’Hare, if you can believe that. I think I laid out 110 pages, and I have maybe 30 or so more in the hopper. I think my email and posting a week ago asking for more stuff actually just pulled in a lot of shorter bits. I really need some quality, 5000-word stories. I was thinking about posting to the Bukowski group on LiveJournal, but that would get me inundated with horrible poetry. If all else fails, I will just pad the thing with a bunch of my own short stories, and it will be a Jon Konrath reader that happens to have a couple of other stories in it.

I’m reading the Neil Peart (Rush drummer) book about when he went on a bike tour in Africa in 1988. It’s an interesting description of the people and problems, but it’s also a lot about his own problems with the people he toured with. I wouldn’t mind seeing a country like that, although I don’t know if I could ride my bike down the road and back these days with this knee. I’d also be afraid of eating pretty much everything one could find in Cameroon, unless I packed about five pounds of Immodium tablets in my saddlebags. Still, it would be pretty damn interesting, especially with a digital camera, and a couple of the aforementioned notebooks. His book is also interesting because he talks about how you see a country so much more on a bike. It’s funny to me, because when I was a kid and riding all the time, I was listening to his music, and seeing Indiana in a much different sense than I would in a car.

OK, too tired to keep messing with this…

I had some dental work done yesterday. Nothing serious, just two fillings, one that was very minor, both were re-dos of older fillings. I started this journey of major dental restoration ten years ago, almost to the day, and I’m now finding that some of those fillings are at the end of their lifespan. I always thought of fillings and crowns as permanent, but now I’m seeing it’s more like working on your house, and having to repaint or reside or replumb every decade or two. At least my new dentist is okay, and cheap. He’s also about 100 yards from our apartment, which helps.

BUT… last night I had an extremely horrific dental trauma nightmare. I dreamed that some of my front teeth were fucked up, and I didn’t have the money/time/gumption to go to the dentist. So I took some of those gold-colored helical roofing nails, and nailed them into my mouth, so the rounded heads of the nails would look like a gold tooth, ala Flavor Flav or whatever. Then I got really nervous that I did permanent damage (no shit, I had nails going into the roof of my mouth) and was freaking out trying to find a dentist before some bacterial plague would set in. Then I woke up and ran to the bathroom faster than a Taco Bell-induced colon explosion, so I could look in the mirror and see if all of my fucking teeth were intact. I hate that feeling, but also love it - the feeling that you’ve dodged a major bullet, missed getting killed in a major accident. I’ve heard that it’s similar to doing cocaine, which is why I’m glad I don’t, or I would have cashed out my 401K long ago and bought stock in a Columbian processing plant so I could buy direct.

Speaking of unending nervousness, I am still working on the zine, trying to get the next issue squared away. I have some very good stories in the can, and I’m trying to finish my own story, which might be pretty good. (It might be horrible, nobody’s seen it yet, so who knows.) I am nervous about pagecount, though. It was about 57,000 words last time, which is about 170 pages. I wanted it closer to 200, maybe more. I have 10 stories, 35,000 words now, which is about 100 pages, plus another 7500 words in my story. I guess I want like 20 stories, and I need some killers as far as length, because I have some shorter pieces, and only a couple of longer ones. I realize all of this nervousness is completely masturbatory right now, but I’m always nervous about this shit right down to the point where I send in the PDFs.

I bought this pencam thing for like $30. It’s about as big as a snickers bar, maybe a little smaller, and takes 1.3MP pictures, albeit with a shitty plastic lens. I bought it thinking maybe I could hide it in my bag and easily get it places my current huge camera wouldn’t go, like in museums or something. Or just so I could walk around with the big tourist cam out. But I’ve found that the pictures are mostly awful, unless you’re outside in broad daylight. They do have a sort of artsy-fartsy lo-fi thing, though, like an old 110 camera. The other problem is that it beeps incessantly and loudly, when you turn it on, off, take a picture, low light, etc etc. I wish I could crack it open and cut the speaker out of it. Maybe I will.

Going to brunch in an hour. I should probably work on my story more and then find some shoes and socks.

I can never justify writing in here anymore, because if I had the time to write an update, I would have the time to work on the zine, or finish the story I’m trying to write for it. There are five stories now locked in for the next issue, two from old regulars, and three from new people. I am hoping for more stuff this issue, maybe to press out the length a bit. Last time I think it was 168 pages. I could go up to about 200 pages and keep the cost under $9.99. I think I could push 300 pages and keep the price around $11.99. I’m still making absolutely nothing on that, but I’d rather make nothing and have a great read versus make money and have a piece of shit. Anyway, I’m still taking submissions for another month, so if you had something in mind, get cracking.

We went to see The Last King of Scotland last night. Very fucked up movie. It was well done, and I’m almost certain the story was fictitious in the sense that it was maybe biopic and the doctor character may have been largely invented to carry the narrative. But the Idi Amin stuff was real, and it’s one of those things that was largely ignored by the press here in the US while people made fun of Jimmy Carter or wringed hands over the hostage situation. Meanwhile, he kills 300,000 people, and it’s mostly brushed over in the history books. It makes me wonder what is happening now in some of these shithole dictatorship countries that is largely ignored by the media while they quibble over what the president ate for lunch. The other thing that surprised me about the movie (other than the gore) was that they shot in the capitol of Kampala, and it looked surprisingly urban. The film starts out in the sticks, where there’s nothing but dirt farmers and lean-tos, but the city of Kampala was bigger than pretty much every city in Indiana. (Shit, I just looked it up, and Kampala is almost twice as big as Indianapolis!) Anyway, I thought the whole movie would be in mud huts and straw roofs, but it’s a real shock to see such a big city with modern buildings and cosmopolitan looks. Sure, you’ll see the occasional Range Rover with a dead elk strapped to the hood, but it’s still a strange contrast to what you’d expect. It’s also a good example of how the wealth is concentrated, and the people that farm and live out in the rural areas are truly fucked over by those in power.

Not much else. It’s pouring rain outside, so maybe I will sit here and get some work done later. Most of my work lately has been focused on cleaning off my damn desk, going through bills and papers and filing them away, and throwing out or recycling what I don’t need. It sounds easy, but it isn’t. Maybe I should take a picture some time. Anyway, time for lunch soon.

First things first: there will be a new issue of Air in the Paragraph Line soon, and I’m looking for contributors. The theme of the next issue will be Work (or lack thereof.) So if you have any fucked up tales of corrupt employers or savage burns you’ve pulled on The Man while at a place of business, send them my way. Click on the link above for more info.

I read Toby Young’s How to Lose Friends and Alienate People yesterday. There were several forces that prevented this from happening earlier; the biggest was that when I started working on an anti-self-help book in the fall of 2001, I decided that this would be the perfect title. I worked on the book for a couple of weeks, then sort of wandered writing-wise, and then this smart-ass writes a book with the same fucking title! So that pissed me off for several years. Then, for some reason, I read half of a blurb on a subway over someone’s shoulder or something, and somehow got the idea that Young was working in the fashion industry. I assumed that his memoir was some sort of Devil Wears Prada thing, and wrote it off. But a few people told me I should read it, and I also found a used copy on Amazon for ONE CENT, plus shipping. And no, the shipping wasn’t $28, it was like $2.

Anyway, I liked the book very much. His writing reminds me of Chuck Klosterman in some ways, although where Chuck might go off on obscure KISS trivia, Young goes off on obscure pseudo-academic history, which had the eyes glazing over. But the other stuff was great, because there’s something that I have in common with him, and it’s not as obvious to most people, which is that we’re both outsiders to New York, and the ludicrosness of the situation in Manhattan that would normally be endured by the fashionistas and aristocrats is something that we both notice, in an Emperor Wears No Clothes sort of way.

You’re probably wondering what the fuck I mean, so I’ll break it down for you. I grew up in an essentially classless environment in Indiana. Yes, there were cliques, and maybe some legitimate racial segregation, but the richest of the rich and the poorest of the poor shopped at the same mall. The best golf course in Elkhart in 1987 was only marginally better than playing in a gravel driveway. People didn’t ‘summer’ or spend time in Europe. I don’t know who the richest kid in my graduating class was, but there’s a pretty good chance his or her house had aluminum siding just like mine. I’m not saying that the cruelness of children didn’t create great social divides among us; but I’m saying the income of the rich and the income of the poor was probably close to the amount I currently have in my checking account.

I showed up in New York in 1999, and it was a totally different world. The richest of the poor and the poorest of the rich were set apart by seven or eight digits of salary per year. Something that Young explained was that he came from this strict social class system in England, where you never moved above or below a certain level, based pretty much on who your parents were. And if you were stuck in the middle, why should you work hard to become the next Bill Gates? You never could, so keep slumming. Contrast that with New York, where everyone says there are no social classes, and the poorest guy can become the richest person in the world if he just pulls himself together and gets out there. Americans love to think this country is a meritocracy, and in some ways it is, but in New York, there’s this artifical aristrocracy, and it’s something I never really could digest properly.

A lot of people in New York do stuff not to do stuff, but because they think if they do it, that moves them a little closer to the top. The biggest example I can think of is summering in the Hamptons. The other example is how people don’t actually process movies or books, but usually only memorize that one catch phrase that coincidentally is also the first sentence of the New Yorker’s review. (Cases in point: Anthony Bourdain’s Kitchen Confidential - every single person who said they read that book and didn’t said it was “the don’t eat fish on Monday” book, and that has so little to do with the actually the book, it’s stupid. It’s like saying the bible was the “how to build an ark” book. The other example is Bowling for Columbine, where EVERYONE I knew said “oh yeah, that movie’s about how horrible guns are,” even though it was about how horrible the news media is. Same goes for Fast Food Nation and the fact that everyone says the book talks about how horrible McDonald’s was, when it was actually pretty neutral about MCD and spent a lot more time picking at Jack in the Box and the cattle industry.)

There is such a strong groupthink in this city, it’s impossible to deal with. And the reason this makes this faux-meritocracy so hard to deal with is that the upper-upper-class believe both that “anyone can make it to the top,” even though they are probably at the top because of their parents’ money and influence, but they also simultaneously think that because they are at the top, they are there to stay and they can piss on everyone below them. That’s what makes Enrons happen, not Republicans or Democrats; it’s people so out of touch with reality that doing such horrible things seems normal. And that thought pattern trickles down through the tree until you have people in the upper-middle-class that think it’s okay to spend $800 on a purse because Carrie Bradshaw had one.

Toby Young also really had his finger on the dating situation here in New York. He said most women, knowingly or unknowingly, are just looking for the proper attributes that will produce a man that is marriage material, much like how you shop for a new car or hire someone for an office position. In the people that I met here during the fivish years I was single, almost all of them were looking at what I was, not who I was. And that sort of feeds into the above, in that a woman would rather date a bland guy who had a nice summer house than an interesting guy that her coworkers might think isn’t a good long-term investment. I’m just glad I somehow beat the million-in-one odds and found someone who wasn’t like that.

Anyway, book was good. I’ll pick up his next one now, although it just came out, so I’m sure it will cost more than a penny…