I’ve been falling down some horrible nostalgia k-holes as of late. Here’s an exercise you should never do: go find the toys and games and things that completely obsessed you at the age of about twelve, find the addresses of the corporate headquarters offices of their makers, and plug them into Google Maps. The total disconnect between what you envisioned as a child and what these places look like now are phenomenal.

I think there are a few reasons this fascinates me. One is, I never travelled much as a kid. Any preconceptions about any area outside of northern Indiana/southern Michigan or Chicago was either based on TV, or just a guess. I never had any spatial awareness for any other geographical areas of the country. When I was playing with Star Wars toys and somehow found out they were made in Cincinnati, in my head, that meant WKRP, and Les Nesmond’s domain was the same as where my Han Solo was injection-molded. Never mind that the show was a loose montage of stock footage for the establishing credits, and then some sets at CBS Television City in Los Angeles. (If you’re curious on this one, btw: http://www.kennercollector.com/2013/12/kenner-tour-of-cincinnati-kenner-street/)

Another thing that informed these thoughts is that these toys and things were everywhere, so I envisioned massive operations, Detroit-sized city-factories, pumping out GI Joes and Milton Bradley board games. In reality, most of these were small operations, with a few dozen people working on a couple of machines. I probably should have known this, given that my dad worked in a factory, except instead of Hot Wheels, it was pumping out PVC pipe fittings. But they could have just as easily swapped out the molds in their machines and injection-molded Atari joystick pieces or whatever else.

Here’s a couple of examples of these rabbit holes. One, I was into model railroads as a kid. It was a passing phase, somewhere between Legos and model airplanes. I was never that interested in the train aspect, more the scale model stuff, but I also enjoyed the electronics, and the track layouts. One of the big names back then was Atlas Model Railroad. When you got the pre-packaged oval-track train set on Christmas, it was a Tyco. (Or Lionel, if you were O-scale.) But when you went to Kay-Bee Toys or a local hobby shop, Atlas was the big ubiquitous brand of cheap add-on track, running gear, and other accessories. If you read the train magazines, they worshipped the expensive imported German trains, or scratch-built stuff, and eschewed the Atlas stuff because it was cheap or not as detailed. But I wasn’t a retired dentist and didn’t have the cash, so Atlas it was.

And although I bought a lot of their track, the big infatuation back then was their layout books. They published these paperback 8.5x11 blueprint books with a bunch of different track designs in them, things that would fit on various table sizes. The books were well-illustrated, lots of details, and most importantly, had parts lists of everything you needed to build and wire the setups. Of course, these were all intended to get you to go buy more Atlas stuff, and it worked, because I would make endless lists of part numbers and pieces I needed to buy with my allowance. I would get so lost in those books, even though I never fully built any of those layouts. I just enjoyed reading the blueprints for hours, dreaming about what I could build if I had an unlimited budget and way more space.

So, in my twelve-year-old head, I always thought about the Atlas headquarters when I saw the address in the corner of a package or book. They were in Hillside, New Jersey. New Jersey was right there by New York. And I’d seen Ghostbusters, so of course I knew exactly what that looked like. I envisioned the Atlas empire as being something like the Chrysler Building, a hundred or so floors of people packing up HO scale snap-track in yellow envelopes and shipping them off to the sixteen billion stores that sold the stuff. Well, not quite. First, I didn’t know back then that New Jersey wasn’t New York. It’s not twenty square miles of bedrock with massive skyscrapers; it’s thousands and thousands of square miles of warehouses and single-story homes and suburbs sprawled out in every direction.

So, plug in 378 Florence Ave, Hillside, NJ 07205 and you get an unassuming two-story brick building, about the size of a bowling alley. At first glance, it almost looks like a junior high school, and resembles half of the factories near where I grew up, with a single semi bay and a parking lot for a dozen and a half employees. It’s right off the I-78, around a bunch of postwar cape cod houses wrapped in vinyl siding, maybe two miles west of Newark Airport. I haven’t even thought about model railroading in decades; I’m sure they still do great stuff. But the reality of the company is such a disconnect from what I thought of as a kid.

Seeing this building and the surrounding neighborhood is such a strange look inside something hallowed from childhood, something I could never see in the pre-internet days. Sure, looking at a Google Maps photo sphere of Pyongyang, North Korea is astonishing and bizarre (another k-hole to fall down…) but slicing open a childhood memory like that and attaching a completely different context to it is oddly mind-blowing. I mean, I flew in and out of Newark many times; I took the PATH over to Jersey and walked around, drove a car through the suburbs and probably ate at the Taco Bell just around the block from that place. But it’s a weird words-colliding thing to think about that now.

Here’s another big one: D&D. Like most geeks, I was stuck on Dungeons and Dragons back in the day. (Unlike many people who now say they are geeks, this was when geeks were geeks and you’d get the shit beat out of you for being into stuff like D&D.) From maybe fifth to seventh grade, I was infatuated with all things TSR, and I was sure that Gary Gygax and crew hid out in some Tolkein-esque castle surrounded by thousands of acres of meadows and caves. Even the name Lake Geneva, the city in Wisconsin from which they hailed, sounded palatial, like its namesake in Switzerland. I remember once when we drove to the Wisconsin Dells from Chicago, and passed a sign for Lake Geneva on the 94, and I freaked out at the thought of being right there, near where my Monster Manual was originally penned.

TSR had a more rocky history past those days in the early 80s: the ousting of Gygax (see this), the ups and downs of board gaming (and the video game crash), and the eventual purchase of the failed company by Wizards of the Coast. I have no interest in WotC’s corporate offices in Renton, because that was way after my dreams ended. (In fact, I lived in Seattle at the same time they bought TSR. And plugging their Renton, WA address into maps shows me a building that looks almost exactly like every other software company in the 90s in Seattle.) So I had to do a little more digging, but I found more.

I won’t write you a whole history about TSR, because a lot of other people have. But from this article, I found that one of the headquarters was a building on Main and Broad that used to be called the Hotel Clair. The first floor had a game/hobby store run by Gygax, and the top two floors had creatives, designing away games and modules and books. This three-story brick building looks almost identical to most of the storefronts in downtown Elkhart where I grew up, or any other small city-square town in the Midwest. My mom worked as an interior decorator in a building like this; the other buildings had insurance salesmen and stationery stores and banks and dry cleaners. They did not seem like a place that would hold the mecca of all role-playing games of the 1980s.

TSR outgrew this space, and found a warehouse at 201 E Sheridan Springs Road. This looks even more like the factories I knew from growing up, two connected, low-slung buildings with a large parking lot in the front. The building next door’s current occupant is Wisconsin Precision Casting Company, which seems like it could be in either building. TSR wasn’t in some huge Disney-esque building in the shape of a dragon, but in an anonymous warehouse that could have held a plumbing supply company or a place that did fiberglass extrusions for the mobile home industry.

The TSR thing is odd to me, because the worlds created in each of these games and books and modules were, in my mind, as big as the world I was in sometimes. And to think about a bunch of people creating these things, one after another, was mind-blowing to my twelve-year-old self. There’s already the time distortion of youth that causes these things to be so much bigger. But these huge and infinite worlds were created by a few dozen people in hundreds of square feet of below-average commercial real estate in small town America. I felt like companies like TSR, or Commodore, or Coleco were on another planet, a thing much bigger than my small town. But in reality, it was pretty much the same place.

Not that much else to say about this, except that it’s a bottomless rabbit-hole. I don’t even want to start looking at where the original Atari 2600s were built. I’ll leave that as a homework assignment to the reader. (Hint: start reading here.)

I’ve been bitching and moaning about how Adobe decided to move all of their software to the cloud, and make people pay per month forever to use their stuff.  I’ve also been bitching about how Apple decided to kill off Aperture, which happened about ten minutes after I imported and tagged 50,000 pictures, and would probably require me to spend six months of my life migrating to Lightroom.

Well, fuck it, I decided to give up and get a Creative Cloud membership, while Adobe is trying to court Aperture users and is quoting a lowball price.  I joined with the photographer’s membership, which is ten bucks a month, and includes Lightroom, Photoshop, and 2GB of cloud storage.  There’s some other junk that I don’t need or understand (Typekit?  Bridge?)  and there’s a ton of “try this!” links everywhere, to get you to upgrade to a full-blown membership.  But I don’t need Illustrator or InDesign this second, so I’m fine.

I have not used Photoshop in a long time.  I’ve been using Pixelmator for a while, to do book covers and whatnot.  (Here is my latest.)  And I make endless stupid things like the above drawing I re-captioned.  But I haven’t used Photoshop in forever.  It’s interesting to see how much it changed.

Back in 1991 when I returned to Bloomington after a year at IUSB commuter college hell, they had a shit-ton of new computer gear, because they’d recently tacked on a technology fee to tuition and were in a mad rush to spend it. The Fine Arts college had this cluster of brand spanking new top-of-the-line Macs, which I think were the IIfx at that time.  Each one had a gigantic color monitor, probably 20 inches, but about a yard thick, plus a second paperwhite portrait screen, along with a scanner and a Jazz drive, which used those insanely expensive removable hard drives that could hold something like 100 Megs, which was pure science fiction at the time. Anyway, they had Photoshop 1.0. I recently found a color printout me and my buddy Ray did when he visited once, an Ann Geddes overhead shot of nine babies in a nursery, but we’d horribly mangled them all: one beheaded, another eating that head, one with a swastika on its forehead, one spitting blood, etc.

That was my first exposure to Photoshop, and the new version makes the 1.0 version look more primitive than MS Paint. I am absolutely amazed by all of the retouching and healing tools, and how you can do stuff like move parts of an image and it will automatically fix the background.  The $10 a month is well-spent on getting more book covers done.  (And of course, photoshopping dicks into the mouths of various Facebook friends.)

Speaking of books, I am almost done with the next one.  I’m in the last sprint of edits, and I have a roughed-in cover, and I’m maybe a week from entering production drudgery.  This book is so amazingly different from anything I’m written, I’m not sure what people will think.  It’s absurdist, but it has an incredibly plotted story, like Michael Bay plotted.  I think it will really show readers that I have the ability to do more than just stories about taking a dump at the county fair.  But, I’m anxious to get it done, so I can get back to writing stories about taking a dump at the county fair.   Anyway, stay tuned.

I wanted to write something about Amazon Unlimited, and about the huge pissing contest between Amazon and Hachette.  But I really do not have the energy to care.  It’s billionaires fighting billionaires, and every move Amazon makes to make you think they are on your side or they’re saving you money is really one they’re making to increase their monopoly.  Amazon Unlimited is nothing but a race to the bottom, creating the equivalent of a thousand-channel cable TV plan that will cause readers to read five pages of everything and enjoy nothing.  And Hachette charges too much for ebooks, but Amazon is only bringing that to your attention because they want more of your money.

It’s all bullshit.  I’m still selling on Amazon, but eventually, their monopoly will squeeze out small authors, and I’m waiting for the day when they start charging KDP writers insane prices to list their books, or drop their royalties, or start an inane approval process for self-pubbed books “to increase quality to customers” (i.e. make it impossible for anyone they don’t like to publish weird stuff.)  It will happen.  But I’ll still be here.  If I have to photocopy my books at the local Kinko’s and sell them out of the trunk of my car, I will.  If I have to memorize them and go town to town reciting them like one of those poor fuckers with The Iliad, fine.  If I was here to make millions, I would have started selling penny stocks back in 1997.

OK, back to editing.  What’s up with you?

My friend Marc Broude is in the middle of impacted wisdom tooth drama, sitting in bed on painkillers while everyone replies to his post on facebook with their own tales of dental horror. My story is too big for a little box, so I thought I’d type it out here.

When I got to Seattle in the summer of 1995, my teeth were decimated. It was the holy triumvirate of no fluoride in the water as a kid, drinking way too much Coca-Cola, and being on lithium for a half-dozen years. My teeth started to go in college, and I couldn’t do anything about it until I got a real job and insurance. It wasn’t something I was too enthusiastic about, given my shame-based depression, which was at an all-time worst level back then, but I couldn’t do much beyond brushing and flossing, until I got some insurance. (I think reading about the various dental trauma in Infinite Jest was also a tipping point.)

In 1996, I had a good job with good insurance, and that fall, I found a dentist from one of those ValuPak coupon books they stuff in your mailbox. He looked like Craig Kilbourn and was fresh out of dental school, working in a tiny office near Seattle University.  When I showed up and opened my mouth, I think he saw the first ten payments on a boat staring back at him, and he excitedly started planning a regimen to get everything fixed and max out my insurance, starting quadrant-by-quadrant, and waiting until the new year and new set of benefits to take a crack at the back four teeth.

Until then, I was in complete agony.  I think the work he did on restoring the other teeth shifted things around and pressed more into the back ones. The wisdom teeth were rotting, and food would stick in them constantly, causing sharp, intense bursts of pain every time I ate. But I’d also sit in bed at night with an unbearable dull ache in my entire jaw. I am allergic to aspirin, Advil, and other similar NSAIDs, and did not know at the time that I could take Tylenol. Sometimes I would rub anbesol into the back teeth, which would give me five or ten minutes of relief. I mostly counted down the days until January, and considered staging a car accident where I hit a dashboard mouth-first and got an insured motorist to fit the bill for a total dental remake.

One thing they did, which almost helped, was put me on a seven-day regimen of antibiotics. I try to avoid them, because I’m allergic to penicillin, and the last time I took it, I was in the hospital for a week. I’m also allergic to a few of its relatives, and I try not to take any of the others, so I have a working drug in reserve for a time when I really need it.  Taking that stuff made me puke daily, but took the edge off of the pain. I also got this syrup stuff that looked and tasted like RoboCop’s jizz. Cancer patients rinse their mouthes out with it so they don’t lose all of their teeth in chemo.  It would coat everything inside my mouth with a protective layer of scum, and turn my not-that-white teeth a horrible color of syrup brown. But it worked overnight, or at least long enough for me to sleep a couple of hours.

January rolled around, and I got an early morning appointment to extract all four teeth at once. My girlfriend K lived in Longview, about a hundred miles away, and would come up for the weekend to deal with me, but the morning of the procedure, my friend Bill drove me there, and brought his laptop so he could keep programming at work stuff while I got my teeth yanked.

Problem one: I was not knocked out. I did not get a general, did not get laughing gas or twilight drugs or any of that. He took out the horse-sized injector of novocain and jabbed away at the gum line, while the nurse set up the tray with these medieval torture devices.  Once I got numb, the fun started, and he pried and twisted at the teeth.  You DO NOT want to be awake for this, because all you hear is this horrible twisting and breaking and cracking sound. You don’t just hear it; you actually feel the vibrations of this through your whole jaw.  My neck muscles tensed and throbbed with fire as my whole body pushed against him.  He actually had to push down on my chest so much for leverage, I left the office with bruises all along my sternum. He eventually cracked out each tooth, showing me the total devastation of each molar, the black decay and rot all along what used to be enamel.

He did this for three of the teeth, and then struggled on one, unable to get a hold on it.  And then, the word you never want to hear a dentist say, “SHIT!”  He managed to yank loose the top of the tooth, but the roots remained.  The tooth broke in half.  He spent some time poking around the gum line, trying to find a way to pry out the impacted roots, but this was more painful than the worst Guantanamo torture tactic you could possibly imagine.  The pain shots numb the nerve on the surface, but prying away at an open wound in the socket with forceps and blacksmith’s tools is a pain you feel through your entire body.

The hour-long procedure ran into the third hour, and he gave up. He got his assistant to call a dental ER surgeon for an emergency appointment. They packed my mouth full of gauze after stitching the other three sockets, and told me this other guy could get me in at 4:00.  It was now about 11:00.  I was starving, seeping blood, and the drugs were wearing off. They gave me directions, and wished me luck.

I could not talk, so I took Bill’s laptop, opened an emacs buffer, and typed out what was happening. He was supposed to be back at work hours ago, but agreed to stay with me for the day. But, I had to get him fed.  And I had to figure out a temporary solution for the fact that I was drowning in blood.

We went to Madison Street in Pill Hill, to hit an ATM and the McDonald’s there, and to kill time before that appointment. While we were standing in the snow at the ATM, I was trying to talk to Bill with all of this blood and cotton in my mouth, sounding sort of like Bill Murray in Caddyshack.  I said something like “dude, it would be cool if I could spit blood like Gene Simmons from KISS.” Bill replied, “dude, you are.”  I looked down and had this long strand of blood and spit hanging from my half-numb mouth, dribbling onto the white snow.

At the McDonald’s, Bill ordered whatever, and I paid for a large drink, but asked for just an empty cup.  This resulted in the huge “I can’t give you a cup, the cups are inventory and you have to buy a drink” speech, at which point I said, bleeding all over the counter, to just sell me a goddamn drink and I’d pour it on the floor or something.  They eventually gave me a cup, and we sat in the dining room, Bill eating his Big Mac or whatever, and me spitting in a cup like a hillbilly with a wad of Skoal in his lip instead of bloody cotton.

The doctor’s office was the complete opposite of the dentist, a super-modern place that looked like a Beverly Hills plastic surgery clinic.  They changed out my bloody mouth-tampons and put me in one of those panoramic x-ray machines to render my entire jaw in a long landscape strip of black and white, which amazed me.  After a bit of waiting, a surgeon came in, looked at the x-rays, and within about four minutes, dug out the shattered pieces of tooth root and sewed me up.

I got home and had a couple of hours to kill, until K showed up. I forget what pain pills they gave me, but I loaded up my CD changer with the first six Black Sabbath albums and took half of the tablets at once.  Every time I hear “Planet Caravan” now, I think about how my girlfriend came in that night and found me laying on the floor, mumbling “WE TRAVEL THE UNIVERSE” with my mouth full of gauze.

Recovery was unremarkable.  I sat on my futon all weekend, drinking Ensure and eventually eating gouda cheese, which is now ruined for me, because it always reminds me of the procedure. Honestly, the worst parts of my recovery were all of the purple bruises on my chest, the strained neck muscles, and the fact that I watched some stupid Meg Ryan movie on painkillers.  Also, the little threads of stitching bothered the hell out of me, my tongue rubbed raw from trying to feel them.  I think I took Monday off, although I didn’t need it, to finish the painkillers and work on writing Rumored to Exist.

That’s my story. Hard to believe it was almost twenty years ago. I wonder if that fucking dentist is in prison by now.

Busy. Busy. Busy.

I have been trying to finish this next book. I usually write 500, 1000 words a day, and the last few days have been 3000, 4000 word days as I rush to complete this thing before vacation. I had a goal, according to my outline, of 55,000 words, and I hit that yesterday, but the story’s not done, maybe another five or ten thousand left to go. And this is just a first draft, to get the bones down. The writing itself is a mess, and will require a lot more work to even it out. This book is a huge departure for me, the closest to a genre book I’ve ever written, very plotted and end-to-end linear, about as Hollywood as I could possibly get. That leaves many question marks about what to do with it when it’s done, but I’m excited about its potential. I’m also blotto from the tail end of a huge sugar high and have consumed far too much caffeine for the day, so that’s an issue.

I leave for Germany in four days. I am entirely unprepared. I have to pack and figure out what I’m doing, and I feel like I won’t have enough time once I get there. I basically have two days in Nuremberg, then a travel day and three days in Frankfurt, then the travel day back. There’s two full days of flying and airports in there. I have new noise-reducing headphones. I hope they work.

I just read Circuits of the Wind, a three-part novel by old friend Michael Stutz.  (It’s actually now available in an omnibus single-book edition, too.)  I’d read parts of the book years ago, as he was sketching out a mad volume of pages about early net life, but never envisioned how it would all fit together in a massive arc from a 70s childhood before the dawn of video games to the era of the hacker scene and modem BBSes on up to the birth of the internet and the early 90s web explosion. Stutz is a solid writer, a master of the long Kerouacian lyrical style, knitting together observational sketches of deep detail and strong emotion into a longer, flowing river of nostalgia and history.  It was a fun read, but knowing that he probably cut thousands of pages from the final product makes me wish I had a ten-times-longer version to wade through for weeks.

I still don’t know where I’m going with the writing, although I’ve been very productive as of late. I have so many different projects piling up in the background, ideas that are waiting to mature on the vine. But one of the things I keep pushing back is the idea of a giant nostalgic work like Circuits, something that explores the deep emotional k-holes I sometimes dive down when digging through old emails and archives. I did this in Summer Rain to some extent, but I feel like I could do better, do more.  I have a few different half-assed attempts sitting up on blocks, but feel like to do it right, I’d need to start with a real outline, at least a roadmap for where to go and an idea for how the whole narrative would work, so I could dig in and start sketching the thing out.  This is a huge undertaking though, and I’m half afraid if I would try it now, I would just be aping Circuits.  But there was so much resonation in that book, I told Michael that the one major problem I had, which is also the biggest compliment I could give, was the number of times I had to stop and tell myself, “damn, I wish I wrote this book.”

I also have these heavy nostalgia trips about two other eras: my time in Seattle, and the period of New York right after I moved to Astoria. Both of these are periods that always come up in dreams, which is a sign that they’re knocking around my unconsciousness too much. They are also parts of my life where I was incredibly alone, and felt a great need for something to happen.  I wrote a lot during both the 1995-1997 and 1999-2001 periods I’m thinking about, and there were periods of dating and friendships, but there was also some horrible, unchecked depression and complete despair about what direction I was going in life.  That makes it a lot like the 1992 period I wrote about in Summer Rain, and makes me think it’s worth mining for fiction.

Another common theme of all three of those periods were they were specific eras in the development of the internet and the culture surrounding it.  1992 was this precursor, when those of us on college campuses had rich internet interactions with telnet and FTP and usenet and irc and electronic mail, digging into online culture and meeting people at other schools through listservs and chat rooms.  By 1995, when I got to Seattle and started at Spry, the web startup era was in high gear, with URLs appearing on ads and products, web browsers like Netscape popping up, and startup culture in full gear, everyone scrambling in the first big land grab for cyberspace.  In 1995, I thought I could help change the world and help form an online utopia; by 1997 or 1998, I saw the world was nothing more than a Dilbert comic strip, and it was all becoming corporatized and diluted, the usenet and telnet era of the beginning of the 90s gone.  And then in New York, in 1999  onward, I worked at Juno, the next era of democratization of the internet, moving from the eccentric tech nerds with expensive home computers to the time when millions and millions had the internet. Another big boom of startups happened, but much more mature and high-stakes.  And it went from dumb corporate culture to behemoth corporate culture.  And then NASDAQ crashed, big mergers happened, big Enron scandals happened.  Cue 9/11 for the end of that story and the beginning of another.

I don’t know how to link all of this together yet. I have vague ideas.  I don’t know if anyone would read it.  And I’m rounding third base and trying to run out the throw to the plate on the first draft of this other book.  And where’s my passport?  How many pairs of socks do I need to pack?  How warm is it in Germany?  How do I convert Celsius into real degrees? Busy, busy, busy.

I love it when it’s cool in the early morning after a hot day. There’s a certain charge in the air that’s unexplainable, not just the relief from the heat, but a somnolent, undisturbed feeling.  It was 83 yesterday, and I woke up to 55, and it was wonderful, even if it will be back to the high 70s in a bit.

In the summer of 1992, I had this 8AM writing class.  I was one of the only guys in the class and we talked about metaphor and Susan Sontag and I wrote a paper about the Pink Floyd song “Two Suns in the Sunset” that I’m glad I lost a long time ago.  (I wrote about this fictionally in Summer Rain.)  I used to stay up late every night, meeting people at midnight at Showalter Fountain, then wallowing in depression, sitting on computers or just walking around campus.  I’d maybe sleep a few hours in my pizza oven of a flophouse room, and wake up for the quick walk across campus to Ballantine for the writing class. During the day, the temperatures would hit the 90s, but in the early morning, the temps would sometimes drop into the 60s, and campus would be empty at that time of day. Those walks have permanently burned into my brain, and I think about them every time there’s a morning like this, and I feel that mixed state emotion of fulfillment and emptiness that a quiet, early morning can bring.

I think this work of progress is now paused.  Still not talking about it, except to say that I got a third of the way through the first draft and felt like the writing was too wooden and not me, and I needed a break to pick up some steam.  I think I need to watch a bunch of David Lynch movies in a row and get back to it later.  It’s still a good idea, and it’ll keep, but I need something else right now.

I’m still more or less writing daily stuff, automatic writing, brain dumps of whatever happens to hit at the time I sit down to write.  Sometimes, these are absurd and hilarious and end up in a book like Atmospheres, but they also become these nostalgic things that make me think about writing another book like Summer Rain, which I feel like I can’t do.  Maybe it will end up being a chapbook of some sort.

I was going to write more about nostalgic writing, but I should probably just go do some.