Yes, I am screwing with the look of the journal. There are a lot of minor changes piled on top of each other, mostly CSS junk. My big worry is that it doesn’t look right in other browsers, so if it freaks yours out, let me know. (A screenshot would be great.) The rounded corner boxes are the biggest pain, and will take some work to perfect. Also, the table loads weird, like you get two columns and then the third shows up. I think the Amazon ad at the bottom is doing that, This sucks, because I want to put some other widget-type stuff in the right column, but if it’s a widget that takes 20 seconds to load and fucks everything up (i.e. twitter, amazon), then I can’t do it. I would like to put a last.fm chart over there, but not if it takes an hour to render.

I am through with these tapes. I gave up and bought a copy of this Stanley Clarke album (Time Exposure) because I didn’t want to import it from tape. I bought this album when I was first learning to play bass, because my old teacher, Jamie Magera, turned me onto his stuff. It’s probably the first funk/fusion album I ever got into, and it was a real change from listening to Megadeth or whatever I was into at the time. Half of it is the “how the hell does he do that” factor of the tapping/popping stuff, and the other half is how smooth the laid-back parts are. The title track has a lead played by Jeff Beck, the kind of Beck-ian line that you will have stuck in your head all day. And George Duke is on the synth! The combination of bass and piccolo bass always add this depth to the songs, too. I haven’t listened to it for years, and now I will probably listen to it for five weeks straight.

Growl finally fixed their support for Mail.app in OSX 10.5, so I finally have tray notifications of incoming mail again. It looks different than when I did it in a plugin, but at least it works. I have a bad habit of having emails come in and I don’t notice them because the computer is muted and the dock is hidden. Not that I get any worthwhile emails these days anyway; I think I average about five a week, and 8000 junk. And now the 8000 are stripped out, so it’s just 5.

I have a new hard drive on the way for the Macbook, so maybe tomorrow I will swap it out. I will put the new one in an enclosure, use CCC to clone the current internal drive, then do the switcheroo. The Macbook is pretty easy to switch out, take out the battery and three screws. But the drive is held to its sled with four Torx T-8 screws, and I don’t think I have one of those around. So, a trip to Frey’s is in order. And I really don’t like being in the chute approaching the cash register with 50,000 different candybars.

OK, gotta get to it.

I’ve been back since Thursday, but I’ve been busy with a few different projects, some worthwhile, some asinine.

One thing is this ongoing saga of storing my CDs. I went to Fry’s this weekend and bought three no-name binders that allegedly hold 320 CDs each on sleeves. That’s actually 160 per book, because I’m using one pouch for a CD, one for its booklet. I already had 200 CDs in loose sheets, too. Yesterday, I got all of my CDs from A-M ripped, bound, and in books. Not only am I getting a lot of new/old music into iTunes, I’m purging myself of jewel cases and I’m also pitching some CDs that are taking up space. I know this goes against what my personal philosophy was at one time, but I’ve moved enough and dragged around pieces of plastic and metal that I will never, ever listen to again, so less is more.

I also pulled my old JVC tape deck from 1993 out of storage, and wired it into my Mac. I then downloaded a copy of Audacity and started digitizing stuff. Actually, I first started by sorting through tapes and pitching things I had on CD already, or that were entirely useless. My tape collection is down to two shoeboxes and one of those plastic cases you keep in the car, and I think I will get it down by one shoebox when this is over.

After a huge pain-in-the-ass in setting it up, Audacity is actually working well. It’s free, which is good. It also lets you trim audio after you input it. You can also look at the waveforms and drop in a named bookmark when you find the start of a song. Then you click and export everything, and it splits up the songs by bookmark and dumps them to MP3 for you. Very nice. There are some additional functions for cleaning up sound and reducing noise, but I haven’t messed with them. These are mostly 15-20 year old tapes, so there’s not a lot of super high end sound I can squeeze out of them.

The whole procedeure is a huge throwback to 1993. First, that’s when I got this tape deck. Before that, I would plug a walkman into my receiver to listen to tapes. When I worked at Wards that summer, I used my employee discount to buy this tape deck, which had a record deck with the kind of auto-reverse that spun the heads, instead of just moving them over and reversing the tape direction. There was some advantage to this, and I don’t remember what - something about magnetic particles or something. Anyway, it has been a long time since I’ve seen this deck’s little amber display staring back at me, and it’s a weird little flashback to me. Hell, it’s a huge thing just to play tapes anymore. I rarely even touch CDs these days.

The other big flashback is that I’m pulling in a lot of the demos and other odd tapes I could never find on CD. I’m listening to a band called Oliver Magnum, which are a prog-rock-esque metal band from Oklahoma. This self-released tape, Drive-By, spent a hell of a lot of time in my walkman back in the day. I think if I made a top-ten list of the most-played tapes I listened to while trudging across the IU campus back in 1993, this would be in the top 5. And I haven’t listened to it in years and years, so it’s good to see it flashing by on the VU meters in Audacity. Last night, I pulled in an old Germ Attack demo that I loved back in ‘93. So this is all a fun little time-waster for me. At least it is delaying me from going on iTunes and buying a bunch of new music.

The iPod is up to 9182 songs; the goal is 10,000. Maybe by Wednesday.

As of yesterday, I have lost 18.2 pounds since 4/27; I managed to lose 3.6 pounds in the week we were in Vegas. (I was 100% sure I gained, but walking a dozen miles a day does something, I guess.) That puts me under 200 pounds for the first time in, well, a while. I think I was in the 190s back in 1997. Before that, it was probably in 1993, when I was walking everywhere (and listening the the aforementioned tapes.) When I get to my 10% goal, I am supposed to pick what my ultimate goal will be, and I don’t know what to use. this page has a calculator that shows results from a bunch of different standards, but it seems like I remember a BMI calculator that took into account your frame size by measuring your wrist, and I can’t find one of those. I think I would be happy if I could get below 180 (184 is officially the low edge of the “overweight” category,) but a harder goal would be somewhere in the 170-175 range.

One of our DVD players exploded on Friday. I went to turn it on, and it flashed orange and shot smoke out of the front. I had to move my player in the bedroom (I never watch movies in here, anyway) and now I need to take apart the old one to extricate the DVD in there.

Gotta go fill up my car. The absolute, absolute best price I can find is $4.54/gal, at Costco. Yeah, I know it’s *only* $4.14 in Elkhart. But to get that price, you have to live in Elkhart. I’ll pay the extra $250 a year for actual paved roads.

Last week, in a fit of nostalgia/stupidity, I decided to make a playlist in iTunes consisting solely of music I would have listened to in the summer of 1989. I use iTunes for music while I’m sitting here at my desk working, and also use it for my iPod for in the car or when I’m walking around or at the gym. This was harder than it seems, because I lost a lot of tapes back in the day (my car had a hole in the floor) and I can’t remember all of my music from back then. (My brain also has a hole in it.) There’s also the issue that everything I have in iTunes is ripped from CD, and although I spent a good deal of the late 90s trying to recreate my old music library by sending CDexchange my paycheck every week, there are many holes in my collection. Not every tape from the 80s made its way to CD, and not all of those ended up in the iTunes store.

The biggest factor in doing this is that certain songs greatly remind me of the feel of that area, which is what I wanted to capture. I wanted to be able to drive around with the playlist going and forget I was in a 2008 Yaris in Southern California and have that brief thought that it was 1989 and I was driving the back roads from Goshen to Elkhart in a 1976 Camaro (with holes in the floor). That meant two things: some of the music I’d have in the car back then wouldn’t make the cut. For example, even if I had any of Voivod’s first three albums, I don’t think I could stand listening to a single second of them, let alone put them on the list. I probably would not want to load up the list with vintage Metallica, although I put a couple of specific songs on there. Most of the rest of the stuff is either prog-rock (although no Rush, because for whatever reason, I’m really sick of them at the moment) or various pop-rock stuff I’m embarassed to own, but I listen to constantly.

I have not been horribly nostalgic lately, because it’s something I’ve been really unsure of. I never thought about it before, but I started seeing someone for DBT therapy, and there’s this concept that being heavily buried in either your past or your future can be unhealthy. For example, if you were the Al Bundy type who always gravitated toward living in the past thought of scoring three touchdowns for Polk High School, it could be indicative that you are avoiding or having problems with what’s happening in the present. And I find that when I’m most depressed, I’m usually looking back to some era and avoiding what’s happening at that moment. (Case in point: I wrote Summer Rain when I was heavily depressed.) I’m sure there’s some balance, in remembering the past but keeping this strong sense of mindfulness and moving forward with life, without being in a constant bubble of “I wish things were as great as 1992” or whatever.

And next year is twenty years from when I graduated high school. Aside from the great feeling of depressing in thinking that so much time has passed since then, there will probably be a barrage of various emails and reunions and whatnot, and I don’t have a great desire to deal with that. But nostalgia is such a huge pull on the internets. You have all of these classmates sites, and high schools have reunion pages, and half of the function of facebook is to find people you haven’t talked to in a decade and see how many kids they’ve popped out. At first, I thought facebook was interesting in that I did find a lot of old high school pals, until I realized I had pretty much nothing in common with them anymore, and couldn’t really talk to them about anything.

I had part of a white filling fall out while flossing on Saturday. I didn’t know what it was at first and was like “what the hell did I eat?” but then felt a huge gap in the back of a tooth. I found a dentist just up the street from us, and I will start that whole process at 8

AM tomorrow. I always hate going to a new dentist, because they always look in my mouth and see their next four boat payments. I really don’t care about the pain or drilling - they could drill all of my teeth for days straight like some kind of Daytona 500 marathon, as long as it was free. The most painful part of a root canal for me is getting the bill in the mail and seeing what my insurance didn’t cover.

Just finished reading that Halberstam book on the ‘49 baseball season, and it was pretty decent. I’ve read an insane number of baseball books this year, and should probably get back to fiction soon. Suggestions always welcome.

Speaking of unnecessary medical appointments, gotta go drive up to Santa Monica to see a rheumatologist. But first, I need to tweak my playlist for the trip up there.

I just finished reading Ian Christe’s book Everybody Wants Some, a history of Van Halen. I heard about this on the Talking Metal podcast, which is abuzz with news of this original-lineup reunion, minus Michael Anthony on bass, replaced by Eddie’s 16-year-old kid. Weird. Anyway, Christie wrote one of the 700 “history of metal” books that came out a few years back. When he was writing, he got in touch and wanted to stop over and photocopy all of my old zines, but we never hooked up, and actually I never read the book. So I picked up this one, touted to be the first definitive biography of the band, and got to work.

I’m going to start by saying the book is not that great, but it’s up in the air how much this was the author’s fault, and how much of the blame goes on the subject. The history of Van Halen starts with this whole interesting SoCal garage band culture, and these two Dutch kids teaming up with an outspoken Jewish son of an opthamologist, and then hits this mid-point where they are on top of the world and the whole thing implodes. But then the second half of the book is all of these years of dicking around with Sammy Hagar, and toward the end, it’s Eddie locked in a home studio, with a third of his tongue cut out from cancer, his parents dead, his wife gone, about 800 attempts at rehab, three fired/quit singers, a hip transplant, and a brother with fucked-up, inoperable neck trauma.

So at the end of the book, I’m thinking “where the fuck is the high note here?” I mean, it talked about all of the times the VH brothers broke off and tried to reconcile with Roth, with both sides saying the others were poisoning the well. And yeah, they’re back together now. But there’s a chance they will be broken apart by the time the ink dries in the book, and meanwhile, only about 12 people even care. Meanwhile, Michael Anthony the human alcohol filter is set up as the fallen silent hero or some shit, with his bass tracks mixed down, some studio tracks played by EVH, his bass solo snipped from the live set, and finally being told he had to relinquish all rights to all songs and trademarks and take a huge pay cut if he wanted to tour. And next time around, he’s fired. All of the old metalheads identify with Anthony’s party lifestyle, and who gives a fuck if Eddie can eke out Eruption while he’s sitting on stage in a wheelchair looking like the fucking cryptkeeper.

The book had one fundamental flaw which was also a benefit: it appeared that Christie did not have access to any of the members of the band. Most of the quotes were lifted from interviews with magazines or on tape, and there was no buy-in from any of the major players. (I might be wrong on this, but it sure read that way.) So that means there wasn’t any new dirt I didn’t already know. But it also meant that someone didn’t come in with an agenda and bumrush the book. Anyone in the band’s history (with the exception of Gary Cherone, who isn’t big-headed about it, probably because he was in the band for like three weeks) would completely dominate something like this, and if you only know one side of this story, you don’t know any of the story. Case in point: go pick up a copy of David Lee Roth’s Crazy From The Heat book. Now, I love this book, because it’s Roth the showman and storyteller, laying it down and getting into some really crazy shit about the road, his family, and everything else. But when I read his side of the VH split story, I wondered, “how much of this shit is true?” It wasn’t that his story was unbelievable, but I knew there were two sides, and his was going to be giant and overdramatized. And so by not doing an official Van Halen family biography, he sidesteps that problem, but also misses a lot of juice that would have justified the reading time.

Aside from the subject matter, Christie’s writing tries a little too hard in places, and didn’t hold me. It was competent, but it wasn’t a thickly textured tapestry of incredible stories and details. And why treat a band with such fucked up and incredible history just like you would if you were writing a Jewel biography? There wasn’t enough depth to blow me away, and when you’re writing about a band that (at least back in the day) was supposed to blow you away, it just didn’t mesh.

That said, there was a lot of information about Hagar-era Van Halen, and it made me think back to the years I listened to the band, back in high school. 1984 was my introduction as a junior high kid, when it was all over MTV and pop radio. And then I got into 5150 and OU812, even though everyone else wrote off Van Hagar and went on to other, heavier things. While I was reading this book, I put OU812 on the iPod during my drive to work, and was surprised at how that set of tunes totally set the stage for the summer of 1988 for me. I loved my Metallica and VoiVod and Grim Reaper, but I also had that tape in the player quite a bit, and it still takes me back. Those songs are seared into my brain, and it’s always comforting to give them another listen.

Anyway. Just started reading a Houdini biography, and I’m trying to get off the bio kick to get back to some good fiction…

First of all, I’ll get all of the zine stuff out of the way:

• Press release is at http://www.prweb.com/releases/2007/09/prweb553756.htm
• The first trailer (yes, books have trailers now, I guess) is at http://www.youtube.com/watch?v=w83ZgawVDF4. (This is the one I made, which is why it sucks more.)
• Second trailer, by AITPL#12 artist Matthew Pazzol: http://www.youtube.com/watch?v=DWEoSBZVBHU.

I am waiting for a proof to arrive (early next week?) and then it will be live and you will be seeing much more spamification here telling you why you’re an idiot if you don’t buy a copy. I have the first proof (no ISBN) sitting on my desk and it is easily the best issue yet. It looks incredible, and has more good stuff from more new people and more published writers. Anyway, go here for more info.

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The weather’s shifting fast, and it’s doing weird things to my head. First, it’s literally doing weird things, because I have some allergy or allergy-like headaches and congestion. I took an Allegra today, which means I trade the headaches for this feverish, mindless jittery feeling all day. But the weather’s been odd; it was cracking the 90s one day, and the next is was barely at 50. It’s been hot for a while, so the sudden warp in the weather is pretty weird. And I swear there is some correlation in these pressure changes or temp snaps that force my brain to dial up memories from some point in the past when the same thing happened. And it’s not memories, like I’m reminiscing about a long-lost restaurant or a girlfriend that never was. It’s like I just feel the essence of that time, and then in order to somehow quantify that, a few brief memories slip in.

Case in point: on Friday, it was lunchtime, and Sarah had the car, and all of the lunchmeat in the house was green. I hit F12 to see the weather on my Mac Dashboard, and it was 59, so I grabbed a light jacket, an iPod, and started walking south. For whatever reason, the temperature or change in barometic pressure or something reminded me of the band Anacrusis, so I dialed up their album Screams and Whispers on my little white music box.

Anacrusis is either a minor historical footnote or an inside joke to most of the metal community. And I don’t even consider myself a member of the metal community anymore. But back in the early 90s, as thrash metal gave way to Death Metal and then the industry or the bands or the fans (or all three, since usually the same people had bands, zines, and basement record labels) suddenly realized that every band out there continuing to release the same exact Sepultura record was not a sustainable plan, so labels tried to branch out with all of these fusion ideas: death/industrial, death/hardcore, rap/metal, thrash/gothic, whatever. And Anacrusis fell into that slot on the Metal Blade lineup for two albums. The St. Louis-based four-piece took a thrash approach and tried to mix in some prog-rock influence, like Fate’s Warning or Queensryche or whatever. The good news is that all of the fans into this album thought it was completely over-the-top. The bad news was that there were about eight fans of the album, and after their 1993 album, they fell off the face of the earth.

Now back when I was doing Xenocide, I was getting a lot of record label demos and advance copies. (I was also getting record reviews from a future Al-Quaeda member, but that’s another story.) Marco at Metal Blade fed me a lot of tapes, and for whatever reason, this tape ended up in the walkman quite a bit. In the spring of ‘93, I was carless, and walked everywhere. And for whatever reason, I have this really distinct fragment of a memory of walking to the grocery store or mall or laundromat, and I was listening to this tape. Every day, I walked at least a mile to work, to shop, to get out of my tiny cell and clear my head. And that album, that music brings me right back there. The album itself is not that memorable; I couldn’t name a single song on it, and there were no big breakthrough hits or whatever. It’s not the kind of album that you buy because it’s got that “Hm Hm Hiiim” song on it. It’s very ambient in that aspect, very background to me. Maybe that’s why it stuck with me.

And what’s weird is that when this happens, I don’t think about the girl I was dating then, or my job that I was working day-and-night, or the classes I skipped, or anything else. It’s just that walk, just south of 3rd Street, cutting through the yards and church parking lot to get to the Eastgate Plaza.

Anyway. My typing ability is rapidly declining. I was going to mention that I took a tour of Coors field last Wednesday. I was the only one there, so my $7 got me a personal tour. Photos are here. It was interesting, especially when I actually got to walk across the field on the warning track, a dozen feet from home plate, and then into the dugout. It’s a lot less glamorous than I’d thought; I mean, every single one of these guys make at least five times as much as I do, a few of them a hundred times as much, and they’ve got a wooden bench to sit on that’s about as nice as one a bum sleeps on in a public park. I don’t know why, but I thought they’d at least get some kind of Herman Miller shit in there, or air-conditioned ass pads. Still, very interesting.

OK, time for lunch.