Just a quick note on yesterday’s game. We went to see the Cardinals play the Giants at AT&T park, and managed to get seats from Sarah’s work - they have a luxury box and rotate who gets tickets, so we went with maybe a dozen of Sarah’s coworkers and their families. This was the first time I ever had box seats, and it was pretty cool, especially the fact that the food was all right there and catered. I spent most of the time talking to other people, which is also nice, because you can go back inside and sit around there away from the game if you want. I had no real vested interest in either team, although I secretly wanted St. Louis to win, and they did.

Photos are on flickr, and here’s the link below. This was my first run with the new camera, and the zoom lens did great. I expect it to do even better if we’re close for a game - we were up in right field for this one. Good view of the water and the boats and bridges and people in canoes, though.

There’s this day that’s absolutely ethereal to me, when the winter cold vanishes and the summer heat isn’t here yet, and the air is crisp and feels good, and it’s always a time machine to past eras when this brief ripple between seasons occurs.  And it’s happening right now, but just for a few hours, until the sun arcs high and burns off the morning fog in the bay and heats the air from the fifties to the seventies. It’s hard to describe the in-between season, and it’s not as pronounced here as it is in places with real winters.  But it’s here, and it has me thinking.

Here’s one thing it reminds me of: in Indiana, in the summer months, sometimes the temps would dip at night.  Like it would be a hundred at noon, and by midnight, the temps would touch the sixties. I can remember so many sleepless nights, staying up late, staying out until dawn, and cherishing that hour at four or five in the morning, when it still felt humane, before the humidity hit a hundred percent again.  I remember the summers I would work the six AM shift, unloading trucks at Montgomery Ward, climbing out of bed at five to get into a beat-up Camaro with dew on the windows and a black interior that made every day feel like an Indian sweat lodge without the cool hallucinations, but in that hour before the sun’s heat, it felt nice.  One summer, I didn’t even have the car, and would walk the mile to the mall.  Everything would be quiet, no cars on the road, no kids on their bikes or suburbanites on their riding lawn mowers, grooming their chemlawn pissing contests.  I had the world to myself, and this invigorating feeling from the light air.  I’d be dead asleep, sleep deprived, hungry, wanting to go home and get back in bed for another six hours.  But I also knew that atmosphere would be gone if I rolled out of bed at noon and faced the brutality of the Indiana summer.

It’s hard to say when spring happens here, since it’s never brutally cold, and here by the water, the temps never climb that high.  There’s outside indicators, like when baseball season starts, when At Bat comes back to life on the iPhone and my page of RSS feeds that provide two updates a day on extended roster hot stove boredom suddenly come to life with thousands of stories of tradition and optimism and prediction. And I notice a chance in traffic patterns, the number of cars on the road during my commute.  It’s my only indicator that schools are in session or out of session, parents changing their morning commute to hurry their kids to schools and preschools.  I remember a time when the school year versus the summer months was a stark contrast, like the atmosphere on the moon versus that on the Earth.  Now half the time I can’t remember if it’s summer or spring or Halloween without looking at my desktop calendar first.

Speaking of, I’m going to a game in a bit, so I need to gather my gear, pack my camera bag, and find my rulebook and AM radio and binoculars and all of the other junk I bring to the ballpark.

I feel a need to write some giant, overarching, incredible story that spends a thousand words telling some great concept about life, but all I really have at 9am this Saturday is an overwhelming urge to sit on the PS3 for a few hours, and enough random updates to make a giant bulleted list.  So I’ll try to stick with the latter, but with different formatting.

Probably the most exciting news of the week is that Sarah started a new job.  She likes it and it’s the job she was wanting, and that’s all great.  But what’s really great is that her new job has a corporate suite at AT&T park, and she got us tickets to Sunday’s Giants-Cardinals game.  I do not have a vested interest in either team (except that I have Lincecum and McGhee on my fantasy team, and the Giants will need to finish worse than the Rockies again this year, of course.  And Julie’s a huge Cards fan) but I have never seen a game from a suite, and I am very excited to see how the upper crust accommodations work out.  This does mean I can’t wear a Rockies jersey to the game, and I probably should keep the Rockies talk to a minimum during the game.  At least it isn’t a Giants/Rockies game, which would be problematic.  This will be my first game of ‘10, and my first game with the new camera, so expect pictures.

I have moved to iPhoto ‘09 due to the computer upgrade, and they now include Flickr updating from the app.  That’s good news, in that Flickr Exportr (or whatever clever name it had) was one of the worst-behaving OSX program ever (except for Missing Sync for Windows Mobile) and the new support has some neat features, like bidirectional sync  (change a description in flickr, and it changes in iPhoto.)  Unfortunately, there’s no easy way to get your sets from Flickr to show up in iPhoto.  I mean, the photos are still in my library, but the set isn’t importable.  I will save the ugly details for another post - I may have a partial workaround, but I really need screenshots and diagrams.

I upgraded the wordpress software here, because I heard someone’s horror stories about getting hacked, and the auto update software failed, so I had to backpedal and reinstall by hand.  I think everything works fine, but if you see anything weird, let me know.  I’ve also been going back to old posts and adding titles by hand, because my old journal had no titles, and parts of wordpress assume you have a title.

I’m currently 7th in my fantasy baseball league.  It’s amazing that I have some of the best pitching out there, but I have no offense.  The second the draft was over, I realized exactly how I should have went into it, and now I’m screwed until next April.  I need to take furious notes and force myself to follow them next March.

OK, to the PS3.

Peter Steele, the bassist and singer of Type O Negative died on Wednesday, something that came completely out of left field for me.  He was only 48, and apparently died of heart failure after a short illness.  It took a few google searches for this to really sink in, since he (or maybe his record label) hoaxed his death in 2005 for an album release, and he’s got a pretty morbid sense of humor.  But I guess he had health and substance abuse problems, and it’s been confirmed by many sources, so I guess it’s true.

Type O Negative (and his earlier band, Carnivore) are pretty intertwined with my life in college and in the 90s.  When I worked at WQAX, my biggest “get” interview-wise was a phone interview with him on the air.  I have a tape of this somewhere, and I ran it in my zine. (You can read it here.)  He was pretty hilarious and odd on the phone; I was incredibly intimidated going into the interview, and then didn’t think it was going to happen, because they were late calling, and the manager I was dealing with seemed a bit flaky.  But as I sat in that shithole apartment of a studio, I got the phone call from New York, and we went on the air and got started.  He was not serious about any of the questions, and gave hilarious answers to everything, even when I started throwing out bizarre questions.  It was such a refreshing change from pretty much every other death metal or thrash metal band I interviewed, who pretty much ran through the same ten questions with an incredible seriousness, telling me their influences (always the same list of bands), the reasons their music was heavier than anyone else’s, why they hated Metallica, and how much the PMRC sucked.  But Pete was truly entertaining, and realized this wasn’t about looking cool and brutal; it was entertainment.

I remember first hearing Type O Negative in the fall of 1991.  Ray came down to Bloomington to visit for a weekend, and I was dating Jo at the time, and the two of them were fighting the entire time, both trying to out-whatever the other and assert control over the situation.  I hung out on a Saturday afternoon with him, while she was off doing something.  We went to the Fine Arts computer lab, where they had the super-high-tech Mac IIfx computers with giant dual-screen monitors, color laserprinters, and color flatbed scanners, the first time I’d ever seen any of those things in real life.  The computers had this brand new program called Photoshop, which you could use to edit images.  It came with a sample image of nine babies lying in cribs, a sort of top-down artsy shot of a hospital nursery.  We used the clunky 1.0 features of the Adobe program to demonize the kids; one had a severed head; one had a Manson-style swastika on the forehead; another puked blood.  We made color printouts, then went out to a dreary-sky campus and drove to Pizza Express on 10th street to get a pizza for lunch.  We ate in Ray’s car, and he produced this tape with a grainy green cover that vaguely looked like a poor night-vision snapshot of sexual penetration, entitled Slow, Deep, and Hard.  “This is the fucking heaviest thing you’ve ever heard,” he said.  “It makes Black Sabbath sound like, fuckin’, Charlie Brown.”

And he was right.  I fell in love with the album and bought my own copy of the tape that day.  A big part of that love was that I was going through a really rough patch of life then, a caustic relationship with someone who constantly played mind games with me and caused me to go into deep cycles of depression.  And here was this music that was both extremely depressing - talking about infidelity, suicide, depression, you name it - but also had a lot of black humor to it, a very clever and dark twist on the darkest part of life.  I spent so much time poring over that album, just absolutely bathing in its negative emotion, using it as a soundtrack for this ugly tail-end of a relationship.

I spent all of the summer of 92 listening to Type O Negative, as documented in Summer Rain. I got a Type O Negative pin in the mail from the band, after I did the interview, and I wore it on the lapel of my leather jacket for years, serving as a sort of litmus test for people who actually knew the band.  Bloody Kisses came out in 93, and I was thanked in the album (albeit misspelled) and also memorized this one, listening to it constantly on those long walks across campus with nothing but my Aiwa walkman to keep me sane.  After my bad breakup in the fall of 93, that album kept at my brain constantly, and it was somewhat ironic that the band actually gained incredible success, with Bloody Kisses eventually going gold and then platinum.

Their 1996 release October Rust also burrowed a permanent position into my brain when it came out. I know it’s stupid that in 1996, I was still morose over a breakup that happened three years before, but I was in such an extreme state of angst about having nothing going on dating-wise and being alone in a new city.  The album became this touchstone to that era three years before, and in a way, reopened many of the wounds, splashing them with rubbing alcohol and stinging them back to life.  I absolutely loved this album, every part of it, even though the band had almost completely moved away from their original metal origins.

I never got into the band’s later work, but those first three albums are still in constant rotation in the iTunes library, and probably at least once a day, one of them comes up during my drive to work or while I’m at the computer.  So it was shocking and sad to hear the news about his death.  It’s also weird to go back over his lyrics post-mortem, because they all talk about death and dying and killing and suicide in such a heavy and tongue-in-cheek way.

I don’t really know how to end this post without sounding stupid or sappy, and I keep wandering to my iTunes library to look things up, so I better wrap this up here.

I always vow to write down the small annoyances I solve, so that a) I can look them up in three years when they happen again and I’ve completely forgotten the solution; and b) so people googling might get lucky and find the answer.  So here goes.

In FrameMaker, you can do a million things using weird, barely-documented keyboard shortcuts.  One of the most frequent combos is using F8 or F9 and then typing the first few letters of a character style or paragraph style to apply it, instead of opening up a dialog and picking it from a list.  That’s great, especially when you’re importing a Word document and you have tons of ugly font fondling to undo, because 95% of Word’s users manually override styles and apply font changes by hand.

But I’ve noticed lately that I get in a weird state where the F8 and F9 keys stop working.  This is a new laptop, new job, new docset, new Frame install, and it’s my first shot at using FM9.  So I went nuts trying various combinations of turning on and off those stupid pods and docks and panels and dialogs and other crap they added to this version, with no joy.  I also tried googling, and couldn’t find much.

I’ll cut to the chase: I’m using one of those Microsoft ergo keyboards with a ton of extra keys for doing a web search (sorry, a “Bing” search…), controlling the media player, opening the calculator, and so on.  And next to all of those function keys is a little key called “F-lock”.  I don’t entirely know what it does, something like turn on a second set of keymappings or some other thing I’ll never use.  What it does do is mess up your keyboard, at least function key-wise.  And I somehow was randomly hitting it.  (It’s located to the right of the F12 key, at least on my setup.)

So yeah, hit that key again, and you’ll be fine.  End of digression about FrameMaker annoyance.