I was watching a show last night that’s about bad jobs - it usually involves someone removing feces from subways lined with rats bigger than dogs or something, so I never watch it. But last night, it was about guys working in a junkyard, which I thought was funny. Not ha-ha funny, but because it was the kind of intellectual porn aimed at blue-staters to show them how horrible life is out in the flyover zone. But to me, it brought back the vivid memories of the wrecking yard, a place I knew well from my teenage years.

Growing up, I did not drive a new Mercedes provided by my parents on my 16th birthday, and my idea of car service went beyond self-service gas. When I was 15, my stepdad bought this totaled Camaro for $300, and along the way, it eventually became my project. By the time I got my license, a lot of major work had been done, from brakes to tune-up to tires to a new interior. A month or two later, I bolted on a new exhaust from stem to stern, while trashing three socket wrench handles in the process of wrenching off rusted bolts. But one of the biggest things I needed to fix was a badly dented fender on the front passenger side, along with a cracked fiberglass nose. I couldn’t buy those parts from the local AutoQuest, so I had to make a trip to the junkyard.

The junkyard in Elkhart, or at least the one I went to, is out on CR 10, west of the Nappanee extension. It’s way up north of town, in an isolated corner of the county, by the regional airport. It’s also coincidentally by one of Elkhart’s several EPA superfund sites, the old Himco dump site, but I didn’t know that at the time. I’d never been there before, but my stepdad used to go out there back in the 60s and 70s when he was always working on muscle cars, and I think I made a call or two out to the place.

I planned a whole day around the fender swap, a Saturday, and awoke early to find a few inches of snow on the ground. That bummed me out, but I vowed to put on an extra layer of clothes, some old boots, and forge onward. Because I didn’t have a truck, I took out the passenger seat and carefully measured the existing fender to make sure I’d have enough room. I left early enough to head across town and get to the place just as the chain-link gates were opening. When I got there, I found a big prefab metal building with a run-down front office and a set of big garage bays that could probably fit a Peterbilt semi, if they cleared out all of the junk first.

I remember getting there, and the guy in charge told me where to head for the Camaros, to pick out a donor and then come get one of the guys to wrench off the parts for me. He set me loose in this labyrinth of dead vehicles, everything dusted with a powder of snow. The white padding muffled all of the sound around me, except the crunch of my feet on the dirt path. Most of the narrow roads within the yard were heavily rutted, and muddy and wet, since the temperature hadn’t been freezing for that long.

I found a row of F-body cars, Camaros and Firebirds, along a treeline. None of them were on tires anymore, and half of them were missing engines. I could imagine someone around town driving a piece of shit Chevelle, bragging “yeah, I got me a Z-28 motor in here” for each of the engineless cars. Some of the cars were smashed in the front; others had extensive rust damage in the rear panels. A few had smashed glass in spiderweb patterns that suggested a fatal collision.

To say that I’d spent a lot of time in my Camaro would be an understatement. I took apart and put back together so many pieces, spent Saturdays scrubbing the interior, running speaker cables under carpet, changing fluids that I’d just changed 100 miles ago, and dreaming about what parts I’d tear off and replace, when I had the cash. I memorized the Chilton’s guide for the car like it was scripture, and had a solid mental image of every part of the car, inside and out. So to look at all of these cars, at the minor differences from year to year, the missing chunks and damaged pieces, felt a little weird. It was like seeing a relative without a head, your house with the roof removed. But it was also exhilirating in a way, to think of buying a more tricked-out center console from a newer model, or a faster engine from a different car, or whatever else. Mostly it was weird to see all of these rows of cars, missing pieces, gently frosted over by that winter day.

I found a white ‘77 with a front fender that looked good, and trudged back to the front gate. When I got there and said I found it, a guy that was maybe in his early 20s waved me over to the most motley car I’d ever seen, an old Suburban or some sort of pre-SUV truck, but with half of its parts missing. It had no hood, half of its glass gone, no front lights or bumpers, little interior, but the back held a set of welding tanks and a haphazard bucket of tools. The dude, who looked like Alice Cooper but no makeup or anything, told me to hop in, and we creaked across the lot. The truck rocked and swayed so much, the windshield was flexing and I was sure it would explode at any moment, but we got there.

It took the guy a few minutes, and I carefully watched what screws he took out to extricate the sheet metal from the old car. I also got a rear-view mirror for the side door (and unfortunately, broke it before I got it back on my car - oh well, five bucks.) The fender, still wet from the snow, just barely fit in the car, and I got a baggie full of hardware to bring with me for the transplant. It felt so weird, driving across town, listening to Iron Maiden or whatever I was into that week, with no passenger seat and a huge chunk of metal taking up half the cockpit.

There’s not much else to the story, except that it’s a bitch to work on old metal that’s rusty, with concealed little sheet metal screws in hard-to-reach areas. I had to take off the hood, and spent an hour or two playing the “I think all the screws are off but maybe there’s one more” game. I had a 5:00 shift to work that night, and almost entertained the idea of driving to work with no hood on, but I got everything set up, and made it to the mall in my red and also white car.

I went back a few more times for a few more cars, and I always liked the whole idea. Every car there tells a story, and it’s sad to see them dead like that, but it’s also cool to know they will be recycled, and other cars will live longer lives with all of the parts. It’s a weird little bit of midwestern culture, and a pleasant memory, even if more of my cars ended up in the junkyard than not.

As always, I was playing around on google yesterday, trying to scouring my brain for a tiny clue to something from my childhood, to see if anyone more afflicted than myself had any related pages on the web. I’m not sure how I found the link, but I managed to find enough info to find a name, a town, and even some pictures, which is a victory in my book. Okay, here’s the story.

When I was a kid - probably in the late 70s/early 80s, I used to go to Procter and Gamble’s huge corporate picnic there, which was held at this place just outside of Chicago called Hillcrest Park. My grandfather and my aunt both worked for P&G, and it was a big deal for everyone to attend the picnic every year. To me and my sisters and all of the other cousins that were my age, this was the chance to ride rides and eat tons of ice cream and other junk food and have a lot of fun. At that time, we lived in Elkhart, which was a couple of hours east of Chicago, so this meant a trip to the big city, and a chance to hang out with all of my cousins, who were infinitely cooler than me.

Back then, P&G corporate was in Chicago, and I think they also made soap and other stuff there, because we’d go to the factory, and the place would smell horrid. The only other thing I remember about the factory was that they had an automat, which is another lost concept in American culture and a pretty nifty idea. Anyway, we never hung out there for long; they’d load us up into a bunch of chartered busses that drove us to the park.

The park was about 60 acres, so it was no King’s Island or anything, but they only did these corporate picnics, so it was just people from the company there. Inside, the grounds were wooded, with pavilions and picnic tables, and a couple of buildings, like a food court, and some restrooms. The elders usually sat around the pavilions and formed these enclaves, where people watched over the little kids and everyone’s stuff, as everyone else wandered around. My Grandpa worked for P&G basically his whole adult life, so he knew a lot of old-timers, and he’d wander around running into those guys and trading complaints about their latest health problems or whatever. My mom usually spent time with all of my aunts, her sisters, trading their stories or whatever. That left us kids to go on the rides, and to eat food.

One of the rides I remember more than others was the railroad. I was really into trains as a kid, and the train was also the ride that you could go on with adults and little kids. The park ran this narrow-gauge train with a real steam locomotive that chugged around the perimeter of the place, through the woods and around the fields. It gave you a good view of the whole park, and passed the sports grounds, which featured a huge outdoor pool that at any time was filled with about 10,000 kids. The train also looped back around and ran right next to the roller coaster before it came back to the station. It was always neat when the timing was right and you were chugging along and the coaster’s cars whipped past right next to you. The train was pretty slow and not exactly a thrill ride, but I always liked to ride it at least once per trip, just to get the lay of the land.

There were some other rides grouped right by the coaster, in a little promenade area. They had a merry-go-round (which we considered lame, but me and my cousins were all like 10-12 years old at the time, so you get that) and a whip-a-round type thing that was marginally fun once or twice, but repeat rides did not reap any rewards. A set of electric bumper cars, the kind with the scraper bar that went across the ceiling, were a fun opportunity for some bumps and always had a long line. There were a couple of coin-op games, a rifle game where you shot at various targets like a piano player, and maybe a skee-ball game. We never played those because I could never shake down the change from my mom and the cost wasn’t included in the picnic.

The big show was the roller coaster, called The Little Dipper. It was a wooden coaster, painted white, with a figure-8 pattern that pulled up 16 riders with a clicky chain and a creaky first hill that dropped off and gave a huge rush, even though now I found out the stats, and it’s only like a 20-foot drop that gets you up to what a car’s first gear does. But the Little Dipper was my first coaster ever, though, so I have fond memories of it. It was a little rough, but at the time it seemed like the fastest, most brutal thing ever. I was reluctant to ride it at first, but then I wanted to get back in line and ride it all afternoon. Once we did get there early enough that we got through the lines three or four times really fast before a crowd built up, and that was absolute paradise.

I have a lot of other good memories of that park, too. I think they had some kind of paper ticket system for the food, and we’d always end up eating an endless supply of hot dogs, hamburgers, and ice cream. P&G was pretty good to their people, and always had random drawings that somebody in our big extended family would always win, which consisted of huge bags of P&G products.

I was sad to hear this place closed, though! I always expected it to be long gone, because even back then, it was pretty weathered and beat. But I guess they pulled through until 2003, when less companies were spending the money on picnics, and that 60 acres of real estate was worth more than their draw. The rides were auctioned off, and I am glad to hear that the coaster made the transition to another park. I don’t know what happened to the other rides. Lemont, Illinois will now have a new warehouse, but that doesn’t really make up for losing the park.

I guess I’ve rode a lot of roller coasters since then, but that’s not why the memory stuck in my head. I guess it was a combination of the food (which probably wasn’t that good, come to think of it), seeing all of my cousins, being in Chicago, and just being able to see everything in the park. For whatever reason, this was like my Christmas in the summer, one of those things that really stuck with me.

Anyway, another distant memory solved by google. Now I need to find someone auctioning off another roller coaster like this one, so I can set it up out on my land in Colorado. Any ideas?

Okay, I had fun rambling on yesterday about my old job at Montgomery Ward, and it was a good warm-up exercise for writing, so I thought I’d do it again for a bit. Here goes.

I don’t know how I lucked into the job at Ward’s, but it came at the best time possible. Before that, I worked at an Italian restaurant hellhole as a dishwasher, busting my ass for $3.35 an hour and taking the abuse of the old-school Italian owners. After about six weeks of breaking my back on a sink hung about six inches too low for me, I walked out on a Saturday night during the dinner rush and planned to never come back. The owner called on Monday, cursing in Italian, and said if I didn’t finish out the next week, he wouldn’t pay me. I came back and worked at half-speed, putting greasy plates on the clean rack, never changing the water, and giving them every excuse to tell me to leave. On my last night, I had to clean the cheese grinder, this huge, cast-iron piece that weighed a good twenty pounds, with big screw-threads inside that filled with raw mozzarella cheese. You were supposed to spend a ton of time carefully scraping the extruded cheese out of each thread, scrubbing the insides until sterile. I said, “fuck this,” and gave it a quick once-over on the exterior before putting it away, leaving the cheese to dry into cement inside. The next week, I filled out applications, and basically fell into an interview and callback for Wards, and had the job.

The paint department had two older women and two teen-aged guys. There was me, and another guy named Joe, a year older. He looked like the actor Eddie Kay Thomas from American Pie, except much more sickly and emaciated, and he was even more of a slacker than I was. He perfected the ability to sleep while slumped against the paint counter, so at a distance it looked like he was actually waiting for the next customer. He wanted to go to film school, and his stepdad was one of the top microphone designers in the country. He worked for Crown, designing mics, and wrote articles for many top-end audio magazines. What that meant for us is that he had tons of audio and video equipment lying around the house. Joe got me hooked on punk bands like Black Flag and also on old Troma films like Surf Nazis Must Die and Bad Taste, so we were continually trying to get a band together and/or shoot a movie with no talent, no money, and whatever equipment we found in his basement. Luckily, only a few copies of our attempts actually survived over the years, and I keep tight control over them to avoid shame and embarrassment.

As for the two women, there was Bev, who worked the regular day shift and was our somewhat-manager. She set the schedule and did other managerial tasks, but she wasn’t a salaried manager, and that was a big point of contention for her. Bev was this middle-aged woman that took the job a bit too seriously, and always wanted to claw up a level on the Wards corporate ladder, but would always be back in paints. She helped out the housewifes with their wallpaper samples and worked slowly yet diligently. When there was a shift change at five, she babied us “kids” a bit, and that got old after a while; after all, we were teenagers and knew everything in the fucking world. Joe and I talked behind her back all the time and went on and on with long, mocking dramatic parodies of her and Pearl, but she kept things going during the day, so that worked for us.

Then there was Pearl. Pearl was a crotchety old woman with white curly hair and a constant look of fear and confusion on her face. I felt sorry for her, because she actually worked some other job and needed Wards to make ends meet. I didn’t know her social situation, but I imagined her to be the hermitted old maid, the lady in the neighborhood that all the kids said was a witch, with no family to help her, and this big, scary Reagan-spun world of evil ready to collapse on her at any moment. Pearl was very highly strung, and tended to lose her shit at a moment’s notice. Put her in front of a cash register with a transaction that’s anywhere near abnormal, or have her mix more than four cans of paint, and she would freak the fuck out. She often put cans of paint in the orbital mixer without closing their lids all the way, causing an explosion of pigment everywhere. That and the fact that she was creepy made it difficult to work with her, although maybe it was slightly better than a shift’s worth of Bev’s momming you around.

Me and Joe never worked the same shift during the week; sometimes we’d team up on weekends, but most school nights, it was one or the other of us watching the fort. One of the games we played was repainting stuff in the department. We’d get a lot of damaged, mismixed, or extra paint, and since we’d only get like one or two customers a night sometimes, we’d use the extra supplies to refinish equipment. Joe started the trend by completely disassembling the pigment dispenser one night, and spraypainting the base and turntable with some nice beige spraypaint, the hard-metal finish crap you use on filing cabinets. Compared to the previous million-color splatter, it looked showroom-new. I took apart the paint can closer, that press-thing that seals can lids, and did it up in two different colors. Joe then resprayed our orbital mixer, although shortly after his new paintjob, we got a new one that didn’t shudder and shake like an out-of-balance washing machine during each can of paint.

We did another collaborative art project, which was a book of modern art we created from found objects in the paint department. We only had one or two colors of marker, plus ball-point pens, but we also worked in paint samples, weekly circulars, security tape, wallpaper pieces, and anything else we could find. Once Joe found a cockroach and taped it to the page. We kept the book (really just a legal pad) hidden in the back, and worked on the modern art masterpieces during slow time. I still have the book and often threaten Joe that I will scan the pages and make some kind of web-based interface for it. Just for posterity, here’s a page I scanned in for my glossary; the top piece (“Sunset From Hell”) is Joe’s, when he was in his blue security tape and wallpaper-as apocalypse period, and the bottom piece (“The Analog Kid”) is my deconstruction of the Sunday sales circular into mosaic, representing the complexities of a post-Freudian individual in the new world Reagan era of digital change. Or something.

Any idle time was spent making fun of Pearl and Bev, or devising complex games or diversions. First, both of us would imitate Pearl, and sometimes pretend she led a secret life as a deranged serial killer, mostly because she resembled Norman Bates’ mom’s corpse from Psycho. When that got old, we’d do stuff like put metal can openers in the orbital mixer and hit start to see the thing shoot around; it sounded like dropping a wrench in a large printing press. I manufactured a blood pack from plastic bags and pigment; Joe started a game of seeing who could steal the most can openers a night. We did all of the regular work: dusting off cans, putting away stock, tending to customers, facing shelves, and all of the other usual retail labor. But sometimes, in those non-holiday months, you had nothing to do but listen to Muzak for four hours, and you had to pass the time.

Shortly before I came aboard, our store switched to Nixdorf Point-of-Sale terminals, replacing the old cash registers. These things looked like a slick (at the time) grey PC, with a full keyboard, a tape and form dot-matrix printer, a small greyscale CRT screen on a swing-arm, a magnetic card swipe reader, and a disembodied CPU unit hidden in the counter below, and connected to a main computer, the offices in Chicago, the credit companies, and who knows what else. They gave me a couple of days of training on the machine, but it really took about seven minutes to master them. If you could order food at McDonald’s, you could understand the intricacies of this machine. That meant, of course, that Bev and Pearl were constantly at war with the little grey box. Something as simple as a return and exchange for a different amount would send them into a fit, and I would be asked to step in because I “knew computers”. One of my biggest pet peeves is when someone finds out I’m “into computers” and then asks me to debug something like a garage door opener or a VCR timer. I didn’t learn how to fix a damn toaster in my compilers class, people.

Anyway, I spent a lot of time going through all of the menus on the register, trying to find secret screens or undocumented easter eggs. After hitting all 101 keys in every combination on every screen, I found a way to change the idle screen on the monitor. Normally when you leave the register, you flip around the monitor and it says “Montgomery Ward - Register Closed” with a bunch of asterisks around the text, in an ASCII-art box. Well I found out you can add your own line of text below this, maybe to say “Go to Housewares” or something. Instead, Joe and I found great pleasure from changing it to “Go fuck yourself,” or “Pearl, this is Jesus, you’re going to die.” We had several close calls where we forgot to change a register back and had a manager wondering how the hell the idle screen said “Holiday in Cambodia” or whatever punk anthem we were into that week.

Another time, we were playing with the igniter from a gas grille. It was a push-button assembly with a wire coming off of it, and when you put the wire’s tip near a piece of metal and pressed the button, it would click and shoot a spark across the gap. We had a lot of fun one afternoon shocking each other with the thing, playing games of paper-rock-scissors-electric shock or whatever. Then Joe was ringing up someone’s paint at a register and I found that when you shocked the glass CRT screen, the system FREAKED THE FUCK OUT. The screen would completely blank, even more than when the register was turned off, and all of the peripherals acted like the thing was in the middle of a cardiac arrest, the print heads moving back and forth, spitting out and pulling back in paper. Right when we were ready to fess up and call someone from the front office, we found out that cycling the register to another screen woke it up again and everything was well.

After a few months there, I could take apart the entire Nixdorf terminal with no tools and no keys, in my sleep with the lights turned off, in probably ten seconds. I knew how the printer worked, and was shocked to find out they were paying some doofus 50 bucks an hour to change ribbons and clean printers, when I could do it for nothing. I even had fun taking off the keys and rearranging them, so nobody could type in addresses unless they were a touch typist. Word got out that I could “fix computers”, and I got called to do stuff like unjam printers, pull out shards of documents that were fed wrong, and re-thread ribbons that were totally fucked by people trying to print on cardboard or something.

Wards wasn’t a “real” job, I mean, compared to stuff after college, but it didn’t involve food or wearing a headset and saying “would you like a drink with that?” so it was a big step up for me. There was a dress code, and I had to look reasonably like an adult: dress shoes, no jeans, collared shirt, a tie, and unfortunately, a maroon smock-jacket for the paint department, where I worked. We did have nametags, and “Master Paint Specialist” badges, which Joe and I would use white-out and marker to change to “Master Pain Specialist” or “Master of Puppets” or whatever. Most jobs a sixteen-year-old can get are places that employ “kids”, like fast food or other places in the mall, and everyone worked with other kids their age. But I mostly worked with other adults, and to a certain extent, was given the same respect as one. I mean, Bev still babied us and kept us in our place, but all of our customers were adults who asked us for advice, and I went from being a 16-year-old punk building model airplanes in his basement with Iron Maiden on the stereo to someone who could have a conversation with other adults in a pretty short time.

I have been rambling - this is about like a book chapter, and I haven’t even started. Okay, I’ll get back to this later. Let me know if you enjoyed it.

Re new nephew, his name is Wesley Douglas Owens, and all is well. I know that me gloating over a new nephew is very unkonrathian given that I hate kids, but I’ve found that I’ve actually enjoyed having my first nephew Phillip. My younger sister managed to be a good mom and raise a kid that’s smart, funny, and well-behaved, and I’m more than certain that Monica will be a good mother too. And what’s weird is that I remember when I was Phillip’s age, and being around him is almost like a portal into my past, the days when I spent all of my time playing with Legos and the last Star Wars movie was bigger than Jesus. So that’s cool, and I’ll enjoy watching another one grow up.

There’s a new guy at work who came to us from Seattle, and when I first talked to him on Friday, it turns out his wife also worked at WRQ, my last employer in the Emerald city. I always have the same conversation when I meet another Seattleite, similar to the one I have when I meet a fellow Hoosier that is expatriated and living in New York. It’s the conversation that starts with where you lived, where you worked, where you hung out, and goes into how much you miss Safeway or the Upstairs Pub or Garcia’s, and how cool it was to hang out in the Pike Place fish market or the Irish Lion, and how you can’t get good salmon or parking or whatever else. But this conversation was even more detailed, because we talked about the offices on Lake Union and the benefits policies and the Fourth of Julys on the terraces with the fireworks on the lake and the company picnics at Mount Si. And then I thought more about it, and realized it has been FIVE YEARS since I left. FIVE YEARS.

That’s a real sack of bricks in the gut right there. I guess when I talk about Seattle, there are a lot of reasons I’m finally glad I did get out when I did, and try something new. I mean, it’s not hard to create a list of reasons why the place hit the shitter around 2000: the vanishing job market, the WTO riots, the vaporware monorail and the taxes that prop it up, the taxes for the two stadiums (a quarter billion dollars to a football team that was 6 and 10 in 2000, so they can play six home games a year in a non-multi-purpose stadium), the traffic, the Microsoft millionaires driving up the rents, etc. etc. etc.

But I still miss it. Seattle was a far more liveable city if you can overlook the flaws. I mean, New York has way more to offer to most people, but the quality of life issues are so horrible, and you’ve got to spend some cash to avoid them. I have a lot of good memories of Seattle though. I think the real problem is that the Seattle in my mind is Seattle 1997, and I can never go back to that, just like I can’t go back to Bloomington 1992.

Speaking of getting out of New York to improve the quality of life, I’m thinking about vacations in a vague sense. I might try to skip out of town for a week in August, to spend it in cooler climates or at least in air conditioned hotel rooms for the worst part of the heat. I bought some book called 1001 things to see before you die or something, it is a giant flip-through book that you read when you are bored rather than when you want to travel, but it has all sorts of crazy ideas in it. I’d like to do something cool and travel-oriented like drive a dune buggy around or go rally racing or even snowmobiles, but I have no idea what the hell I’m talking about. Maybe I’ll just go to Coney Island and ride the kiddie go-karts.

OK, gotta go write…

The new Peter Gabiel album, Up is pretty damn good. The music behind it has progressed greatly over the last ten years, although in a strange way, this is not as pop-accessible to me. It reminds me much more of one of his first three self-titled albums, but if they were recorded with incredibly advanced and modern digital equipment. There’s still the world music-oriented influences on there, although in a different direction than Us. But the thing above all of it is that his signature voice is still as pronounced as ever. It’s a very strange experience, and I think it will grow on me even more after I get it on a MiniDisc and listen to it with headphones on the train for a week straight.

I can’t believe it has been ten years since the last Peter Gabriel album. I don’t remember exactly when I bought Us, but I do remember spending a hell of a lot of time listening to it in the 1992-1993 school year. It’s one of those pieces of hyper-nostalgia that ties me into that timeframe. I really remember listening to it a lot when I was briefly dating this girl Kim in January of 1993, because the song “Secret World” really reminded me of her. I also remember a night where I listened to the whole tape three or four times, when I was dragging my laundry from my house on Mitchell Street in Bloomington to the laundromat in Eastgate Plaza. It made me remember the whole routine; I’d drag the clothes there and practically explode the tendons in my wrists from the laundry baskets. Everything went in, then I would walk down the plaza. This was, of course, on a Saturday night, because I had no life. I would go to Morgenstern’s and look at some books or the magazine rack, and pick up some obscure magazine that looked cool. Then I’d go to the cheap Chinese place - was it called Grasshopper? - and order some very Americanized sweet and sour pork, and read my magazine. I guess the Peter Gabriel fit this well; Us was such an introspective and dark album, following Gabriel’s divorce and really picking at various parts of the same problems I was facing. It was such a soundtrack to the strange ups and downs of my life at that point, unlike the steady stream of Death Metal that also shared the CD player around the same time. Death Metal marked the peaks, the energy and anger of being 21 and being in college and everything else, but after that all faded and I found myself sitting alone in an apartment as a 31-year old writer, the Peter Gabriel stood the test of time.

Speaking about thinking about the past too much, I’ve been getting some letters about the NecroKonicon, the glossary about my life. I guess I’m not the only one plugging their past into Google and hoping for an answer. I wish I could do more with this thing, either expand it more or do something fancy with the layout. I also wish I knew of a better way to send this out to more people, or somehow market it or put the right spin on it. I have a hard time even describing it to people. Most of its readership is from Google. If you have any bright ideas, let me know.

I had to move all of my logs off of 34.216.9.77/ today, so I did a quick report with analog to see how things stood. The directory currently getting the most hits is the Vegas directory, and I suspect that most of the hits are from people googling on stuff like “cheap vegas hotel.” And a ton of them are from google’s image search. I have very mixed feelings about this. For one, I’m running out of space posting photos, and I get no feedback whatsoever from them, they seem like such a waste of time to me sometimes. But, if I had nothing but text, my site would be incredibly boring. So, I don’t know.