The Wrath of Kon

Dispatches, thoughts, and miscellanea from writer Jon Konrath

Tag: bloomington

The Cloud, the Book, the Pissing Contest

I’ve been bitching and moaning about how Adobe decided to move all of their software to the cloud, and make people pay per month forever to use their stuff.  I’ve also been bitching about how Apple decided to kill off Aperture, which happened about ten minutes after I imported and tagged 50,000 pictures, and would probably require me to spend six months of my life migrating to Lightroom.

Well, fuck it, I decided to give up and get a Creative Cloud membership, while Adobe is trying to court Aperture users and is quoting a lowball price.  I joined with the photographer’s membership, which is ten bucks a month, and includes Lightroom, Photoshop, and 2GB of cloud storage.  There’s some other junk that I don’t need or understand (Typekit?  Bridge?)  and there’s a ton of “try this!” links everywhere, to get you to upgrade to a full-blown membership.  But I don’t need Illustrator or InDesign this second, so I’m fine.

I have not used Photoshop in a long time.  I’ve been using Pixelmator for a while, to do book covers and whatnot.  (Here is my latest.)  And I make endless stupid things like the above drawing I re-captioned.  But I haven’t used Photoshop in forever.  It’s interesting to see how much it changed.

Back in 1991 when I returned to Bloomington after a year at IUSB commuter college hell, they had a shit-ton of new computer gear, because they’d recently tacked on a technology fee to tuition and were in a mad rush to spend it. The Fine Arts college had this cluster of brand spanking new top-of-the-line Macs, which I think were the IIfx at that time.  Each one had a gigantic color monitor, probably 20 inches, but about a yard thick, plus a second paperwhite portrait screen, along with a scanner and a Jazz drive, which used those insanely expensive removable hard drives that could hold something like 100 Megs, which was pure science fiction at the time. Anyway, they had Photoshop 1.0. I recently found a color printout me and my buddy Ray did when he visited once, an Ann Geddes overhead shot of nine babies in a nursery, but we’d horribly mangled them all: one beheaded, another eating that head, one with a swastika on its forehead, one spitting blood, etc.

That was my first exposure to Photoshop, and the new version makes the 1.0 version look more primitive than MS Paint. I am absolutely amazed by all of the retouching and healing tools, and how you can do stuff like move parts of an image and it will automatically fix the background.  The $10 a month is well-spent on getting more book covers done.  (And of course, photoshopping dicks into the mouths of various Facebook friends.)

Speaking of books, I am almost done with the next one.  I’m in the last sprint of edits, and I have a roughed-in cover, and I’m maybe a week from entering production drudgery.  This book is so amazingly different from anything I’m written, I’m not sure what people will think.  It’s absurdist, but it has an incredibly plotted story, like Michael Bay plotted.  I think it will really show readers that I have the ability to do more than just stories about taking a dump at the county fair.  But, I’m anxious to get it done, so I can get back to writing stories about taking a dump at the county fair.   Anyway, stay tuned.

I wanted to write something about Amazon Unlimited, and about the huge pissing contest between Amazon and Hachette.  But I really do not have the energy to care.  It’s billionaires fighting billionaires, and every move Amazon makes to make you think they are on your side or they’re saving you money is really one they’re making to increase their monopoly.  Amazon Unlimited is nothing but a race to the bottom, creating the equivalent of a thousand-channel cable TV plan that will cause readers to read five pages of everything and enjoy nothing.  And Hachette charges too much for ebooks, but Amazon is only bringing that to your attention because they want more of your money.

It’s all bullshit.  I’m still selling on Amazon, but eventually, their monopoly will squeeze out small authors, and I’m waiting for the day when they start charging KDP writers insane prices to list their books, or drop their royalties, or start an inane approval process for self-pubbed books “to increase quality to customers” (i.e. make it impossible for anyone they don’t like to publish weird stuff.)  It will happen.  But I’ll still be here.  If I have to photocopy my books at the local Kinko’s and sell them out of the trunk of my car, I will.  If I have to memorize them and go town to town reciting them like one of those poor fuckers with The Iliad, fine.  If I was here to make millions, I would have started selling penny stocks back in 1997.

OK, back to editing.  What’s up with you?

The long walk to W384 Intensive Writing

I love it when it’s cool in the early morning after a hot day. There’s a certain charge in the air that’s unexplainable, not just the relief from the heat, but a somnolent, undisturbed feeling.  It was 83 yesterday, and I woke up to 55, and it was wonderful, even if it will be back to the high 70s in a bit.

In the summer of 1992, I had this 8AM writing class.  I was one of the only guys in the class and we talked about metaphor and Susan Sontag and I wrote a paper about the Pink Floyd song “Two Suns in the Sunset” that I’m glad I lost a long time ago.  (I wrote about this fictionally in Summer Rain.)  I used to stay up late every night, meeting people at midnight at Showalter Fountain, then wallowing in depression, sitting on computers or just walking around campus.  I’d maybe sleep a few hours in my pizza oven of a flophouse room, and wake up for the quick walk across campus to Ballantine for the writing class. During the day, the temperatures would hit the 90s, but in the early morning, the temps would sometimes drop into the 60s, and campus would be empty at that time of day. Those walks have permanently burned into my brain, and I think about them every time there’s a morning like this, and I feel that mixed state emotion of fulfillment and emptiness that a quiet, early morning can bring.

I think this work of progress is now paused.  Still not talking about it, except to say that I got a third of the way through the first draft and felt like the writing was too wooden and not me, and I needed a break to pick up some steam.  I think I need to watch a bunch of David Lynch movies in a row and get back to it later.  It’s still a good idea, and it’ll keep, but I need something else right now.

I’m still more or less writing daily stuff, automatic writing, brain dumps of whatever happens to hit at the time I sit down to write.  Sometimes, these are absurd and hilarious and end up in a book like Atmospheres, but they also become these nostalgic things that make me think about writing another book like Summer Rain, which I feel like I can’t do.  Maybe it will end up being a chapbook of some sort.

I was going to write more about nostalgic writing, but I should probably just go do some.

Blast from the past: Morgenstern's

Here is a receipt I found recently:

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Morgenstern’s was an interesting book store in Bloomington that came and went in the 90s, but was pretty central to my experience at IU.  I don’t remember exactly when they opened, but it must have been around 1991 or so.  There were no big box book stores then, aside from the Walden’s in the mall.  The town had no shortage of used book stores filled with old books dumped by students in need of ramen or beer money, and I spent many hours digging through them for anything interesting, but Morgenstern’s was where I went to score the latest new stuff.

I never read or collected that many books prior to becoming a writer, but I still went to Morgenstern’s to look at computer books.  They were the only place in town other than the IU bookstore with a solid collection of all of the latest O’Reilly stuff, so that’s where I went to ogle all of the C++ and Perl books.  They also had a full newsstand with a lot of obscure zines, so when the zine bubble was happening in the early 90s, that was the place to grab Factsheet 5 and all of the other rarities.

Once I did start writing, all of my obsessions came out of this place.  Between 1993 and 1995, I bought pretty much every Orwell book; every major Henry Miller title; almost all of the Vonnegut books in one quick swoop; and I bought my first Bukowski there.  I got going on Douglas Coupland and Henry Rollins, too.  They had a punch card system, where you got I think a punch for every ten bucks, and if you got ten or twelve punches, you got a free book, so any time I had spare cash, I’d walk out there and try to do as much damage as possible to those little pink cards and earn some freebies.

Morgenstern’s was in this strip mall just east of the main College Mall, a place that also held a laundromat, a Service Merchandise, and a couple of other stores.  There was a cheap Chinese place there (Grasshoppers, maybe?) and many times, I’d buy a couple of magazines, and then get some fake Sweet and Sour chicken and sit down to read.  They also had a Long John Silver’s, which served a similar purpose.  Morgenstern’s had its own big comfy leather chairs and coffee bar, so you could also crash out there and page through books, which was somewhat of a novelty at the time.

I vaguely remember this 1995 trip to the store, although I vividly remember the weekend.  My friend Larry Falli had graduated, skipped town, and left me his apartment for the rest of the month, as a place to write or crash or whatever.  I bought those two books on Friday night, and stayed up all night reading Shampoo Planet by Douglas Coupland, and liked it enough that I wanted to go get a copy of Generation X.  I went to bed right before daylight, woke up at lunch, and jumped in my car to go back to the mall and grab a copy, but a few blocks away, my car inexplicably died.  I had to get it towed to this auto place out by the mall, and it turns out the timing belt had snapped, and they had to keep it a day or so to put a new one on.  So I walked over to Morgenstern’s, got a copy of Generation X, then went to Larry’s unfurnished and vacant apartment, and sat on the floor of the living room with a bag of takeout from somewhere, reading the Coupland book and writing in a notebook.  I then walked the three miles back to my place and got started on the Orwell I’d bought the night before.

A month and change later, I flew out to Seattle, got a job, then flew back, packed up a U-Haul, and left Bloomington.  Not long after that, Borders put in a store right next to Morgenstern’s, and Barnes and Noble built a megastore just across the street.  And not long after that, Morgenstern’s was having their big everything must go sale.  And now the Borders is gone, and I’m sure the B&N does slow business selling lap desks, bookmarks, and the occasional 50 shades book.

I still find these receipts tucked into books, though.  And I’ve got a few titles on the shelves that still have their dot matrix-printed UPC stickers on the back corners.  I even have a punch card with two punches on it, which will never get filled.  It’s a bittersweet end to this old place.

Another story from another kind of book

I’m still editing this book. It’s going to take a while, and I hate this part of the process more than anything, because it’s not the process of creating, of writing hundreds and thousands of words, and it’s not the process of holding a finished book in your hands, so it’s painstaking. And I have all of these crazy ideas popping in my head that don’t fit within this book, for the next one or the one after, and it’s a beast to try and write those down and not forget them while I’m doing the equivalent of removing cat hair from a mohair sweater. But it’s getting there.

I have a 115,000-word manuscript that’s a complete train wreck, something that’s a book like Summer Rain but covers the entire six years I was in Bloomington. I’ve all but written off Summer Rain, partly because that’s not what I write anymore, and partly because there’s a certain pain to nostalgic autobiographical fiction that I like a bit too much to spend all of my time with it. In many senses, I think of Summer Rain as a failure, and use that to justify never going back to that kind of writing. But since the book went to Kindle, a couple of people have read it and said it really resonated with them, which makes me wonder if I was on to something.

Anyway, here is part of a story, or rather an experience, that I outlined and forgot. It’s not a story story, it’s just some loose thoughts.

I used to have a bus pass at IU, when I was a freshman. I guess now the buses at IU are free, but back then, you had to pay some obscene amount to get a little sticker on your ID so you could ride them. You could also pay a fraction of that for a nights and weekends pass, which is what I did. I didn’t have a car, so I’d take the bus out to College Mall all the time. It was a huge pain in the ass, but it beat walking.

I had a really good friend, V, this girl who was also on the computer all the time, and even though she was only about a year older than me, we had this almost big sister/little brother relationship, and she’d always listen to me pule about my various relationship problems. She wanted to be a shrink, and I was crazy, so this dynamic worked well, and we traded emails pretty much daily.

I used to call her dorm a lot, and she’d never be there, because computers cost more than cars, and nobody had them, so you’d go camp out in a computer cluster to get your fix. And I used to leave messages so much with her roommate L that we started chatting, asking each other about our days, and that led to conversations, and that led to me calling L just to talk to her, and not V. We’d have these marathon phone sessions, even though we never met in person, maybe because we never met in person. In these strange, protracted, intimate, three or four hour long confessionals, we talked about love and sex and partners and life and fears and hopes. And we’d flirt, and joke around, but it never became a “hey, let’s go grab a drink” or “let’s put a name to a face” - there was never an attempt at conversion, in crossing over to the other side. And we did have these insane talks about sex every once in a while, at two in the morning, where she’d confess that she could have twenty-minute orgasms or I’d talk about how I was certain my English teacher was trying to fuck me. But it was all in this strange meta-platonic phase, where we were more than friends, but never attempting to become more than friends.

I always say I never seriously became a writer until 1993, but there were fits and spurts where I’d try to knock out a short story, or I’d do something for a class, and I’d want to get serious about it. And I took the freshman writing class that first semester, and read a lot of Vonnegut, and I was an insomniac, so I’d bang out these depressing science fiction stories, and email them to her, and she’d be incredibly interested in them. And I still have some of them, and they really suck, so who knows what she was smoking. But if you want to be a writer and you show someone a story you can’t even show your girlfriend or best friend and they completely swoon over it and ask you questions about it and are genuinely impressed by it, that’s like the biggest thing they could possibly do to push a latent infatuation over the edge.

I eventually met L, ran into her at a computer lab with V, just a quick hi/hello/good to see you. She was far more beautiful than I expected. It put me in this awkward situation because she confided in me, and we talked almost every day about incredibly intimate things, but that safe place was possible because of the physical disconnect. Now we knew what we looked like, and I found her absolutely stunning, and I couldn’t really do anything about it. And I would normally email with V about these things, but this was the one person I couldn’t talk to her about. (And I was in a relationship, albeit a bad one. And L had a boyfriend too, although he was a jerk and treated her like shit, of course.)

My brain was stuck in this lurch, but I never admitted it, because I think I depended on L so much to get through that year. We would email or chat online pretty much all day every day: good mornings, good nights, the day’s frustrations, the problems with partners. I could tell her things I could not tell my girlfriend or best friends, and she was the same. We kept this line we would never cross, but it many ways, we went way past the line. It was all so comforting and supportive and wonderful, but it was also something I always feared would suddenly end when she found out how I really felt about her, or I did something stupid, or she somehow found out how much of an idiot I really was.

Anyway, the bus. I went to College Mall one night, a Friday night right before the holiday break started, when me the loser had nothing to do but go to the mall and buy Christmas candy. I went to wait for the bus, which only showed up every half hour or so, and the one person also waiting out there in the dark and cold was L. Even though our couple of in-person meetings prior to this consisted of a few dozen words while we sat at computers, we had a long time to talk, waiting for the goddamn bus to show up, and it ended up becoming another one of those long brain dumps, where we both bitched about the problems with our respective partners. I’d had a hellish Thanksgiving with my then-girlfriend, and seriously wanted to break things off with her, but instead I either invited her or got talked into inviting her to spend a week at my mom’s, which I dreaded even more than the prospect of spending the holidays at home. L had some similar turmoil going on, and we talked about that. It was back to our old pattern though, the deep dive through emotions, which felt strange while we were sitting right next to each other, but was just as immersive and familiar as when we used to do it in the middle of the night over the phone.

The bus came, and we got on board, grateful for the warmth, but because of the weird bus route, it had to go out away from the mall and then sit for 15 minutes behind the Kroger grocery while the driver took a break, before it started the loop again and went back to campus. I shared my Christmas candy with her, and we talked more, flirted, but mostly just enjoyed the time sitting next to each other, alone on this giant GMC bus. When you spend that much time in a relationship with someone, even this accelerated, half-friends half-whatever relationship, you develop your own shorthand and inside jokes and patterns and ways of speech, and we had so much of that. We could finish each others’ sentences, and had a kind of intimacy that I didn’t have in my “real” relationship. It was like some Meg Ryan movie, like I was the Billy Crystal, like we were the just friends that were so much more, and at the end of Act 3, she’d meet me at the top of the Empire State Building and we’d have the happily ever after.

That never happened, of course. V went to Germany the next year, or maybe it was Austria, and when she came back, it was a lifetime later, five or six iterations of the college friendship cycle, and we only talked one or two times since. I don’t know when or how I lost touch with L, but I did. This was 1990, and people didn’t check their email over the summer unless they were really wired in and their parents had computers with modems, which was pretty much nobody in my circle.  We could have written letters, or made long-distance phone calls, but we didn’t.  And in college, sometimes you are closer to a person than you have been with anyone in your entire life, and then six months later, they’re yet another stranger among the 40,000 other strangers on that big ten campus, and you’re dumping your heart out to someone completely different.

In the fiction story version of the tale, something would have happened.  Our hands would have touched, met, joined, and we would have known what had to happen next.  Something illicit and unsaid would transpire after that bus ride, a quiet walk back to a dorm room where a roommate was out of town for the weekend, no exchange of words, a torrid exchange of pent-up energy in the darkness. And even if the happily ever after didn’t happen, there would be a long night where our real lives didn’t matter, even if would end with the heartbreak of her going back to her stupid boyfriend and me dealing with the girl I’d end up dumping a few months later.

In reality, I saw L maybe three years later. I was in the back of my favorite record store, and saw her enter. She looked completely spent, different than the innocence mixed with sophistication of what I remembered, beaten by life and dreams unfulfilled. She was in the middle of a fight with some beardo guy, a boyfriend who followed her around like a trained lap dog, apologizing profusely for everything and nothing while she hurled insults and complained about the imaginary. I didn’t talk to her; I didn’t even want to acknowledge that it was her, for fear it would kill that perfect memory of what we had and didn’t have before.

And that was twenty years ago. All of those emails with V are lost; all of the memories of L are slowly fading from my brain. The record store is gone, the owner dead. I’m here, thousands of miles removed. And I’m writing this crazy book about a bizarre reality that’s a laugh a minute, and exactly what I want to write, but thinking about these distant episodes and revisiting them in my head makes me wonder not only what could have been, but what could end up being another story in another book that I might or might not someday finish.

A Hundred Years From That One Rush Album

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I guess I haven’t written in here yet in 2012.  Oops.  I’ve been busy working on getting a new book released, another collection of short stories and flash, and that’s about done.  But it’s been hard to get started on something new, and I really need to.

Part of this is that I’m trying to quit caffeine, and that shit’s a wonder drug for my creative productivity.  I am tapering down, and I’m down to two cokes a day, but I used to drink about two cokes per thousand words, so that’s been a struggle.  I’m probably sleeping more and better, but sleep doesn’t write books.

One thing I forgot about - I used to use my own crappy  set of scripts to run this site, a bunch of cobbled-together duct tape and cardboard that generated the index sidebar out of a bunch of PHP and shell script.  And every year, the whole thing would break, and required me to move all of the files to a new directory and edit a script by hand and regenerate the index and whatever.  And one of two things would happen: either I’d stay up late on the morning of the first and fix everything and post an “okay, this works” message, or I’d procrastinate horribly, and not post anything for days.  Maybe it wasn’t days, but I remember the dread of not having anything to write about, not knowing what to write.  Every New Year’s, I’d have grandiose ideas of how I’d write a story a day or a thousand words per 24 hours, and how that year would be the year I’d write a dozen books and submit a million stories and blah blah blah blah, and sitting staring at that blank page always felt like if I resolved to lose a hundred pounds, and then found myself in line at McDonald’s.

The other big part of 2012 is that it marks the 20-year mark from when the events of Summer Rain happened in real life.  I have very conflicted thoughts about this, and there are two different things going on in my head.

First, it’s been 11 years since that book came out.  I’m slowly moving to using nothing but CreateSpace and Kindle for publishing, and I feel like I should gather up all of my old stuff and push it to there, then unpublish it from iUniverse or lulu.  And I feel like I should get all of this old stuff on the Kindle.  So I loaded SR into Scrivener and started fixing all of the line breaks and indents and whatnot, thinking I’d eventually on some rainy day (no pun intended), I’d get the thing exported into .mobi format.  And of course, this degraded into this pulling-a-loose-thread-on-a-sweater thing of “maybe I need a new cover” and “maybe I need an new intro” and whatnot.  But it also made me stop and read the old writing, and I really don’t like it anymore.  I mean, there are the minor typos and things that could be reworked.  But I am no longer in love with those characters or what I did with the book.  Maybe this will change if I give it another serious read.  But I also did this same process with Rumored to Exist recently, and I really liked it.  It made me wish I could keep writing more stuff like that.  But the idea of revisiting Bloomington in 1992, or the thought of finishing this incomplete book of IU stories from 1989-1995 is somewhat boring to me.

And I just went to Bloomington, a couple of weeks ago.  It was the first time I’d touched foot in 47404 in ten years.  I only had a couple of hours, long enough to eat dinner with Simms and grab a quick drink with Bill, but I cruised around town for a few loops, taking it in.  And I was strangely unenthused.  Maybe I’d shut off that part of my brain, the part that usually swims in nostalgia trips like this, because the whole Indiana experience was so surreal to me.  But I didn’t experience the huge charge I used to get when I returned to town.  I swung past Mitchell Street, and around the fountain, and up and down Jordan, and to the library, but none of it caught me.  It seemed so long ago, so distant - and it was.

No real moral of the story here - I know what I’ve been writing best for the last couple of years is not the rehashing of this old college stuff, and that’s fine.  I’m still struggling with what exactly I call the stuff I do now, and how to sell it or tell people about it is the big question, but it’s slowly happening.

In other news, I bought a rowing machine the other day.  Not sure why.