Something like 87 years ago, my friend Ray Miller had a zine.  A zine is like a tumblr account, except it’s on dead trees, and instead of pictures you take of yourself with a cell phone camera, it has words on it.  His zine was called Metal Curse, and it was essentially a way to get to meet bands and get free crap from record labels before it got into stores.  And in Indiana, it was a way to get things that never showed up in stores, because the absolute best music store within 50 miles of my house was a 45-minute drive away, and was only marginally better than buying CDs at Wal-Mart.  Also, at this point in time, most of my peers were extolling the virtues of an artist that largely advised us to stop and observe an occasion known as “hammertime,” and the only way you could talk to anyone interested in any music not designed in a government laboratory for sale at malls was to write a letter to some dude in Sweden or Japan, and the only way to get in touch with these people was to read a poorly-photocopied publication ordered through the mail.

In my second year of college, I went to IUSB, a commuter college that was mostly parking lot, and I hung out with Ray a lot, mostly driving around, skipping classes, and listening to thrash metal bands like Helloween and Napalm Death.  He did three issues of his zine and was starting to pick up steam with it, getting more self-produced demo tapes in the mail to review.  Back then, zines had reviews of albums or demo tapes, interviews with bands, and news updates about bands, usually a giant bulleted list of who was releasing what or where they were touring or who broke up or whatever.  But there wasn’t much else as far as content.  You couldn’t really have cool pictures, because they didn’t photocopy well, and every picture turned out looking like a black and white thermal map of Uganda taken from a plane window. Outside of NASA, digital photography didn’t exist, and even if you had a decent camera, good luck getting it into a show.  Most of the zines out there were also not well-crafted literary journals honed by intellectuals either, and sometimes the writing was funny, but 90% of the interviews out there asked the same exact ten questions.  Zines weren’t known for their in-depth editorial content.

I wasn’t a writer back then.  I helped teach a writing class in the English department, oddly enough.  But that mostly involved telling people they had to press Shift-F7 to print, and walking distressed students through the procedure involved when underlining words in Norton Textra, this horrible WordPerfect clone we used.  I studied computer science, and spent all of my free time trying to learn C and write games and whatever you did to waste time before the web was invented.  (Tetris, I think.  And downloading crap from anonymous FTP sites.)  I took one writing class, and the teaching assistant either liked my stories a lot or wanted to sleep with me; looking back at what I wrote then, it must not have been the stories, but you should have seen the glasses I used to wear back then.  But I didn’t consider myself a writer, and certainly didn’t do it in my spare time for fun.

At some point, I suggested to Ray that I should write an advice column for his zine.  I don’t know if I asked him to do it, or if I just wrote it first, but I had this idea of a fake Dear Abby sort of thing.  I think I subconsciously ripped off this idea from a free newspaper I used to read in Bloomington.  Or maybe it was because one of my parents gave me a copy of Dear Abby’s Guide to Sex for Teenagers, and I thought this was the funniest damn thing I’d ever read, and wanted to write something just as humorous.  One night I fired up that cyan-on-blue screen of WordPerfect 5.1, and cracked out a handful of fictional questions mailed in from readers.  I don’t know what inspired me to come up with the name, especially because now it takes me years to name anything, but I called the column “Dear Death.”  It probably had to do with listening to that Metallica song “The Four Horsemen” 58,000 times a week.

I gave Ray a laserprinted copy of the column, and he put it in issue #4.  At the time, he used this GEOS program instead of Windows, and did the whole zine in its word processor, then printed it out on his dot matrix printer, so that one page looked an order of magnitude better, and he rushed out and bought his first laser printer.   If you were born before 1990 and have no idea what a dot matrix printer is, I wouldn’t even recommend going to a museum and looking at one, they are such huge pieces of shit.  I spent most of my tenure as an IUSB computer consultant un-fucking these Epsons where the tractor feed wheels would get jammed, and the ribbons would gum up or get unspooled, and some deranged bored housewife type would keep jamming it worse and worse until it involved stripping the whole thing into tiny pieces and realigning every little piece.

Anyway, #4 turned out great.  I didn’t do a column for #5, but then wrote one for the next seven issues.  Luckily, those seven issues took like a decade to put out, so I had plenty of time to come up with new ideas.  I did five issues of my own zine during the timeframe of Metal Curse #6 and #7 (although mine was way shorter and had less stuff in it) and some time after #7, I started calling myself a writer and chipping away at my first book. But these columns pretty much mark the start of my writing career.

Metal Curse had 13 issues as a print zine.  Ray recently resurrected it as an online site, and has started with a lot of new reviews, plus he’s slowly bringing online the back archive of old stuff.  And part of that is the Dear Death columns, which means you can go read all of them online.  The writing is much different than what I do now, and I don’t really listen to that much death metal anymore, so it’s both embarrassing and interesting to look back at this stuff. Anyway, you can check out my columns at http://metalcurse.com/index.php/dear_death.

I have a printout of some random PDF that illustrates twelve stretching exercises I am supposed to do to prevent repetitive stress injury.  I never do them, because I always forget, but that’s not the point.  The point is, the people illustrated have no faces.  They have ears, and you can tell from the side view that they have noses, but you can’t see the noses from the front view.  There are no eyes, no mouths, no nostrils, and no holes in the ears.  One of the exercise guys is wearing a tie; the other ones are pitiful fucking slobs. One is either wearing a skirt or the kind of baggy shorts you see in the NBA, or that a hesher wears.  I suppose it could be a kilt, and the person has short hair, so they are probably not a metal dude.  Two of the illustrations are wearing a wristwatch; the others are either too poor to own a quality timepiece, or they use their cell phone to tell the time.

I’m almost certain that back in grade school, we had some workbook or set of ditto worksheets that had similar line art people, probably either showing how damn great it was to recycle your pop cans (i.e. soda cans, this was Indiana) or how we should all work well with others, lessons that were mostly lost on my schoolmates.  I don’t remember if these people had faces or not.  It was the seventies, so I’m sure they also mixed it up with a token amount of men and women of various races.  I do remember this was the era when the “he” pronoun was falling apart, when they would alternate using “he” and “she” in every other example, as if that made things better.  It was better than having to use “he and/or she” every time you’d normally use “he”.

I didn’t do the stretches today.  I’m going to a chiropractor and he has me doing a different set of stretches for my back.  He took x-rays last week, and I got to look at those, which are always amazing.  If I could buy an x-ray machine on eBay, I’d be dead of radiation poisoning in a week.  I’d walk around with scans of x-ray films taken from every conceivable angle, all loaded onto my iPad.  I’d start talking to a stranger in a drug store, and say, “hey man, you think these mediastinal contours look normal? No man, I know you’re just a bricklayer, but do you think this aortic knuckle has any loss of definition? I’m always worried about adjacent lung consolidation.”

The x-rays showed one of my legs is shorter than the other.  I knew that.  I’ve known since junior high, when they would line up everyone in gym class and check for scoliosis.  They would train the new teachers by having them look at my back, as an example of a fucked-up spine.  By junior high, I’d been to the Elkhart Clinic at least a hundred times, to the orthopedic guy, the optometrist, and the allergy clinic.  It’s thirty-some years later, and I’m now going to a chiropractor, an optometrist, and an allergy clinic.  It’s a recurring theme.

When I was a kid, you’d have to wait for the TV set to warm up before you watched it.  I totally forgot about that.  We had this giant Magnavox console TV that you could shackle inside of a B-17 and drop on a German industrial city to take out an oil refinery.  You’d turn it on, and the sound would fire right up, but the picture would slowly fade into view.  One day, the picture never came on, just sound.  We turned it on and off ten times, nothing.  Left it on for an hour, just listening to audio of Tom and Jerry (not as good), no picture.  My parents opened the back, took out the dozens of little glass tubes, brought them to a drug store with a tube tester, this giant machine that vaguely resembled a stand-up video game, but instead of a joystick it had a bunch of knobs and an armada of sockets, where you plugged in the little glass cylinders.  I don’t know if you waited for a red or green light to come on or a needle to swing or what happened, and I don’t remember if they sold tubes there, but I remember every damn one of those tubes came back good.  We got another TV set, a smaller solid-state unit, and it sat on top of the deceased set, which functioned as a TV stand for the next decade.  This was Indiana, everyone did this.  I bet a half-million Hoosiers have their new flat-panel LCD HDTV sitting on top of an old beast like our Magnavox.

The Magnavox had a little lead box inside of it, containing a couple of tubes that gave off x-rays.  The lead box had a ton of warnings stuck to it, in an era when a potentially lethal meat-grinder with exposed blades and no guards whatsoever would not have a single warning on it.  I probably could have turned this into an x-ray machine if  I could buy some film at the Osco’s where we got those tubes tested.

I think I got my first x-rays in maybe the first grade.  Chest films.  Elkhart Clinic.  I had pneumonia for weeks.  My sleep cycle went completely off; I’d sleep twenty hours in front of the Magnavox TV, then be awake all night, reading Encyclopedia Brown.  It must have been around October, because my mom said I should just wear the x-rays as a skeleton costume.  I’m sure she said this because I probably asked for a Spider-Man costume roughly 48,724 times that month.

The guy that wrote and directed the Encyclopedia Brown TV show also wrote and directed Better Off Dead.  He also animated the Whammy on Press Your Luck.  He often casts Curtis Armstrong in his movies, better known as “Booger” from Revenge of the Nerds.  I always used to see Armstrong in the BMG cafeteria when I worked at Juno.  I also used to run into Diddy in the elevator all the time.  Booger was much cooler.

I turn 40 in a week.  I can’t really wrap my head around that.  I’m sure there’s some Nick Hornby book I can read that will explain all of this.

We went out yesterday for lunch at this Burmese place (which was thankfully not renamed a Myanmarian place which would completely screw up the GPS, which would probably tell us to drive 5,427 miles on I-90, take three left turns, then drive 5,426 miles in the other direction) and I can’t tell you much about the Burmese place except the food was decent, and they brought me this salad that had 16 ingredients checkerboarded on a huge plate that was then mixed together at the table, which is a great concept unless you’re the poor bastard that has to lay those 16 ingredients on the plate for minimum wage.

After lunch, we wandered around this neighborhood on Telegraph, looking at thrift shops, including this craft reuse place that had loads of trippy stuff, like giant boxes of photos you can buy by the pound.  The pictures were not like getty stock photos; they were just boxes of random family photos, vacation photos, and snapshots.  I seriously wanted to load up on these, scan them in, and use them as stock photos on this web site, so you’d come here to read my blog, and the featured photo to the left would be two dudes playing hackeysack on a beach in Yo La Tengo t-shirts.  And maybe I will do that, except that I absolutely hate scanning photos, and wouldn’t mind having a lot less stuff in the house, not more.

We wandered up Telegraph a bit more, and I saw this game store.  For some reason, board games and RPGs have had a huge resurgence lately, which I find fascinating and annoying.  The annoying part is that I was playing D&D back when it was a rung below pedophilia on the social acceptability scale.  And I blame the two-pronged attack of role-playing games and computers as the reason I never got my shit straight from a social standpoint back as a teen.  And I got out of the whole dragon-slaying thing well before college, but then a decade or so later, every damn hipster doofus in the world is reading Tolkein and talking about how cool their pewter half-orc figurine collection is.  And part of me wanted to get back into it, but I don’t have endless expanses of time like I did when I was 14.  But it’s always been something I was curious about, like how I’m vaguely interested in the world of model railroading, but I honestly have no deep affection for trains themselves, and do not have the time, space, or close-up vision to build a giant railroad setup in my house.  (But I still re-read Sam Posey’s Playing with Trains every other year.)

So we went in this game store, and it was wall-t0-wall stuff that would have made me have an aneurism when I was fourteen.  I mean, back then, in bumfuck Indiana where I grew up, you had essentially two choices for all of your TSR gear: the Kay-Bee toy store stocked some small amount of books, modules and dice, and Walden’s Books carried some of the hardcover books and Dragon magazines.  There weren’t any other places to get any of the non-TSR games, although I’m sure if I had a car to go to Chicago or Indianapolis, I could have found some of the more rare Avalon Hill crap and delved even deeper into the life of geekdom.  But this place - the Oakland place in 2011, I mean - they had tons of board games, books, modules, game systems, models, miniatures, and collectibles.  If I was still a gung-ho Dungeonmaster and borderline hoarder, this was the place to show up with a rented u-haul and a cashed out 401K.

And then just as I was thinking “maybe I should get on Facebook and find some people in my ZIP code who would be interested in playing some Axis and Allies”, I saw the store had a little game area in the back, with a bunch of tables where you could come in and battle it out, tournament style.  And there were a couple of people playing.  Do you remember this kid in the documentary Trekkies?  Okay, imagine three of him in a shouting match with each other that goes something like this:

1: YOU CAN’T USE SILVER AGAINST A CHANGELING IN A HUMAN FORM

2: NO THEY ARE ALWAYS AFFECTED BY SILVER SO YOU NEED TO THROW A D20 SAVE YOU MORON

1: NO THEY CAN BE AROUND TRACE AMOUNTS OF SILVER IN THEIR HUMAN FORM YOURE JUST TRYING TO RUIN THIS CAMPAIGN

3: HE CAN BE AROUND SMALL AMOUNTS BUT IF HE ISNT SHAPESHIFTED AND YOU POURED FIVE GALLONS OF LIQUID SILVER DOWN HIS THROAT IT WOULD CERTAINLY HAVE AN EFFECT ON HIM YOU CRETIN

2: I’M THE DUNGEON MASTER AND THIS IS MY CAMPAIGN SO YOURE GOING TO ROLL A D20 SAVE BECAUSE EVERY IDIOT KNOWS SILVER AFFECTS CHANGELINGS.

And so on.  I wish I would have pulled out my phone and recorded it, because it was the funniest damn thing ever.  And it also reminded me why I’m probably not going to rush out and get the Red Box set and start re-learning how to play D&D again.

(Side note: the kid was named Gabriel Koerner, and he’s going on 30 and has done a ton of pro work as a CGI artist in stuff from Lost to Enterprise to Shutter Island, so it looks like things worked out fine for him.)

Okay, so here’s the other thing.  There were a ton of cool board games there, and I wouldn’t mind having people over to play board games every now and again.  But it also made me think it would be cool to design some whacked-out board games.  And I spent the whole day thinking “is there some lulu.com-like print-on-demand thing where I can upload my own rules and text and artwork, and have it spit out really cool board games?”

Well, there is: http://www.thegamecrafter.com.  I don’t know how well it works, and the web site is not exactly web 2.0, and a lot of the games on there look cobbled together by 14-year-olds with very little photoshop experience.  But, if I had infinite time, I would sit around and churn out some kick-ass games, like “Abortion Clinic Tycoon,” “Zombieopoly,” and “Crips versus Bloods: the Board Game.”  And I’m almost certain this is how I will waste at least a few days of my time until I realize I can barely draw a stick figure.

As a writer, I spend a lot of time at desks.  And I have some strange obsession with the workspaces of writers, which is why I always seem to be snapping pictures of my desks.  And every time I go back and look at it, I can tell the era and the project and the general zeitgeist by seeing what things I needed to keep within arm’s reach during the marathon stretches at the typer.

Here’s a bunch of pictures of my desks over the years.  Why?  I don’t know.  A good way to waste a Friday afternoon, I guess.

Here’s where I spent a lot of 1999: in Washington Heights at Marie’s, my first stop in New York, and where I hacked out the ending of Summer Rain. This must have been soon after my arrival.  There’s my Polaroid, which I bought during the cross-country trip, and some Hi-8 tapes, probably also from the journey.  That silver thing between the speakers is a MiniDisc recorder.

That winter, I moved to Astoria, and got my own place.  Still working off the office table, but I have a real chair now.  This must be in mid-2000, because I’ve got my surround sound speakers installed.  I probably got the bulk of my work from 2000-2005 done at this desk, where I used to type from nine to midnight over the sound of Jersey Shore wannabe douchebags screaming at each other outside my first floor window (hence the speakers.)

My desk at Juno, from 1999-2001.  I didn’t do as much fiction writing here, but I pumped out a lot of tech writing.  It was my first cube, after years of Seattle offices with closing doors.  There’s some xmas lights up; they told us we could decorate our cubes, so I went to K-Mart and bought $100 of lights, including one of those blinking strands that played 24 different holiday songs from an annoying watch-type speaker.

By 2001, I added this stupid aquarium to my desk, in some effort to be less stressed out or something.  I was too lazy to buy fish though, which is probably for the best, since they would have died after 9/11 when my power went out for a week.  You can also see the corner of my beige mini-tower computer on the floor, the case I bought back in 1992.  I must have replaced it a few months later.

In 2002, I started writing on the road a lot more, taking last-second fare deals every time we had a long weekend, so my “desktop” looked like this a lot.  That’s my Latitude LS, the first “real” computer I bought new.  A screaming Pentium III with 256 MB of memory and Windows 98, for a only $2500.  I dual-booted into Linux so I could fire up emacs at 40,000 feet and type away.  No, no wifi.

Here’s what it looked like in action: a hotel room in they Hyatt connected to the Pittsburgh airport, on Good Friday of 2002.  There’s also a Handspring Palm-clone PDA in action, something I bought to jot down ideas and read e-books, but ended up using primarily to play Dope Wars.  I was probably finishing edits of Rumored to Exist around then, although I was also mostly getting drunk and thinking of stupid movie ideas.

When you’re a bachelor for too long, this is what happens.  This is probably early 2005, and the mail collection has gotten out of control.  I think the browser window is opened to my old /photos directory, running its hacked-together PHP gallery software, before I finally gave up and just started using flickr for everything.  If you look carefully, you’ll see a PlayStation 2 on the floor, which is responsible for my lack of writing output for most of the 2000s.

Hey look, I got a Mac!  This is from spring of 2005, and I also got an ergo keyboard.  And I must have started dating Sarah, given that I felt the need to clean the apartment so it didn’t look like a serial killer was there, or maybe they were filming a special two-part episode of Hoarders.  Don’t worry, the stacks of unopened mail are still there; I found a spot on a bookcase to hide them, which is a miracle, given the number of books I had at this point.

New house, new desk.  This was late 2005, when I moved in with Sarah on the Lower East Side.  That desk was brutal to put together.  That red phone followed me around since maybe 1988 or so; I’ve still got it in storage somewhere.  There’s also the receiver for a Microsoft wireless mouse, a wretched little pointing device that ate batteries faster than a walkman with a 20-inch subwoofer.

That desk followed me to Denver, and in 2007, this is where I spent most of my time writing an unpublished book about time machines, and hacking at Ruby on Rails code.  The thing in the center is a full-spectrum light; I hadn’t sold the Mac Mini yet; this was well into September and going into Rocktober, given the order form for postseason tickets sitting in the corner of the picture.

In 2008, we moved to LA, and I worked from home again, this time with a place back in Denver.  I spent my days in VMware, slogging away in a Windows virtual machine, which is shown.  This was during my massive weight loss campaign, as evident by the 100-calorie pack and the diet Sobe Lean pink grapefruit soda.  I had an okay view from the window, with lots of California sun and the occasional crow on the tree outside.

Here’s my officemate for much of my writing.  Loca loved to crawl on the desk and crash, especially when I had documents spread out.  It’s always nice to have cats around when you’re writing, though.  You can also see how I hid my laptop on a keyboard tray, and a close look at the whiteboard shows some Ruby on Rails for hackers cheatsheet, which I probably looked at once and then ignored.

A bad stitch of some pictures of my office at Samsung.  Note the early 80s decor, like the old-school cubicles.  I didn’t have much on my desk, because any time a senior exec from Korea came to visit, they would go apeshit if anything was out of order, so everyone would panic and hide every single thing on their desk in an effort to make it look as sterile as an operating room.  Well, an operating room with early 80s wood paneling.

I wish I had pictures of my desk from 1992, when I lived at the Mitchell Street house and worked off of an old card table, the same one I used to use to build model airplanes in my early teens.  I also had a pretty kick-ass Sauder L-shaped desk in 1993, where I really started my writing career.  I either sold it or gave it away when I left Bloomington, but it was a nerd command center, with plenty of CD storage and a keyboard tray and plenty of room for 3.5” floppy disks, since you needed roughly 87 of them to install Linux back then.

I don’t remember learning BASIC - I think the start of my programming career just happened.  I mean, they’d herd us off in small groups to the grade school’s two Apple II’s and one of us would be the typist, and we’d enter 10 PRINT “HELLO” and someone would always type 10 PRINT HELLO and wonder why it would return 0.  And we’d eventually learn GOTO and a little math and maybe an INPUT or GOSUB, and after we finished a chapter per week, we got to play some crappy text-based game that made you run a lemonade stand and allegedly teach you some math.  And then I got my own computer, and got more time on those Apple computers, and pretty soon I knew most of the language, but only from a brute force perspective.  I was only interested in writing my own Zork, and had no idea about run-time complexity or how to sort something efficiently, or any of the stuff you were supposed to learn to really program.

And then I learned Pascal.  I think I may have dabbled in it a bit beforehand, but it all came out of a C201 class in my sophomore year, at IUSB, and we had to do all of the usual stuff, like fahrenheit to celsius or julian to gregorian converters.  The one pisser about this class was that IUSB had one shared computer, a Prime 9955, a mainframe the size of a dishwasher that had the computing power of a middle-of-the-road 386 at the time.  But the whole school was wired into it: payroll, registration, gradebooks, and this huge rube goldberg set of programs resided there, and did for years until they finally boat-anchored the thing and managed to get to some unix or NT system in place.  The teacher handed out slips of paper on the first day of class with logins for the Prime, and we all got some cryptic username, like NS837489, and a certain amount of funny money cash balance, because any time you logged out of the system, it told you how much money you “spent”.

This was insane to me, after a year at IU.  In Bloomington, they just started permanent student accounts, in which you paid a technology fee every semester, but in return you got accounts on any of the university machines operated by UCS.  That meant you could spend all day plunking around on a VAX, learning how to program or VAXPhoning strangers or just reading dirty chain mails.  But from a hacker ethics perspective, it meant you could stay up all night trying to hack the VAX C compiler, or learning obscure details about ULTRIX, or writing elisp crap for emacs.  You didn’t get a balance due every time you used a clock cycle, and you didn’t have to worry about your entire world vanishing at the end of the semester when they shuttered your temporary account.

Logins to the Prime only worked well on these TeleVideo terminals straight out of a 1970s bank, and logging in on a PC using Procomm tended to freak things out; you’d hit a cursor key and a stream of garbage would come across your screen, like someone picked up the other phone when you were on a modem.  Also, they used this thing called Sheffield Pascal, which wasn’t optimal, but was nowhere near as bad as the not-visual text editor you had to slog away with, which was roughly like using vi without an escape key.  After suffering through the first assignment, I asked the teacher if I could do my projects on a different system, since we only handed in a printout of our program listing, and he said fine.  I’d log into the VAX down in Bloomington, where I still had my accounts, and do my assignments there.  Okay, the TPU editor wasn’t that much more thrilling compared to working in Eclipse or something, and VAX Pascal had its own issues, but I got through the assignments with no problems.

Here’s the thing that astounds me: I managed to go from not knowing the difference between a function and a procedure to pretty much knowing the full nine yards of how to get around Pascal in a pretty short time.  I mean, a semester is only a few months, and by mid-fall, I was screwing around with my own stuff in Pascal, trying to write a game and messing with the starlet VAX libraries, which let you do cool stuff like ANSI graphics animations and .  It’s so surreal to think this, because now it takes me a month to find my checkbook, and back then I learned this language in not much more than that, and this was when I also took a calculus class and a philosophy class, and Spanish, and worked part-time, and commuted every day, and everything else.

But I knew Pascal wasn’t the be-all, end-all of languages.  Real men used C; I knew that already, and I knew I’d have to learn C to do really cool shit.  And I messed with it, I bought a copy of K&R, and I looked at it, but I didn’t commit.  For whatever reason, I took to Pascal faster, and I used it for whatever little stuff I needed to do.  I started writing crap for Sowder’s utility program, and Pascal was my go-to language at the point.  But I knew I had to learn C.  Unfortunately, they weren’t teaching it at IUSB.  When I took C202, the point where you usually learn C, they got this wise idea to teach us all about object-oriented programming in Modula-2, which was basically a rewarmed version of Pascal that glued enough crap on the side to make it look functionally as useful as C, but with none of the allure.

One of the good things was that the Prime did not have a Modula-2 compiler.  The CS department just got a couple of HPUX servers and a couple of X Workstations, and we all got accounts to shell into the unix machines and whittle away at our code there.  But the workstations were locked away in a different room, only available to people in some advanced class, and they all sat idle all of the time.  And the administrator of the CS machines was this shitheel that would routinely snoop around your home directory and read your email and sometimes delete files if he thought you shouldn’t have them.  He was some right-wing nutjob that got off on security and authority and probably later got a job in the Bush administration administering illegal wiretaps.  Granted, I was being a huge pain in the ass, spending all of my free time downloading games off of usenet and trying to get them to compile, but it always ticked me off that they had these giant-screened workstations that my tuition paid for, and I even worked there, and I had to spend my time plunking away on a Leading Edge Model D, which was like the Yugo of personal computers.

I don’t know when I had time to learn C, but I know that the Modula-2 class was in the spring of 1991, and by the fall of 1991, I was back in Bloomington, taking a 400-level class in C++ and Objective C, and don’t remember a period of time where I seemed entirely overwhelmed by the premise of learning C, at least like I was when I needed to take C311 and had never taken C201 in Scheme, and the thought of taking a class taught by the guy who literally wrote the book on Scheme with almost no knowledge of how it worked gave me panic attacks.  But Unix and C went together like alcohol and bravado, and I couldn’t imagine trying to write any stuff during the infancy of Linux with Pascal.

My last big hurrah for Pascal was this xinfo database I wrote for Sowder’s utils, which was basically a cheap relational database used to keep track of user address information.  Somewhere, I have a piece of lime and cream colored tractor-feed paper with a bunch of handwritten Pascal code, probably from the summer of 1991, from when I was working on that project.  I didn’t have a home computer, and then when a girlfriend loaned me her Mac so we could keep in touch without insane phone bills, I still didn’t have reliable access to the VAX machines because IUSB’s dialups were crap.  So I did a lot of coding on paper, by hand.  I remember a whole Christmas break in 90/91, stuck in Toledo with a different girlfriend at her parents’ place, bored out of my mind, trying to write a chess game on paper, then trying to write a tic-tac-toe game in the primitive BASIC included on my Casio-9000 graphic calculator, which I think had less RAM than a twitter message.  And that’s why I probably learned this stuff so fast - I spent every waking moment thinking of programming, and how I’d build a computer, and how I’d save up money to buy the cheapest Amiga possible, and how I’d get some shareware C compiler and write a ripoff Star Wars video game.

Now, all of this seems alien to me.  I can barely remember any Pascal, and if I had to learn a new language now, I’d hop onto Amazon, buy a couple of the hundreds of books published  on the topic, and read a bunch of tutorials or watch screencasts online.  But it would be nowhere near as fun, and the entire sport of it would be gone, which is probably why I don’t spent much spare time programming anymore.