The Wrath of Kon

Dispatches, thoughts, and miscellanea from writer Jon Konrath

Tag: photography

State of the cameras update

canon-on-instax

I already did a post in February about the current camera situation. That’s still evolving, and I’m procrastinating on my real writing, so let me ramble a bit.

First, the Sony a6400 ended up going off to KEH, as did all the lenses. End of experiment there. I know people love Sony, but it just did not work for me. At least I did not get completely swindled on the trade-in. (Thanks to KEH on that.)

The Canon R10, I think I’m largely settled in on it. My only big complaints were lack of GPS and lenses. The GPS part: I was able to get the camera to talk to my phone and automatically grab GPS data and reset its clock when I change time zones. That’s handy, because I always forget, and end up with a swath of pictures that are out of sync with my phone pics. As far as lenses, I picked up Canon’s 16mm f/2.8 and Sigma’s 18-50mm f/2.8 Contemporary, both in RF mount. The 16 is very small and decent but the 18-50 has pretty much stayed on the camera full-time since I got it a few weeks ago. I didn’t want to invest in a ton of RF glass that I can’t use with my other cameras, but I also didn’t want to drag around giant pro lenses plus the adapter, and it looks a bit silly hanging off of such a tiny camera.

I’ve been shooting more film as of late. That slowed down after Iceland, but I’ve got a hoard of at least 50 rolls of film I should probably burn off. I shot a few rolls in Cambodia with the Olympus XA-2, which is such a great little camera. It’s pocketable, dead simple to use, and shoots amazing photos. I put a quick album of the Cambodia snaps over on Flickr. Only regret there is I didn’t take more pictures. I’ve also been dragging out the EOS 620 a bit more. I have the Canon 35mm f/2, which is incredibly sharp and has IS, but is a bit of a beast. Works great on this camera. Even better is when I drag out the 16-35mm f/4 L. That lens has such an amazing look when I’m using it wide open on a beach or mountain, just amazing dreamy vibes.

And yeah, I’m back on Flickr I guess. I nuked all my old albums and started fresh. There’s one album of my favorites from Iceland, but I’ve got to start over, basically. I burned a lot of cycles going back and forth on what to do about public photo hosting, and gave up. There’s not much of a community on Flickr anymore, but it’s one of the easiest ways to share out of Lightroom without sinking even deeper into the Adobe ecosystem, which I want to avoid. I’ll add more albums as I clean up and keyword old trips, which will happen most likely never, given current time constraints.

For some dumb reason, I thought it would be fun to try Kodak’s new half-frame camera, the Ektar H35N. It’s a “vintage look” point-and-shoot that shoots in portrait orientation, so you get 72 half-sized shots from a 36-shot roll. I got it, and it’s absolute junk. It’s roughly the same quality as a disposable camera, without the cardboard sleeve on the outside. Fixed shutter speed; fixed aperture; a built-in flash that might or might not work correctly. I loaded a roll into it, shot a dozen shots, and the dial was still reading S. I figured the film didn’t grab the teeth and wasn’t advancing, so I popped the door, and of course it was a dozen shots in and I ruined the roll. So this is going straight into the bin.

The other camera I got - and yes, why am I buying all these cameras? - is the Fujifilm Instax Mini EVO. This is a bizarre little thing, a “vintage looking” camera that’s really a combination of an Instax mini printer and a 2010-era 5MP digital camera. You point and shoot digitally, writing the images to a mini-SD card like you’re using an old Powershot, and you can spray-and-pray as many pics as you want without burning film. Later you review your takes, find the perfect shot, and flip the “film advance” thumb lever; the image gets printed on the mini-instant film. I’ve got an older Instax, and the usual drill is I take ten shots to burn up a pack of film, and maybe three are okay. Now I shoot twenty, thirty, and print the couple of keepers. And if I want to hand a copy to someone, I print two.

It shoots slightly better than the dumb version, but you also have a screen on the back to line up shots, instead of straining to look through a plastic-lens viewfinder. The camera also has ten film effects and ten lens effects, so you get a sort of cheap version of the Fujifilm emulation you’d find in an X100. I’d say there are maybe three of each that are acceptable, and it’s definitely not an Instagram-killer. You can also digital zoom a bit and play with the exposure compensation, the latter which is useful. It’s got a flash, too.

What is neat to me is that if you have the app on your phone, you can use the camera as a photo printer. Find a picture on your phone, and you can zap one or more copies straight to the camera and print them. This is an awesome feature, because I can take a super-sharp picture from the iPhone and it will make an amazing print on the white-border instant film. It’s both a modern not-plastic-lens shot and has the dreamy analog feel of instant camera film.

The Evo is slightly corny, and it’s slightly too big to be pocketable. Using it as a travel camera would be problematic, because it has this certain “look at me, I shop at Urban Outfitters” vibe to it, and I wouldn’t want it hanging around my neck all day, but it’s too big to stuff in a jeans pocket. Also, I’d expect any Instax film to get destroyed by TSA. “You can get them to hand-check your film” is right up there with “the airline will get you a hotel if you’re delayed” and “the free market will sort out retirement accounts.” Instax film packs are ISO 800, and the new stronger CT scanners are showing up everywhere. Of course, I could pop in a Target if I’m traveling domestically and buy some new film, or pack a lead bag with film packs. Or I guess I could just shoot away for a week and print what I want when I get home. But by that logic, I could just leave the whole thing behind and shoot on my phone.

Next two trips are booked. One is a quick one domestically in two weeks. The other is a much bigger thing in August. Stay tuned.

State of the Cameras, 2025 edition

Canon cameras

As expected, before this Norway trip, I had a big freak-out about what cameras to take, which led to too many discretionary purchases. Let me explain.

There were two main cameras before the trip. The big one is the Canon EOS 6D mkii. It’s a great camera and ticks a lot of boxes: full-frame, weather sealed, uses the EF lenses and I’ve got a couple of great L lenses for it, runs forever on a single battery, excellent sensor, built-in GPS and it’s a DSLR so it doesn’t have the usual problems a mirrorless has. More than that, it’s got the usual Canon design language and I like the way it feels, the way the controls are laid out, and the way the Canon works. And as much as I like it, it is not light or small. Glue two pounds of glass to the front end of it, and it’s really not great to haul around all day. And I’ve taken some okay photos with it, but it seems like I was almost doing better with a much lighter crop-sensor camera.

In 2023, I got a Sony Alpha a6400. It’s half the weight of the 6D and much easier to shove in a bag. I’ve taken this camera to India, Singapore, and Spain, and it’s okay, but the ergonomics of it are bugging me. It’s just different, and I can’t explain it. The menu system is complete garbage, but it feels so toy-like and cheap, it’s not enjoyable to use at all. And there’s something off about the color space or the exposure program or something, and I’m constantly blowing shots with it. It’s hard to use in daylight, and isn’t entirely capable at night. And regardless of the time of day, it seriously chews through batteries. I often think that I need better lenses or more practice or more patience with it. And then I go take a hundred shots in an afternoon and look at them and wonder what’s wrong.

And I struggle to say what “kind” of photographer I am. I’m not like a street photographer or a devoted landscape photographer or specialize in portraiture or whatever. I don’t know if I am even a photographer in the artistic sense of the word. I like to capture things, and I like to go back and look through photos to revisit a mood or relive a trip or write about something that happened in the past. I am more of a “document everything” person, and if I get a great shot out of it, cool. But that lack of a specific genre or focus makes me flail when it comes to buying gear, because that’s really the first question someone asks when you are trying to find out what to get, right?

I also have been wandering back and forth on photos versus video, and I have no answers there. Since the 90s, I’ve experimented with different cameras, thinking I needed to shoot video to capture a mood or feeling or vacation or whatever. That started with buying a Hi8 camcorder back in like 1996, which was entirely impractical and largely useless to me. I never took that camera with me, because it weighed so much and I was never comfortable walking around with it and taking random video. I absolutely love the videos I did capture (see https://www.rumored.com/randomlife) but with the impracticality of it, I never used it.

So, two things. First, I decided to get another Canon mirrorless. I was reluctant to do this because i bought an EOS-M1 about ten years ago and bought into their flop of a mirrorless system. They’ve since moved to a new platform, and it’s stabilized and picked up steam, so I thought I’d give it a try. I also thought maybe going back to crop sensor might help. So I bought a Canon EOS R10. It uses a new type of lens, the RF; I didn’t want to buy into that with all my EF lenses, so I bought the adaptor. This also lets me use some of my old EF-S crop lenses from when I had Rebel cameras, so that’s useful. The R10 is amazingly light, uses the same batteries as my old Rebel T6i, and isn’t horribly bad on battery life, especially compared to the Sony. It’s not weatherproof (which was a problem in Norway, walking in the snow all day every day) and there’s no more GPS. (I don’t know why, but I love having a GPS on my cameras.) It also has incredible autofocus and a great sensor. Not only does it have eye tracking autofocus, but it can eye track on animals, which is useful for someone who takes a thousand pictures of their cats a year.

More than anything, the R10 feels like a Canon camera. The Program mode works like I’m used to. It feels the same in my hand. I don’t have to think to know where the knobs are. It’s not as full-featured as the 6D, but it feels the same. It feels the same as both of my Rebels, and even my old EOS 620 film camera.

The other thing, the video thing: I don’t know why, but on a lark, I bought a DJI Osmo Pocket 3. It’s an amazing little gizmo, a gimbal camera in a thing the size of a TV remote, with a screen that flips from portrait to landscape. This was largely a useless purchase, as I’m not going to be full-time vlogging over on TikTok or anything like that. But it does shoot incredible video, and it’s extremely small. I think it’s close to being the perfect “document-everything” camera, and I got a few good shots out of it in Norway.

So, the Sony’s probably going to go. I’m too lazy and impatient to sell it on eBay, and I know I’ll get nothing for it on KEH. But I think the Sony experiment is over. I am not sure if I’m going to start buying RF lenses, although given the current state of things, probably not a good idea to be dropping more money on gear. And the film thing - I’ve still got a few dozen rolls on ice, but I have lost all passion for shooting film these days. I feel like if I’m going to make a bunch of mistakes with exposure, I shouldn’t do it at a dollar a shot. I was completely unhappy with the film I burned in Iceland in 2023, and haven’t gotten back into it since. Fair enough.

And all of this is secondary to what I should be doing: writing. That’s the main priority, so I should get back to it.

2024's top ten pictures

I did not take many pictures in 2024. 2022 was a year I tried to go whole-hog into photography and I took just over 12,000 pictures. Last year: 3,200. Part of this was less travel; part of it was having two injuries that sidelined me a bit. But also, I didn’t focus on photography as much because I spent a lot more of my energy on writing, which is good.

Anyway, here’s my top ten.

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So, five from Vietnam, one from Spain, and four from California. Six were taken with the Canon 6D mkii, two were from an iPhone, one was with a Sony a6400, and one was with a DJI Osmo Pocket3. About 1900 of that 3200 were from an iPhone 14 Pro; about 800 were from the 6D, and most of the rest were the Sony. (The DJI is relatively new.)

I’m not 100% with this WordPress gallery thing, but I’m also not posting giant photo dumps on Flickr or whatever anymore. Does this work? Is it sustainable? Not sure. It seems okay for a small number of photos, though.

Took 100-some photos at the Alviso salt ponds yesterday, and it was good to get out and do that. I don’t know if this is just New Year/New Me nonsense or if I can build up some inertia, but we’ll see.

Denver

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Hello from Denver. I’ve been out here for a week, for the first time in a dozen years, and… it’s weird. Weird doesn’t start to explain it.

So I lived in Denver from 2007-2008. Made a few work visits back in 08, and I think I came out maybe two more times for Rockies games. I haven’t been back since except for the occasionl layover in the airport. I had to take a week off, and wanted to get out somewhere to take some pictures and do nothing, and after the usual searches of prices versus temperature versus infection rate, I landed on taking the week in Colorado.

This whole trip has been a weird deja vu experience. I sat in the baggage area and had flashbacks of every time I ever flew home, going back to the first time I flew to the city in 2007. Got my suitcase, went outside and breathed the rarefied air and gazed out at the big sky and fluffy clouds that looked like they were floating ten feet above the ground, and I felt like I’d been gone for a week and was back. Something about the look of the place, the way the light comes through the sky, the way the air tastes, is totally unique in my head, always brings me back to that specific time of my life.

I got the rental car, headed out on the highway towards my hotel in the tech center and realized everything was different. They built a train to the airport. They built apartments everywhere. They built shopping centers everywhere. There are new giant towers of tech industry where there used to be empty fields. It’s like when I go back to Indiana and the bones are the same but everything has decayed, but the opposite. Some of the highways and such are in the same place, but everything else has grown.


One of the reasons I came out was to work on school stuff. So part of the stay has been hanging out in this residence hotel and banging out papers. I’ve written three, and barely started a fourth. Not into talking much about this yet, except to say I’m incredibly rusty and not in the zone yet. First, I haven’t written anything in six months, but I haven’t written sourced scholarly papers in… a while. 1993, maybe? So, it’s taking me about an hour a paragraph to knock out 16-page papers, which is not ideal. Didn’t I used to write thousand-page books?

The other reason was the photo thing. I got a new camera before I came out, a Canon EOS 5DS. It is a monster of a camera, weighing about double my old DSLR. Full-frame, 50 megapixel, weather-sealed, dual-card, and none of the nicey consumer features like a built-in flash or a selfie screen or a Wi-Fi adapter or anything. It’s a beast, and honestly, I’ve been fighting it the whole trip. I’m not used to any of the settings, and I’m constantly screwing up metering or getting depth of field wrong, because it responds completely differently than my old body. So I’ve shot a few thousand shots on this trip, but I’m not super happy with much.


I’ve been specifically avoiding various nostalgia points, because I don’t want to completely deep-six myself mentally. I did see my old apartment Sunday; I went on a long walk with a photographer friend, and went in loops around the ballpark area and the 16th Street mall for like eight miles. The more I walk around Denver, the more I see that either I didn’t get out much, or things have totally changed. And the areas where I did spend time are completely different. I used to work down in Meridian/Lone Tree, and all I used to do is drive to work, drive to Taco Bell, drive to Target, drive home. And that area was nothing but the Target, the Taco Bell and a few other fast food joints, and lots of barren land. I went down there, and it’s now a sea of condos, and a new train station and pedestrian bridges and lots of parks and sod and outdoor sculptures and the whole nine. So I lived here, but I didn’t live here.

Lots of other photo ops. I drove down to Garden of the Gods. Drove to the Air Force Academy. Hit air museums in Pueblo and at the old Lowry AFB. Went to Idaho Springs and walked around the old mining town a bit. Three or four malls were visited. Also met with a coworker (only the third time this has happened in a year) and did a big lap at Washington Park. Weather’s been decent, other than a freak hail storm when I was in Colorado City, so the walks and photos have been nice.


Had a really weird deja vu last night. I was walking around this area after dinner. This part of the DTC is all residence inns and empty condo buildings, with the occasional warehouse or factory, so it’s a great walk to take at dusk. Something about the weather, the heat, the air, the darkness, gave me this exact time travel portal, and I felt like it was a night in the summer of 1989, a late night after working at Wards all day, in the air conditioning from 10 to 9, then hitting the air that was a hundred all day and was then 80 after sunset. There was always such a strong feeling of… I don’t know, a mix of loneliness and possibility. Like I was the only person alive in the town, mixed with an uplifting feeling that something big was going to happen soon, and this was the temporary lull before it did. I don’t know how to explain it more than that, except I would get fleeting flashes of the same thing in the summer of 1992, the summer of Summer Rain, and that was one of the real motivating reasons to write that book.

And I’m thinking about that, too. And I should write more. But the sun is going down in about 20 minutes, so maybe I will go take another walk.

Flying out tomorrow, then it’s back to the grind. Stay tuned for more pics.

On the Road

Hello from Chicagoland. I am here for a long weekend, for a wedding. As per policy at rumored dot com, I don’t write about family, and most of the trip is family stuff, so this will be short.

Flying for the first time in over two years was… fun. I had a real trial by fire, because I ended up taking an Oakland to Denver to Kansas City to Midway flight. And unbeknownst to me until the day of the flights, this was right after the TSA dropped the mask mandate. I kept N95’ed the whole trip, but a whole lot of other people were not masked, including every single Southwest crew member. I know my desire to not get sick this week makes me a Nazi and anti-freedom or whatever the hell. Nobody bothered me about it, but I’m expecting some flak this trip about it. I hate this timeline.

I’m in the same hotel type I was in last August in El Segundo. My room is reversed, but otherwise identical, except my view is of an industrial park instead of palm trees. It’s at an intersection of highways that is identically cloned in many other parts of the country. There’s a Hyatt, a Hilton, a Holiday Inn; a Wendy’s, a Burger King, a Denny’s, and a Walgreen’s. The whole area feels like it was cloned in the early 00s, and is a duplicate of the same office park area that could be found outside Denver, or in the far reaches of Seattle, or somewhere outside Columbus, Ohio.

I managed to take photo 10,000 on my T6i DSLR yesterday. It was of a Golden Corral that’s by the hotel. (No I am not eating there.) There’s not a lot to snap around my hotel. I did find a Zayre’s store that looks like it was abandoned in 1990, when Ames bought the chain. I also wandered an office/light industrial park next to the hotel loop. I don’t know why I find that sort of thing interesting, but it’s somewhat relaxing to me to walk an empty set of factories on a sleepy Saturday morning. I like the identical brick one-story buildings, each with a picnic table by the rusty loading dock on the side. I guess part of it is working at those places as a kid. But yeah, it’s not like taking a photo tour of the glaciers of Iceland or anything.

I did get to see John Sheppard on Friday. Always good to see him. We met at the big mall, Woodfield, in Schaumburg. I last went to this mall in 1989, and it has completely changed. It’s a Taubman, and I’ve spent enough time in them in California that I instantly recognize the bones of the place. Like in both Woodfield and Hilltop in Richmond, CA (RIP) if you’re in the JC Penney on the top floor, you hang a right and there’s the mall offices and restrooms. At Stoneridge, it’s on the left. The balconies are similar; the stairs are in similar spots. That mall has been “Simon-ized” since I last visited; the brown bricks and red carpets and wood trim and fountains have all been replaced with white on white on white. Other than the dead Sears, the mall looked healthy, lots of shops and foot traffic for a mid-day. But the mall of my memory was completely gone.

Pouring rain today (cue that Alanis song) and I’ve got to get dressed up for a 4:30 wedding. Probably time to go find a mall and do a quick lap or two, though.