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Squeak, writing, drones, walled cities

Been a while. Various things have been up, and I’ve completely lost the thread here. I always feel a need to get back to the blog and start posting regularly, but getting the first post down after a month or so sets the tone, and I have no idea what the tone is, so here goes.

First major thing was that my cat Squeak died. We got both of the cats 18 years ago in Denver, and she was maybe six months old then. So she had a good run, and she’s had various medical stuff for a while. She kept going a lot longer than expected, but the last year or so has been rough. It was still an incredibly hard decision to let her go, and a month and a half later, I’m still upset about it. This was compounded by the fact that I spent most of that 18 years working from home, and a heavy part of my routine was seeing what was up with her during the day. I was going to write more about this, but I can’t. Extremely grateful for Humane Colorado for the start of her journey and Lap of Love for the end.

Second… I guess writing got away from me for a bit. My next book is possibly too political, and I now have many fears about publishing this in the current climate. Aside from all my other fears about writing and publishing, I also don’t want to suddenly not be able to get back in the country on my next time I go on vacation.  So I lost maybe a month there before I was able to get back to it.

There are a lot of various concerns about persona and the type of writing I will do in the future. I think I waver between wanting to do something “serious” or complex, like some David Foster Wallace magnum opus. Or I want to do basically a performance art piece of wild and crazy absurdism. And I think whichever one I do, I have to sort of “become” that person to the public. I think of how I was always posting over-the-top memes and crazy stuff ten years ago, and how that dovetailed with my writing at the time. I ran into a wall with that whole thing, and I don’t know what the answer is here. (And I’m not looking for one.) This is probably the subject of another essay. Regardless, I’m writing, and that’s all I really care about.

Third (why am I still counting) – I have been busy trying to get my remote pilot license, the FAA Part 107. I’ve been hemming and hawing about taking this test pretty much since I started flying drones in 2021, and I’ve bought numerous books and video courses and flash cards and whatever else, but never got it together to take the test. Finally, I said screw it, went to the FAA, and registered for an exam last Friday. After a week or so of cramming, I realized there’s no way I would be ready, so I pushed it out two weeks. I’m still working through a course, flipping through flash cards, and trying to remember when you use CTAF versus UNICOM at a towered airport after hours to self-announce traffic advisories. (And that whole thing is stupid, because I have to know all of this stuff for the 107, and then the very last rule is, “sUAS PICs cannot communicate on CTAF.”

Aside from writing and studying, I’ve been wasting a lot of time building book nooks. A book nook is a sort of diorama about the size of an unabridged dictionary with a glass front and a very detailed scene inside. I have built four of them now, and the one that got me hooked was the Kowloon Walled City 2049 kit. Of course I feel a need to customize these things and have fallen down this rabbit hole of paints and plastics and accessories and lights and scratch-building new details. All of this is questionable because the one thing I don’t have is shelf space. But it’s been a fun distraction.

Work is work. Had a brief staycation because I canceled a trip due to all the Squeak stuff. My only other travel plans in 2025 are Christmas and the Midwest, although I’m thinking about another crazy trip for my birthday. More on that when I figure it out.

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general

85-0813

Yesterday, I drove out to Atwater to the Castle air museum. I’d been there almost ten years ago, but wanted to go back to see a recent acquisition sitting in their restoration hanger: an F-117A stealth fighter.

I know, the F-117 isn’t really a stealth “fighter” – it’s really more of an attack aircraft. And the ones going out to museums aren’t really stealth anymore. The Air Force is demilling the planes as they usually do when they go to museums, but on the F-117 it involves tearing off the radar absorbent skin, plus any other still-classified bits. But still, I’d never seen one in person, and I had the day off, so I decided to take a two-hour drive out to see it. And of course the whole thing became an exercise in deep thought and wondering what the hell I am doing with my life. Bear with me here.

* * *

I have an odd relationship with military aircraft. I was born on a SAC base similar to the former Castle AFB, where B-52s loaded with nuclear weapons waited for the end of the world to start so they could fly over the north pole and make their contribution. But my dad finished with the service when I was a baby, and I have no recollection of living on base. He also seldom talked about his service working on bombers when I was a kid. This isn’t how these planes got loaded into my brain.

When I was in junior high, I started learning more about planes from my friend Derik. I’d built model railroads for a while, and shifted to planes. I became completely obsessed with 1/48-scale plastic kits of various military aircraft, from WW2 fighters to modern jets. All of my lawn mowing money went to the Kay-Bee toys in the Concord Mall, where I bought as many Testor’s paints and Revell planes as I could get my hands on. I probably was stuck in model building mode far too late into my teens. I think at the age when I probably should have been interested in sports and girls, I was burning my hours on models and computers. Getting an actual car and having to move to 1:1 sanding and painting on my bondo-laden Camaro pretty much broke me out of it, though.

I have very fond memories of spending hours and hours in my basement sitting at a card table, cutting pieces from plastic sprue, listening to Rush albums on repeat, and inhaling fumes from glue and paint. There was something meditative about it, I now realize. Mindfulness is now a billion-dollar industry, filled with apps and motivational speakers and self-help books and seminars promising to get us back to the place I was at in 1985 with an F-15 kit sitting on the table. Everyone’s knitting and doing puzzles and painting, and every doctor I go to tells me I need to do something to calm the hell down. So I think about that time a lot. But I also feel a certain shame in building model planes, because I don’t want to be a fifty-something dude obsessed with what’s the best Tamiya scale aircraft, especially when the military is patrolling our domestic streets. Models also take up space I don’t have, and I never have time to do anything anymore. But all of this is still bouncing around the back of my head, making me think too much.

* * *

The drive to Atwater took about two hours. It’s funny because once I start to approach Modesto, the scenery reminds me a bit of Indiana. It goes from densely-populated city to rolling suburbs to almost nothing but farms. Driving on the two-lane California-132 through farm fields and long rows of crops looks so much like the grid of roads in unincorporated Elkhart County, an unnamed road every mile separating the farms. The one difference is it’s not corn and soybean here; it’s almonds, olives, or grapes. But it still feels like it’s the late Eighties and I’m cruising around for no reason, or maybe driving down to Bloomington. I have a 1989 playlist on my phone, which is an absolutely embarrassing list of tunes I would have been listening to at that point in time. I put that on, and even though it was almost 40 years later and I was in car with rear-view mirrors that have more computing power than most companies had back then, it still felt like I was back there.

* * *

Castle has a nice collection of planes. Some of them are pretty faded and worn by the winds and sun of the central valley. They’re trying to get the money together to build a large indoor facility for some of their collection, but until that happens, many of the exhibits are pretty beaten down by the elements. One of my favorite planes ever is the SR-71, the black stealth-looking super-fast spy plane that looks more UFO than jet. They have one at the front gate, and it’s restored and in decent shape, but it does collect dirt and mud from the storms and general agricultural debris that floats around the central valley. The other thing I wanted to get a shot of was the B-52D they have there, but it’s currently being repainted. The plane was pretty faded out when I saw it last in 2016. Right now, it’s sanded and a mix of primer, bare metal, and little bits of stray paint, and is getting redone in stages. Glad they’re getting it done again, but no photo ops yesterday.

It was oppressively hot yesterday, in the 90s but the sun made it seem even worse. I did a quick loop and took some pictures, but there wasn’t much time to loiter. I asked the people in the gift shop about the restoration facility that contained the F-117, and they gave me directions; it was in a hanger in another part of the former base.

Castle got BRACed in 95, but you can still see the remnants of the old SAC base: a giant parade ground in the middle; streets named after bombers in one direction, plane parts in the other. Stratofortress Drive has a big county human services building on it; Turbine Drive has remediated concrete pads on either side of it. Early 80s base housing that looks incredibly like early 80s base housing now contains a Korean Airlines pilot school. One runway remains, with a Christmas tree apron from when SAC had nuke B-52s on call hanging off one end. But half of the jetways are now set up for Google to test Waymo cars, this track with a maze of little loops on it, all marked with various lines the robot cars can read, I guess.

I drove to the restoration hanger, a giant WW2-looking building with room for maybe four big planes inside. It’s not open like the museum, but it’s vaguely open to the public. I talked to a guy who seemed a bit guarded about me visiting to take pictures, but we chatted for about an hour about the situation with the F-117, and how the restoration is going.

First impression: the F-117 is much bigger than I expected. I thought it was a little sportscar thing like an F-16, but it was parked next to a giant flying brick of a Navy F-4 and it felt almost comparable. It sits very high up on the gear, which are borrowed from the A-10. The museum’s plane had all of the skin stripped, the tails removed but sitting next to it, one of the engines on a cart. The leading edges and engine inlets were all gone, with the start of reconstructed pieces and cleco temporary fasteners temporarily holding them in place.

The plane looked both futuristic and but also very dated. The outside lines were all sharp and the design looked very Star Wars, but one look in a landing gear door or open panel and I could see this was straight-up 70s tech, wiring and hydraulics that were all lifted from old F-16s or F-18s. The really touchy stuff like the IR targeting gear were all missing. They had the actual canopy, which has some weird gold layer in the glass to bounce radar waves, and they got a weapons bay trapeze, which nobody else has. Their cockpit is largely intact, at least from the outside. But the secret guts inside were all missing.

This particular plane had done two missions in Just Cause and then 35 in Desert Storm. They had a sign set up by one of the two weapons bays with various pictures and autographs of pilots. 85-0813 was nicknamed “The Toxic Avenger” and had an art plaque for that. It obviously wasn’t panted on the outside of the stealth plane, on the absorbent skin. I looked inside a weapons bay and could stand on the ground upright without hitting my head. The inside looked like the guts of a late-seventies F-15A, with conventional wires and hydraulic lines mounted to the dull gray riveted skin inside. The bays also seemed shockingly small when I was up close. They typically carried only two bombs and no advanced pods or radars like modern planes. Apples to oranges, but that little sports car F-16 I mentioned could easily haul three times as much weaponry plus a gun and loads of advanced avionics and targeting systems. Sure, maybe no stealth, but it was strange to actually see the size comparison.

* * *

Another odd callback to my model airplane days. Back when the stealth fighter was a known thing but nobody had seen it yet, Testor’s came out with a model kit of it, and it was in a Tom Clancy book and a popular video game. There was this rumor that the stealth fighter was called the F-19, because McDonnell Douglas came out with the F-18, and then Northrop built the prototype F-20, so obviously F-19 was skipped for the secret plane. It wasn’t, and the Testor’s kit was just a made-up plane that looked little like the actual F-117, with smooth manta-ray wings like a sci-fi spaceship. Of course I bought one and built it, and that was the stealth fighter in my mind. When the plane was first unveiled four or five years later, I was shocked that it was the same plane, or that it even could fly. It was so surreal to come back to this 40 years later and actually touch one of them, albeit with the matte black skin missing.

* * *

On the drive home, I thought about this visit a lot, and about my obsession with this stuff. It pains me to write about this, because I’m stuck between two things here, and don’t belong to either. I mean, I spend a lot of time wandering around closed military bases for some reason, and a part of me thinks about how we spent trillions of dollars in the last 80 years, and for what? To tear it all down and leave behind superfund sites in the middle of nowhere? There’s the argument about deterrence, or projection of power, or “bringing freedom” to places like Vietnam, Iraq, or Afghanistan, which are all currently not very free.

I can’t really talk to my leftist friends about any of this. To them, these are all machines that were made to kill. America has spent 25 trillion dollars since the end of World War 2, building up a massive nuclear force that was later dismantled; invading countries that were later abandoned; stockpiling weapons for a Soviet invasion that never happened. It’s hard for me to argue against that, but it’s even harder for me to fetishize these machines when I’m talking to these people.

On the other hand, I feel like I can’t talk about that side of things with right-leaning folks, because it feels like betrayal. I feel like, according to them, I’m supposed to have unwavering loyalty to the military and to the government. And I generally feel a respect for those who served. But I don’t fully support what we’ve done or what we’re doing, especially with what’s going on now.

And I think the bigger thing I can’t talk about is that this money wasn’t wasted per se. The military is a great social experiment in a way the right won’t freely admit. It’s an experiment in socialized medical care, desegregation, a shared housing system, a government system that feeds, clothes, and educates six or seven million people. Although I’m sure the top end of companies like Raytheon or Lockheed get the bulk of the trillion dollars a year spent on building arms, but some amount of it eventually trickles down to the factory workers assembling the stuff. None of this justifies overthrowing countries or killing people. But it shows that there is the capability to spend massive amounts of taxpayer money on actual things to provide for people.

Anyway, all of this makes me think about hobbies and what I do and what I waste my time on. And I think there needs to be some change at some point. But I also realize how burned in this stuff is, and how I can’t wake up one day and say, “OK I like trains now.” Not sure what to do about that.

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Mongolia, Hong Kong

Spent the first week of August in Mongolia with a brief stopover for dinner in Hong Kong on the way back. I had a cold on return and didn’t have the energy to get together a trip report. I’ve got a longer actual story about the trip underway, but I’ve also been hot on Atmospheres 2 which needs to get done pronto.

Anyway, before this totally gets away from here, here’s a quick bulleted list on the trip. Also, some photos are on Flickr.

  • Yes, Mongolia. It’s the giant country between Russia and China. Not to be confused with Inner Mongolia, the big chunk at the top of China. Not a former Soviet republic either, although they were obviously tight back then.
  • Everyone asks “why Mongolia” and the only real answer I have is I haven’t been there, it was not terribly expensive, I didn’t need a visa, and I knew everyone would ask “why Mongolia.”
  • Left at midnight after being awake since 4am. 14 hour flight to Hong Kong and I slept maybe 4 or 5 fitful hours in a premium economy exit row. Had a seven hour layover in HK where I wandered the airport at 5 in the morning in a state of delirium.
  • MIAT, the flag carrier of Mongolia, has a fleet of nine threadbare Boeings. I’ve never been in a more minimalist 737; I sat down and my knees were against the seat in front of me. At least they stopped flying the secondhand Antonov turboprops they kept crashing.
  • Landed and completed my longest multi-segment trip ever: 1d 1h 40m.
  • Had a driver who immediately asked me if I liked metal, even though we could only communicate with each other through translator apps. He then put on some Mongolian folk metal, which was a new one for me. (Throw “The Hu” in YouTube if you’re into that sort of thing.)
  • The airport is about 50km south of Ulaanbaatar. That will take you either an hour or five to drive, depending on the number of yaks crossing the highway.
  • Cars drive on the right side like the US, but they’re all right-hand drive, from Japan or Korea. Almost everything is a Prius with off-road tires and a three-inch lift. Imagine being awake for 40 hours and sitting in the driver’s seat of your last car, but then you realize you don’t have controls in front of you.
  • The area between the airport looked a lot like the area outside Denver: giant grass-covered plains, with mountains in the distance. I also didn’t realize we’d be at altitude – maybe 4400 feet – so it had that big sky look with giant clouds seemingly five feet above.
  • Stayed at a five-star that was a Best Western. Not a bad setup, actually. No complaints except the whole room had a single outlet, and I couldn’t get a straight answer on what power or plugs they use there. Everything online says “well, whatever.”
  • I had a rough time with food. I brought a case of Clif bars and a bunch of protein gel, expecting to be unable to eat. I could not parse any of the food options and there’s very little American chain food, so I couldn’t just go to a TGI Friday. I ate a lot of junk from a convenience store next to the hotel, which wasn’t good.
  • Mongolia has its own language, but uses the Cyrillic alphabet for the most part. Old people know Russian, and Chinese and Korean are sort of prevalent. This is probably the lowest amount of English comprehension of any country I’ve visited. This freaks some people the fuck out when I mention it, but it’s their country, and I can deal with being in a place and not knowing the language. I know probably ten words of Mongolian and could fake the rest.
  • The city looks like if Anchorage was built by the Soviets in 1961. Lots and lots of poured concrete and Khrushchevkas. Every sign on top of a building was in Cyrillic. I was across the street from a central square and a parliament that looked like it probably had a gigantic bust of Leonid Brezhnev in it until the mid-90s when it was melted down for scrap or sold to some hipster in Seattle for an art project. The city is powered by a gigantic coal plant that’s right on the edge of downtown, and the air quality is not great from that.
  • Poured rain the first day and I had no rain gear, just a down jacket that immediately absorbed five gallons of water and never dried again. I went to a Chinese tower mall, found a Sports Annex-like place and bought a far too elaborate rain jacket. I could not figure out the exchange rate and had this inch-thick fist of bills from pulling 80 USD from an ATM. I gave them a credit card and said “whatever” and I think it was like a million MNT. Got home and realized I spent like $250, which means every time you see me in the next ten years, I’ll be wearing a Mongolian raincoat.
  • I’ve said this before, but these communists love their malls. I mean, communism ended a bit ago, but if you want to see a high-end mall with zero vacancies and completely full shelves, go to a place that’s still got Stalin on the money. I grew up with these horror stories about almost empty communist stores where you have to pay a week of salary to get almost nothing, and it turns out that describes a Target in 2025.
  • Day two, I went on a big van trip with six or eight other people, like a twelve-hour junket through the Gorkhi Terelj national park. Highlights of this included a ten-story statue of Ghengis Khan on a horse where you climbed up into his head, holding an eagle, shooting a bow and arrow, camel rides (which I did not do, I’ve broken my arm enough times), visiting a nomad and drinking fermented camel milk (once again, nope), and eating lunch in a Ger (aka a yurt.)
  • Once again, I did not eat much because – well, they love horses in Mongolia, and not just riding and racing them. I absolutely did not eat any meat that wasn’t chicken on this trip. Nice people at the restaurant, but no.
  • We also went to the Aryapala temple, which involved walking up many steps and was incredibly beautiful and peaceful. Also near there, we climbed this giant granite rock formation called Turtle Rock, which I did not realize involved actual climbing climbing and going through tunnels like that one where James Franco had to cut his arm off with a pen knife.
  • On the drive home, some truck hit a cow or something and the road completely shut down. When this happens, people just start driving next to the road in the dirt. When that line of traffic stops, people drive next to them, etc. So at one point, there’s like six or eight lanes of traffic crawling through the mud and dirt completely randomly. Total chaos. The 40km drive home took about five hours.
  • The nomadic guy – Mongolia is about the size of Alaska, but with only three million people. Maybe half of that live in Ulaanbaatar, and about half are totally nomadic. They set up their ger in a random steppe and raise their livestock, then when the grass gets low, they move to another.
  • Wednesday, I had a driver who brought me to the Mini Gobi desert, just me, him, and all my camera junk in a Land Cruiser. The drive took about 14 hours round trip. Lots of mountains in the distance. Lots of livestock on the road. Stopped at what looked like the Mongolian Costco to get supplies. Also stopped at a place that looked like the Mongolian Old Country Buffet, with three dozen steam trays where you pointed and they scooped a mystery meat onto a tray with beets and rice. I had the chicken, I think.
  • Mini Gobi was cool, but honestly not 14 hours of small talk cool. We’re talking about the size of Warren Dunes on Lake Michigan, but instead of hot dog stands, there were camel rides for the kids and tourists. We also went to a small temple up in the mountains which was very quaint and also beautiful, but not like a tourist place. About half of our driving was off-road, which was pretty daunting.
  • I bought a cashmere scarf for S at the temple. There’s a lot of cashmere for sale there. A lot.
  • Picked up a horrible cold and I had to cancel a street photography tour. I’m glad I brought NyQuil/DayQuil because I went to a drug store and the closest I could find was a jar of some stuff with a horse on the label and it may have been made from snake venom or whale penis. Google Translate was useless for this.
  • I wandered the city a few times, taking some pictures. There’s the occasional brand new Chinese or Korean high-rise, a tower mall or hotel. Infrastructure in the town is fair to poor, with lots of tore-up stuff and roads that inexplicably close for no reason. Traffic is pretty horrible, and there’s no great urban planning around this. Some of the smaller side streets with shops and open markets were pretty nice though, and they do have some parks and green spaces that they’ve been very intentional about and they look beautiful.
  • I’d default to wandering around the central square, which wasn’t that heavily populated, but one day I went and there were a dozen different weddings going on. Each one had dozens of people in the party, dressed in traditional clothes, with pro photographers and selfie sticks and drones weaving everywhere chaotically. I shot some video of that and it was great fun to watch.
  • The last night, I went for a long walk in the city and was sort of bummed that I didn’t get to do more and that the cold basically shut down the end of the trip. Shuffled around and ended up in a vacant Burger King where I ate a junior whopper. BK is airport-quality. No McDonald’s; no Taco Bell; no 7-Eleven. There’s a KFC/Pizza Hut but it makes it apparent this isn’t a country with many fresh vegetable choices.
  • On the way back, same driver. He brought me to the airport and I realized this place was smaller than the South Bend airport, but every flight out of it was international. Saw horse jerky at the duty-free and yeah, no.
  • On the way back, I stopped in Hong Kong and had eight hours, so I left the airport for the first time. My luggage was checked through, so I had nothing to carry, and I didn’t need a visa as long as I didn’t go to the mainland. I took a train to Kowloon, and the whole experience was absolutely surreal. The second I landed, my iPhone asked me if I wanted to buy a virtual Octopus card, which lets you use any transit and shop at many stores and restaurants. Five minutes after leaving customs, I was on a futuristic bullet train where one could probably perform surgery on the carpeted floor without cleaning it first. I went to Kowloon and was in the bottom floor of this gigantic mega-mall of super high end stores and it took me like 45 minutes to reach the surface. It looked like a Star Wars city, with glass towers of skyscrapers and immaculately groomed greenways and paths to fancy restaurants and coffee places. Everything was in Chinese but honestly the people in Hong Kong speak English better than Americans. I grabbed a kobe beef burger at this place and then hurried back to the airport, hoping customs would not be insane.
  • Customs was completely automated, no questions, no lines. Amazing.
  • 13 hour flight home. It was weird because I got to the airport on Saturday, technically left on Sunday morning, flew 13 hours, then landed Saturday night. Got my luggage, caught an uber, and actually got home on Sunday morning.

Fun stuff. I’ve still got to deal with pictures and videos, but I wasn’t terribly happy with anything I captured. There’s a lot for context, but few real bangers. Still, a very interesting trip. That’s four new countries this year for a total of 24 now. Probably no more international travel this year, but I’m already thinking about the next birthday trip.

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general

The death of the prince of darkness

So, Ozzy Osbourne died on Tuesday. I’ve been thinking about this all week, because these celebrity deaths are increasingly odd to me as they become more frequent. And Ozzy’s a weird one, because of his intersection with culture and life in general.

I was too young to be into Black Sabbath as a kid. Their first two albums were released before I was born, and I think I was in the first grade when Ozzy’s first tenure with the band ended. I didn’t have an older brother who could have turned me onto them, and our town didn’t have an AOR radio station, so I had zero exposure to even the basics like “Iron Man” or “Paranoid.” As his solo career unfolded, I also had no exposure to his music. When Blizzard of Ozz and Diary of a Madman hit, my local Top 10 station (the only non-country/non-religious FM station in the area) was probably pumping out Men at Work or Phil Collins.

My first memory of Ozzy was during CCD classes at my Catholic church, where I was relegated during Sunday mornings to prepare for first communion. One of the kids in my class was explaining Ozzy to us: the long hair, tattoos, running around without a shirt and maybe some horror movie makeup on. He bit the head off a bat, or maybe a dove. I was fascinated by this, even though I didn’t know a note of his work. It was similar to how I was amazed by the band Kiss, not because I liked the music, but because of the costumes, the makeup, the pageantry of the whole thing. It was more like a cartoon than music, and at the age of nine or ten, that was awesome. I remember sitting in class, sketching out pictures of Ozzy biting the heads off of birds, done entirely from this other kid’s description, without having actually seen any album covers or live footage.

We got MTV a bit after that, and Ozzy entered the general zeitgeist, although I don’t exactly remember any of his music or videos. He played at the big spectacle of the Us Festival, and maybe his antics were covered by Kurt Loder in news segments. I can’t remember them actually playing any Ozzy or Black Sabbath videos – they were probably too busy with Michael Jackson and John Cougar Mellencamp – but it seemed like Ozzy was ever-present anyway.

I don’t remember actually listening to a Sabbath or Ozzy album until I started hanging out with Jim Manges in maybe 1986 or 1987. His parents were evangelicals who forbade him from any hard rock or heavy metal, and he’d often stash tapes or D&D books at my place. He was also very into the “satanism” of early Sabbath, although it was mostly a reaction against his parents, and Black Sabbath wasn’t really satanist. We used to listen to tapes of Sabbath a lot when driving around in my car, although it was often “nice price” tapes instead of the big albums. One in particular was the Live at Last album, which was a horrible near-bootleg released without the band’s permission, an odd mix of poorly-recorded tracks and an album cover that looked like it was done on a Commodore VIC-20.

In high school, I fell into early thrash metal, and stuff like Metallica, Megadeth or Anthrax seemed like a generation past that of Ozzy’s solo stuff, and at least two beyond Black Sabbath. It’s odd for me to listen to Bark at the Moon and then Master of Puppets back to back and they seem twenty years apart, but it was more like three years. I was too obsessed with “new” stuff and didn’t have the time or funds to go backwards through the older Sabbath catalog when I was a teenager.

When No Rest for the Wicked came out in 1988, it was a bit of a twist. At that point, Ozzy seemed like a bit of a relic, but No Rest had a fresh sound, catchy tunes, and this amazing new guitar player Zakk Wylde, who was some kid genius, only a few years older than me. That album got some heavy play in my last year of high school, even though it was competing against Metallica’s And Justice For All and the first Guns ‘N Roses album in my tape player. Same goes for 1991’s No More Tears, which featured a ton of songs written by Lemmy from Motorhead. But aside from this brief blip, I mostly thought of Ozzy as this elder statesman in the world of metal, and focused most of my attention on death metal or whatever else I was obsessed with in the mid-90s.

* * *

Fast-forward to 1996. I’m in Seattle by that point, and Ozzy was mostly off my radar. He’d “retired” and he had an album or maybe two I’d never even heard. Black Sabbath was fully in the back of my head, having listened to the first six albums pretty repeatedly over the years. But I did not keep track of anything of Ozzy’s solo career in years.

It’s a Friday, and I’m at work. There’s some ship party going on, free champagne, catered appetizers. This was at the point in tech where this happened like every week. I’m not a fan of champagne and the food was usually crap, but it meant I could waste an hour of time doing nothing. I was talking to a few people about how Ozzy was playing at the Tacoma Dome that night. The general discussion was “Ozzy is touring? I thought he retired? He’s still alive, right?” We all joked about going, in the same way one would go to a monster truck rally at the Kingdome as a goof, just to see who would show up.

Later that night, I was sitting around trying to write, and thought maybe I should go. Ozzy wasn’t going to be around much longer, right? I figured his career was beyond over, and I’d never get to see him again if I didn’t go. I called the Tacoma Dome to see if there were still tickets – you couldn’t look it up online and had to actually call the box office, and they said sure, tons of tickets. So I got in my car, hit I-5, and headed down there, well after the first opening band started.

This tour was sort of a mini-festival with three opening bands, all of them notable: Biohazard, Sepultura, and Danzig. I got to my nosebleed seat maybe during Biohazard’s last song. Sepultura was decent. I always joke that Danzig opened and closed with “Mother” because he was at that point in his career, but he was decent. And then, Ozzy.

I didn’t really know what to expect. I thought this might be the dreaded “rock star karaoke” performance where he stumbled through the lyrics on a teleprompter with a completely disconnected live band, and then after maybe a few greatest hits, we’d get hit with the “here’s a song from my new album” and have to struggle through 45 minutes of that before an encore of a Sabbath tune or two. This was absolutely not what happened.

First off, Ozzy’s band was tight as hell. Joe Holmes from David Lee Roth’s solo band was there, a very underrated guitarist. Mike Bordin from Faith No More was on drums, and future Metallica bassist Rob Trujillo rounded out the lineup. The band was not only totally together, but it was very energetic and not phoned in at all. Bordin is an incredibly kinetic player and frantically banged through the set at combat power. Both Holmes and Trujillo jumped all over the stage, climbing up on amps and coming back down again to the front. The playing was incredibly tight, and they pushed ahead at a fast tempo through the whole set.

Second, Ozzy really put on a show. The stage had two giant video walls and before they started, there was a video montage that put Ozzy in various movies, like a parody of Pulp Fiction, then him interviewing Princess Diana, then him in the Beatles, then him and John Travolta in a Saturday Night Fever/Crazy Train mash-up, then him in a duet with Alanis. (There’s a fan-shot video of this here.) They then did a montage of Ozzy videos and live footage that completely pumped up the audience, and by the time he finally hit the stage and the lights came up, everyone was on their feet screaming.

Did he play old songs? He played no new songs. After screaming for everyone to go crazy, they immediately launched into a blistering version of “Paranoid” and it went on from there. He played a half-dozen Black Sabbath songs: “Sabbath Bloody Sabbath,” “Iron Man,” “Sweet Leaf,” basically an entire greatest hits album. “War Pigs” was absolutely awesome, the last song in the main set. Video footage of Vietnam choppers over jungles played on the big screens, spotlights going across the crowd, 20,000 people all singing, and Ozzy basically doing calisthenics on stage, screaming at everyone to get out of their fucking seats while he was doing jumping jacks and running laps to this absolutely frenetic version of the song.

I can’t find an exact setlist, but looking at ones online, he only played the song “Perry Mason” from his last album, then a dozen of the biggest songs from his solo career: old stuff like “Crazy Train,” “Bar at the Moon,” and newer hits like “No More Tears” and “Mama, I’m Coming Home.” (The setlist was different than the video above.) What was amazing is how into the performance Ozzy was. I mean, if I was him, I absolutely would not want to play “Iron Man” for the ten millionth time, especially after having like 20 albums after that. But he was absolutely elated that 20,000 people showed up to see him, and we were all doing him a favor by being there. He was more than happy to play the classic hits everyone wanted. Between every song, every chorus, every verse, he was telling everyone how much he loved them, how much he wanted us to get crazy. He had squirt guns and buckets of water, and everyone got drenched like it was a Blue Man Group show. He mooned people and ran around like a madman, dumping bucket after bucket of water on people in the front rows.

The show was absolutely incredible, by far the best live event I’d ever see. Ozzy was just such a showman and made every person there feel like they belonged. It was so high-energy, it was absolutely infectious.

* * *

That wasn’t his retirement tour, obviously. That format of multiple opening bands became the Ozzfest, which went on for decades. A few years later, he gained a completely different audience and morphed personas with his family’s reality show. He had a second (or third, or fourth) life in the 00s and later.

I guess what I find odd about all of this is how Ozzy has this ability to be ever-present and weave his way through life without being directly in it. I can’t remember the last time I bought an Ozzy album, but when I searched my books, he’s mentioned dozens of times. It’s very similar to when I drew that picture of him without actually seeing him. The title “Ozzmosis” is very apt in a way. And that makes it harder to imagine that he’s gone. It’s a lot like how David Lynch is gone, but he’ll never feel gone, and that makes it both easier and harder to reconcile his death.

Anyway. I got a big smile watching that old concert footage, and that’s all that matters. Glad he went out on top, and was able to make so many people happy like that.

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My first CD player

I had to rip a few CDs last week, which is a rare occurrence these days. I don’t even have a CD player at this point, and have to dig up an external optical drive for my Mac once or twice a year when this happens. It had me thinking about the rise and fall of CDs in my life, which brought me back to my first CD player ever, the Toshiba XR-J9.

So, 1987. The Compact Disc was released in Japan five years before, and audiophiles had been buying them in the US, but not so much in Elkhart, Indiana. The whole idea of digital audio was a thing of awe, total science fiction. Lasers! The ones and zeroes captured in the studio remained ones and zeroes until right before they hit your ears, with no degradation, no distortion, no mangling through resistance-bearing wires and analog amps. Some magazine article said if you dubbed a cassette from a CD, your copy would sound better than the professionally-duplicated one you bought in a store. I can’t even remember the first time I actually heard or touched a CD, and didn’t know anyone who had a player. I had to have one, of course. But I couldn’t spend a grand on a Sony home player, and didn’t really have the stereo to match, which would cost a few thousand more.

At that time, I had a Soundesign stereo, probably from Wards or Sears, which had tower speakers, sat in a wood rack with glass doors on the front, and was a single piece for the receiver, EQ, and double tape deck, but had grooves in the plastic face so it looked like a stack of individual components. It wasn’t exactly high fidelity, but it was better than the Sears all-in-one I had in grade school and junior high. And it had a pair of RCA connectors for Aux In, tempting me to add more.

I was out of the house more than I was in it back in high school, so cassette was my primary medium. In my pedestrian days, I ran through $20 Walkman clones on a regular basis, whatever I could pick up at Osco Drugs on a discount. Once I graduated to a car, it had a no-name tape deck in it. For a while, I would buy vinyl and record them to tapes, but I mostly bought cassettes, or dubbed friends’ albums onto blanks.

Every time I went to any store with audio gear, I’d ogle the various components, thinking about how someday when I was out of college and rich, my first priority (aside from a Commodore Amiga) would be to buy some esoteric system with gigantic speakers, two dozen bands of EQ, a DAT digital tape deck (what happened to those?), and of course a reference-quality CD player. There was a store in the Concord Mall called Templin’s that was half instruments, half audio gear. (Oddly, they also sold Atari home computers.) This was the place where they had separate listening rooms where you could go in and see full setups like the one in American Psycho, thousands of dollars of gear that was absolutely unobtainable to me.

In the summer of 1987, I started working my first “real” job at the Taco Bell across the highway from the Concord Mall. And right around then, CD player prices started dropping. They were like $1000, then hit $500, then $400 or $300. And around the time my first paycheck hit my pocket, I was in the K-Mart across the street from my ‘Bell, and there was this CD player that was a hundred dollars. I absolutely had to buy in, and I did. (For reference, $100 in 1987 is about $285 now. I made $3.35 an hour dealing with drive-through abuse and refried bean cooking at TB.)

The XR-J9 was an odd little beast. It was about twice the size of a battery-powered Sony Discman of that vintage, but way smaller than a component home CD player. It was a weird mix of the two, though. Like a Discman, it was a top-loader; you popped open a lid and put the disc directly on a hub, then closed the door to get the laser to start. (Laser! I now owned a Class 1 laser! 3-beam pickup, whatever that means! It even had a warning label on the bottom!)

Unlike the portable Discman, the Toshiba ran on mains only, with no provision for a battery. It also had a fixed set of RCA cables coming from the back, which would plug into a home receiver. It also had a headphone jack and volume slider on the front, but unless you had a Honda generator with you, it was in no way portable. And those cables weren’t removable, which bugged me.

The controls were spartan: a power button on the front; the usual play, pause, forward, and back buttons. You pressed in a corner of the lid and then it unlatched and popped open. It also had a Display button, which I think toggled the time versus the time remaining that showed on the small LCD display. Some buttons had multiple functions. If you pressed Forward once, it would skip a track; hold it and it would fast-forward through the track, playing a sliver of sound every five seconds. This was amazing coming from the tape world, because I swear I spent half my batteries jumping around tapes, and this was instant. Random access! There was also some elaborate combination of buttons you could mash to access a “memory” mode where you could program up to 16 tracks in any order to get a custom playlist, which was a huge pain in the ass to do, and then it immediately went away when you opened the player. I would very occasionally do this when listening to The Police – Synchronicity so I could skip track 4 (“Mother”) because I never felt like it matched the rest of the album. (Now I think it’s the best track.)

The obvious problem after sinking a whole paycheck into this thing was that I now needed music. I think at that time, a tape was like $7.99 and an LP was $9.99, but a CD was $15.99. Each title was an investment. I went to Super Sounds, my favorite record store ever in the Concord Mall, and went A-Z through their three or four racks of CDs, trying to figure this one. (At that time, CDs were in “long boxes” which were the same height and half the width of an LP, so stores could use the same vertical racks for the new format.)

My first purchase was the most recent Iron Maiden album, Somewhere in Time. I was way too into Maiden at the time, and this album was a perfect storm for me: it was Iron Maiden; it had this futuristic cyberpunk theme; it was what I thought at the time was super-modern, ultra-technical sounding; it was digitally mastered; it was Iron Maiden; it was loud, but precise. It was also almost an hour long, so it was like twice as long as if I’d just bought a Boston album or whatever. I remember bringing the CD home, listening to the whole thing on headphones, and there was this one part on the song “Deja-Vu” where Nicko McBrain is playing this snare volley right before the chorus comes back in, and I could suddenly hear that he was also tapping out time on the hi-hat, which wasn’t audible on the cassette. It absolutely blew my 16-year-old mind.

Of course, I had no more money, so I had to go sling tacos and wait two more weeks to get something else. I don’t remember why, but I got the ELP album Trilogy next. A headphone listen also bewildered me. The first song starts with a beating heart, then Emerson doodling away on keyboards, which sounded incredibly crisp, compared to a muddy cassette. After two minutes, the rest of the band suddenly came crashing in, and the dynamic range demonstrated by the sudden change was incredible.

I can’t remember what was the third disc, but I did waver on whether I wanted the high quality of a CD or having twice as many at-bats by sticking to tape. By that fall when I started working at Wards and moved to weekly paychecks, I vowed to myself that I’d buy a tape every week, if not more. I pretty much stopped buying CDs for a while, until maybe my senior year, when I discovered the Columbia House and BMG CD clubs.

About twenty years later, the CD thing came to an end, with just shy of a thousand titles in my collection. I’d slowly been ripping things to MP3 when the 21st century started. Once the iPod hit, CDs became a temporary medium I used until I could rip the tracks to a hard drive, then became a backup in storage in case my computer died. On November 22, 2005, I made my first purchase on iTunes, and that was the beginning of the end. Now, almost everything is added from Apple Music or bought from Bandcamp.

(Oddly enough, the first track I ever bought online was Harry Nilsson’s “Remember.” The reason I suddenly needed to hear it again was a memory of the Michiana student TV show Beyond Our Control, which closed each episode with the song.)

That Toshiba lasted until maybe 1992, when it mysteriously died, stopped loading up discs. I bought a Kenwood portable player that summer (this was described in Summer Rain) and that unit suddenly became my main CD player for a few years until I bought a Kenwood 6+1 changer at the start of 1994. The Kenwood portable never really got used as a portable, because it drained AA batteries so fast, and this was before the anti-skip memory thing was out, so it was fairly useless on the go. I never considered CD as a portable medium, using the MiniDisc from the late 90s until the iPod showed up. I didn’t own a car with a CD player until 2007, when the format was dead. My 2014 car had a CD player that I think I used once. I honestly could not remember if my 2025 car even has one, and I guess it doesn’t.

All of this is so strange to think about, because that 1987 dream of someday having a gigantic reference system in my home is long gone. (So’s that desire for a new Amiga, but that’s another story.) MP3 wasn’t even a dream back then. I listen to 99% of my music on AirPods these days. I don’t have a room full of racks of CDs. I could afford to go buy any stereo I want, but what would I even buy? I bought a pair of near-field monitors for my desk literally a month before the pandemic started and I had to go to pure headphones for the locked-in-the-same-apartment 24/7 thing. I think I have two different Kenwood receivers in storage, and use a $200 sound bar in the living room for the TV. Music is still important, and I’m listening to stuff every day. But the technology has changed and the meaning of where it is in my life has too. Is that good or bad?

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general

Cleveland

I took a quick trip to Cleveland this weekend, to see a few old friends and headline a book reading. The trip was over before it started, it felt like. Anyway, let me rush through the usual summary.

Reason one for the visit was that my company gives us Juneteenth off, which was a Thursday. So I added the 20th and made it a nice four-day weekend. I feel some need to take more short trips like this between my longer journeys, so this looked like a good spot to do it.

The big reason for the trip was John Sheppard moved to Ohio recently, and just bought a house and got settled in near where he spent his childhood. I haven’t seen him since he retired, and wanted to check out his new place. The other big reason was that I haven’t seen Michael Stutz in a long time, and I wanted to see his record store and his house. Also, I twisted his arm a bit and the three of us set up a book reading at the store.

The trip out was easy enough. I booked a direct flight from SFO to CLE, and left at 9 in the morning. It was a bit clogged getting to the airport at rush hour, and I had to jump over to terminal 2 to get through security fast, then jog back to terminal 3. Not a major problem, though. It was about four and a half hours in the air, which I mostly spent messing around on my laptop. It was raining and thundering heavily in Cleveland all day, and while en route, there was argument over if we’d be coming in early or late, but we landed a bit early. John picked me up and we headed over to his place.

I haven’t spent time in Ohio probably since 1999. I stayed in Berea a few days on my moving trip east from Seattle to New York, at Michael’s old place. Also had a funeral later that same year in Cincinnati, and maybe an airport layover here or there. But I’ve met a lot of people in Ohio online since then. I didn’t really have a strong feel for what it would be like, especially because Ohio has become a bit of a punchline in recent years, but has also been going through a lot of upheaval. I wanted some face time with a few people, but I also just wanted to see what things were like these days.

Me and John stopped at his place to drop off luggage, and he’s got a nice setup, a 3br/1ba on a quiet cul-de-sac, basement, yard, detached garage in the back. He just moved in, so the furniture is minimal and he’s just started settling into the place. It’s got a big upstairs with a low ceiling that’s completely empty, but will make an excellent writing cave in the future. He set me up in the Ohio Room, this monument to Ohio sports teams that’s borderline disturbing and hilarious, with a neon OHIO sign on the wall, bright red Ohio State bedding, and hanging flags for the Tribe, the Browns, and the Cavs.

We headed out to Angelo’s in Lakewood to split a pizza, then drove out to Edgewater Park to see the lake and take the requisite picture in front of the big Cleveland sign. Also stopped at a giant grocery to get some supplies, and wandered around a bit before heading back to the house for a few hours of talk that evening.

Friday morning, we got up and running, then headed over to see Bailey and son over in Lakewood. It’s always interesting to meet up with someone who’s been a friend online for like a decade who I’ve never seen face-to-face. Social media’s created this odd parallel universe where you can talk to people every day but not really “know” them – or do you? Anyway, it was cool to chat for a few hours and see the neighborhood where she now lives, and the weather on Friday morning was not bad at all for hanging out outside.

For lunch, we headed over to Canary’s, which was a family restaurant. John was sure the place used to be a Pizza Hut way back when, stripped down to the studs and redone as a diner. It was the type of place with the paper mats advertising local businesses in Comic Sans, cleaning agencies and painting services and cash-for-gold shops. Lots of old folks in the booths, and we got giant menus with 167 items in them. I got pierogis, and when I asked if it came with a vegetable, the waitress said “it has onions on it.” Good food, but a bowl of cheese soup and a dozen cheese pierogis was a bit much. John got an open-faced meatloaf sandwich that looked absolutely crippling. It reminded me of the many places I’d either end up in after a church service as a kid or during a late night with two or three other juvenile delinquents.

We spent the afternoon driving between malls. I don’t give a shit about mall stuff anymore, but it seemed like we had to check out one or two while I was in Ohio. We first went to Great Northern, which looked large but beaten and half-empty. We then went to SouthPark Mall, which is much larger and seemed to have more higher-end stores open. Neither mall was particularly busy on a Friday afternoon. I didn’t pay much attention to the exact layout or details, because I had bigger things to worry about that night.

After chilling out for a bit at home, we headed over to The Current Year, Michael’s record store. It’s in the same building in Parma as Rudy’s, a Polish bakery. The store is a great little space that’s crammed with a large variety of heavily curated albums, from rare records to yacht rock to psychedelic to mood music. There are lots of books (including mine) and collectibles and rarities all over the place. It’s the kind of place that simultaneously makes me wish I collected vinyl and had a turntable, and made me glad I didn’t, because I’d spend way too much money there and quickly form A Bad Habit.

Anyway, it was great catching up with Michael and his wife Marie. He has a small room for readings or bands, and two other themed side rooms for different music collections, plus several warehouse rooms filled to the brim with music and movies and things to be sold. I got all the gear set up and we ate some good Lebanese food Marie ordered, then got ready to roll.

Oh, gear for this trip: the Canon R10 for stills, with a Sigma 18-50; the DJI Pocket 3 for video; two DJI Mic2 wireless mics; and those were fed to a Zoom H5. The store also had a PA system with mic, and both me and Michael were recording on phones.

We only had a couple people show for the reading, but that was expected. This was mostly about recording and hanging out. Michael opened and read some haiku, a bit from Circuits of the Wind, and some of a newer thing he’s working on about Treasure Island. John then read the first chapter from Small Town Punk. And then I read.

I don’t do readings. I don’t like public speaking, and I don’t exactly write the kind of zingers you can rattle off to an audience. The last time I read was in 2005, in Boston, and that was an event where I co-headlined and only read a single non-fiction story from my old book Dealer Wins.  So headlining an event was a bit much. I wasn’t sure what to read, and didn’t know what the audience would be like. I don’t know how I did, and of course feel like I didn’t do well at all. But I think I survived. I read a chapter from my next book, Atmospheres 2, and the last chapter of Decision Paralysis. I also did a story from Vol. 13, plus some short bits from Book of Dreams and Ranch: the Musical. I think my total was about 45 minutes, which is probably 35 minutes longer than my longest reading ever.

Anyway, we hung out a bit more and I signed stuff, then we went outside in the night. It was strange to feel the cool air and look up at the Rudy’s sign with RUMORED TO EXIST on it. There’s something about the midwestern night in the summer that’s an immediate time machine for me, and being out after the reading in the darkness reminded me of that.

Saturday: me and John went downtown, which was almost empty, and started at the Science Center. My main goal was to see the Apollo capsule they had there, which is the one from Skylab 3. We also hung out and took a guided tour of the Mather, a 600-some foot long century-old freighter. And we wandered around the area by the stadium and the Hard Rock. Later we went further downtown to see the Arcade, a totally empty and Shining-looking shopping center, and Tower City Center and Terminal Tower. We also poked in the library downtown.

I think my general feel for Cleveland was that it reminded me of Milwaukee with the Wisconsin removed, or maybe the suburbs of Chicago without the Chicago. I liked that, the way it had lots of varying food and good infrastructure, without a lot of traffic. There were the pockets of rust belt abandonment, but there were also some pretty well-restored areas downtown, and clean suburbs that seemed pretty walkable.

But… we picked a bad weekend for walking, because it was insanely hot out, maybe the mid-90s and humid as hell. We got home and I tried to take a quick 20-minute nap before dinner. The second I passed out, the power went, taking the AC with it. That rolling blackout/brownout thing kept going as more and more people put their air on high. I’ve been to some fairly hot countries in recent years, but the sweltering midwest summers are definitely a flashback for me, back to the days when you searched the subdivision for a buddy with a pool.

We went over to Michael and Marie’s place for dinner, and they grilled hamburgers on the patio as we talked forever. Michael gave us a full tour of the upstairs of the house, which is amazing. I can’t do justice to it with a full explanation, but this was a heavy early-60s vibe, a ranch belonging to a former NASA scientist, and it’s carefully laid out from stem to stern with a collection of furniture, appliances, and collectibles that perfectly encapsulate the space age.

After dinner, Michael was ready to give us the full tour of Sunken Studios, his basement lair which is a tribute to several Tiki bars and beaches from the past. This was absolutely mind-blowing. Michael and Marie have spent decades collecting things from Tiki bars, visiting them across the country, documenting and researching and planning, then spent the last dozen years meticulously recreating it underneath his house. I really can’t do justice for the thing Michael has created, but I felt like I’d been stuck in the center of his brain, completely entangled in this world of beaches and Polynesian memories and relics. Absolutely amazing.

Sunday was pretty sedate, and a travel day. Me and John wandered around a bit, and went to another family restaurant called Gene’s Place. It was in a strip mall, and after we headed to a boutique donut place called Peace, Love, and Little Donuts. John bought a dozen of the mini-donuts, and even though I can’t really do donuts anymore, I tried one and they were great.

Most of my luggage on the way out was books I left for Michael, so it was easy to pack up everything and head out. Trip back was a bit of a pain because of a bunch of dumb little things: someone taking up half my seat, charged twice for Wi-Fi that didn’t work, videos didn’t work in my seatback thing. Got back late and exhausted, and had to turn it around and get to work early Monday. But it was a good weekend, a good break, and I’ll have to get out there again soon. Not next, though. Big trip in August, and it’s definitely not Ohio. Stay tuned.

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State of the cameras update

I already did a post in February about the current camera situation. That’s still evolving, and I’m procrastinating on my real writing, so let me ramble a bit.

First, the Sony a6400 ended up going off to KEH, as did all the lenses. End of experiment there. I know people love Sony, but it just did not work for me. At least I did not get completely swindled on the trade-in. (Thanks to KEH on that.)

The Canon R10, I think I’m largely settled in on it. My only big complaints were lack of GPS and lenses. The GPS part: I was able to get the camera to talk to my phone and automatically grab GPS data and reset its clock when I change time zones. That’s handy, because I always forget, and end up with a swath of pictures that are out of sync with my phone pics. As far as lenses, I picked up Canon’s 16mm f/2.8 and Sigma’s 18-50mm f/2.8 Contemporary, both in RF mount. The 16 is very small and decent but the 18-50 has pretty much stayed on the camera full-time since I got it a few weeks ago. I didn’t want to invest in a ton of RF glass that I can’t use with my other cameras, but I also didn’t want to drag around giant pro lenses plus the adapter, and it looks a bit silly hanging off of such a tiny camera.

I’ve been shooting more film as of late. That slowed down after Iceland, but I’ve got a hoard of at least 50 rolls of film I should probably burn off. I shot a few rolls in Cambodia with the Olympus XA-2, which is such a great little camera. It’s pocketable, dead simple to use, and shoots amazing photos. I put a quick album of the Cambodia snaps over on Flickr. Only regret there is I didn’t take more pictures. I’ve also been dragging out the EOS 620 a bit more. I have the Canon 35mm f/2, which is incredibly sharp and has IS, but is a bit of a beast. Works great on this camera. Even better is when I drag out the 16-35mm f/4 L. That lens has such an amazing look when I’m using it wide open on a beach or mountain, just amazing dreamy vibes.

And yeah, I’m back on Flickr I guess. I nuked all my old albums and started fresh. There’s one album of my favorites from Iceland, but I’ve got to start over, basically. I burned a lot of cycles going back and forth on what to do about public photo hosting, and gave up. There’s not much of a community on Flickr anymore, but it’s one of the easiest ways to share out of Lightroom without sinking even deeper into the Adobe ecosystem, which I want to avoid. I’ll add more albums as I clean up and keyword old trips, which will happen most likely never, given current time constraints.

For some dumb reason, I thought it would be fun to try Kodak’s new half-frame camera, the Ektar H35N. It’s a “vintage look” point-and-shoot that shoots in portrait orientation, so you get 72 half-sized shots from a 36-shot roll. I got it, and it’s absolute junk. It’s roughly the same quality as a disposable camera, without the cardboard sleeve on the outside. Fixed shutter speed; fixed aperture; a built-in flash that might or might not work correctly. I loaded a roll into it, shot a dozen shots, and the dial was still reading S. I figured the film didn’t grab the teeth and wasn’t advancing, so I popped the door, and of course it was a dozen shots in and I ruined the roll. So this is going straight into the bin.

The other camera I got – and yes, why am I buying all these cameras? – is the Fujifilm Instax Mini EVO. This is a bizarre little thing, a “vintage looking” camera that’s really a combination of an Instax mini printer and a 2010-era 5MP digital camera. You point and shoot digitally, writing the images to a mini-SD card like you’re using an old Powershot, and you can spray-and-pray as many pics as you want without burning film. Later you review your takes, find the perfect shot, and flip the “film advance” thumb lever; the image gets printed on the mini-instant film. I’ve got an older Instax, and the usual drill is I take ten shots to burn up a pack of film, and maybe three are okay. Now I shoot twenty, thirty, and print the couple of keepers. And if I want to hand a copy to someone, I print two.

It shoots slightly better than the dumb version, but you also have a screen on the back to line up shots, instead of straining to look through a plastic-lens viewfinder. The camera also has ten film effects and ten lens effects, so you get a sort of cheap version of the Fujifilm emulation you’d find in an X100. I’d say there are maybe three of each that are acceptable, and it’s definitely not an Instagram-killer. You can also digital zoom a bit and play with the exposure compensation, the latter which is useful. It’s got a flash, too.

What is neat to me is that if you have the app on your phone, you can use the camera as a photo printer. Find a picture on your phone, and you can zap one or more copies straight to the camera and print them. This is an awesome feature, because I can take a super-sharp picture from the iPhone and it will make an amazing print on the white-border instant film. It’s both a modern not-plastic-lens shot and has the dreamy analog feel of instant camera film.

The Evo is slightly corny, and it’s slightly too big to be pocketable. Using it as a travel camera would be problematic, because it has this certain “look at me, I shop at Urban Outfitters” vibe to it, and I wouldn’t want it hanging around my neck all day, but it’s too big to stuff in a jeans pocket. Also, I’d expect any Instax film to get destroyed by TSA. “You can get them to hand-check your film” is right up there with “the airline will get you a hotel if you’re delayed” and “the free market will sort out retirement accounts.” Instax film packs are ISO 800, and the new stronger CT scanners are showing up everywhere. Of course, I could pop in a Target if I’m traveling domestically and buy some new film, or pack a lead bag with film packs. Or I guess I could just shoot away for a week and print what I want when I get home. But by that logic, I could just leave the whole thing behind and shoot on my phone.

Next two trips are booked. One is a quick one domestically in two weeks. The other is a much bigger thing in August. Stay tuned.

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general

Cambodia

It’s Friday night. I’m in Phnom Peng, Cambodia, on the verge of the Khmer New Year. I’m 7851 miles from home. I’m in a Chinese casino that looks like if I ordered a 1990s Mirage casino from Temu. I’m the only non-Chinese person on the gaming floor. I’m playing a Squid Game slot machine that’s yelling at me in Korean.

Where am I? What the hell is going on?

Trip Prep

Before I booked a trip to Cambodia, I basically had three data points in my head: the Dead Kennedys song, Apocalypse Now, and a marginal amount of knowledge on Operation Menu, the US bombing campaign during the Vietnam War. And I guess there’s the Spalding Gray monologue, although it’s been so long since I’ve seen it, I couldn’t tell you a single line. I went to Vietnam last year, and I vaguely assumed Cambodia would be similar, since it’s next door. Two people from work visited and said they loved it. So it went on the list, and when it came time to find my next trip and I started running the numbers on Expedia, it quickly became the front-runner in terms of price, weather, distance, and general interest. I booked a week-long trip, then started my research. (I should probably do this the other way around.)

It’s not easy to research tourism in Cambodia, at least compared to Vietnam or Thailand. I had to order a travel book from the internet, and there’s no Duolingo for the Khmer language. It’s virtually impossible to buy Cambodian Riel from money exchange services. The Rough Guide for Cambodia is borderline useless; you’re probably better off reading Wikipedia and the State department’s web site. Things are changing quickly there, and most stuff online is already out of date. Finding tourist information is possible, but it’s not as straightforward as, say, visiting Hawaii. I figured a good place to start was reading history, and that went south pretty quickly.

I read two books before I went. One was Amit Gilboa’s Off the Rails in Phenom Penh which is a slightly sensationalist take on being a young expat in Cambodia in the 1990s. It’s a Hunter Thompson-style romp that talks about guns, drugs, political turmoil, and prostitutes. It was a fun read, and wasn’t the usual about the Khmer Rouge or Angkor Wat, but it didn’t instill much confidence in my trip-making abilities. I assumed the information was horribly out-of-date and it wouldn’t be the same when I visited.

I also read Joel Brinkley’s book Cambodia’s Curse  which is a more journalistic take on the country’s history. Brinkley first came to Cambodia in 1979 to report on the fall of Pol Pot, and then returned in the 2000s to see the country again. This is a well-written book, but gets heavy right out of the gate. One of the quotes that really got me was former US Ambassador Joseph Mussomeli, who said “Be careful, because Cambodia is the most dangerous place you will ever visit. You will fall in love with it , and eventually it will break your heart.” Brinkley’s book did give me a good background, but also further emphasized the “what the hell am I doing?” of this trip.

Two other bits of research took place in the weeks leading up to the journey. First, I watched the 1984 movie The Killing Fields, which is probably not what you want to do right before visiting Cambodia. Then I watched both Anthony Bourdain shows about the country. The first one was almost juvenile, as were most of his early episodes, and he spent his trip running around a market trying to buy a machete so he could slice open a durian. The second episode he did, many years later, he admitted he was a bit of a dumb-ass the first time around, and spent more time talking to people about their food and history. That balanced things out a bit more, but it didn’t make me want to run to a night market and eat a bunch of fried bugs or organ meats.

Aside from the usual questions of what I’d do or what pictures I’d take, I had a lot of serious questions about how I’d deal with things. I mean, this is a country where if you look up what power plugs they use, the reference pages basically say “well, whatever” and I found there are basically three different standards, depending on what they were using the week they built your hotel. What would I do about cell service? Internet? Food? Water? Money? Was this safe at all? Should I cancel the whole thing and go to Nebraska for the week? I booked a few Hail Mary attempts at activities and tours, started obsessing about camera gear, and did my best attempt to prepare for the week.

BTW, the final camera load-out:

  • Canon R10 mirrorless APS-C body
  • Canon RF-S 18-150mm f/3.5-6.3
  • Canon EF 50mm 1:1.8 II and EF-RF adapter (I didn’t use this at all)
  • DJI Osmo Pocket 3
  • Olympus XA-2 35mm film camera
  • A dozen rolls of Kodak Gold 200 and Pro Image 100 in a lead bag (I probably only shot four)
  • iPhone 16 Pro

Because of weight restrictions, I couldn’t bring any of my big L lenses or a film SLR body. The 18-150 was new for this trip. I really need a wide RF lens like the Sigma 10-18mm f/2.8, but no time. (I did buy one when I got back.) This was all last-second, because I didn’t start packing and weighing until the day before I left.

Saturday/No Sunday/Monday

My flight out didn’t leave SFO until 11:00 Saturday night, which was a weird one. It meant I had all day to do the usual Saturday stuff, finish packing, have dinner, then head out to the airport. I didn’t know if Cathay Pacific would enforce their 15-pound carry-on bag limit, so I packed light, with just my camera and lenses, a laptop, and a change of clothes in a small duffel. I also checked a suitcase filled to the limit with clothes, a water purifier, two pounds of trail mix, a case of protein shots, and a box of power bars.

The long haul was a 15-hour jump to Hong Kong. I had a bulkhead exit row seat, but absolutely could not get comfortable enough to sleep, even with the late departure time and a mix of NyQuil and Sonata. I think I got almost two hours of very restless sleep. Food was horrible, but that may have been because I requested low-fat meals, which meant they gave me like only the chicken breast and none of the various sides or additions. We landed just after 5:00 AM on Monday morning; I missed Sunday entirely. The Hong Kong airport looks like a high-end mall, but all the stores were closed at that hour. I remembered from last time there was a 24-hour lounge, so I found it, got a shower reservation, and sat around for an hour waiting, avoiding the food and drinking down as many Coke Zeroes as I could. (Sorry, but fish curry soup at six in the morning is not my speed.) The shower was magical, the best HK$40 I could spend after spending 15 hours fermenting in an economy seat. I called my sister – it was still Sunday there – then headed for the gate to my flight to Phnom Penh.

I met a freelance film journalist and archivist from Oakland while waiting for the plane and we talked a bit before boarding. I ran into him again after the quick two-hour flight and the various security and customs stuff. (Cambodia requires a tourist visa, which I applied for before leaving. It also requires an e-entry application you have to do 48 hours in advance, which I didn’t know about, but I got it sorted at the airport.) My cell phone was acting weird, as was his, and I asked if he wanted to split a cab or something to get into the city, since I wouldn’t be able to use the Grab app to get a car. He said he had a colleague coming to meet him, and offered me a ride, which was awesome. (I got the cell phone to work after futzing with my roaming settings and forcing a carrier, rather than randomly assigning one.) We met up with his coworker in his truck, and headed in to town.

* * *

First impression, as we drove the 45 minutes or so to my hotel: Cambodia looked to me like a mix of Bangalore and Ho Chi Minh City, with brief hints of Singapore. It had the bustle and chaos and randomness of urban India, but the flavor and feel of Vietnam. Streets were packed with cars and tuk-tuks and mopeds and bicycles, in a completely jumbled stream. In some ways, it looked like Saigon must have maybe five years after the war. But a block later, there would be some massive Singaporean steel and glass high-rise that looked like it was constructed fifteen minutes ago. There were also many “ghost towers” where China or Korea built the floors of a 20-story office building and then paused before putting in the walls or windows.

Amex Travel gave me a deal on a weird one: a four-star casino hotel called NAGA WORLD. Every time I saw the name, I thought it said MAGA WORLD, and it sort of looked it. It resembled a mid-90s Vegas casino with gold trim and marble floors and a gaudy look of fake opulence everywhere. I actually stayed in NAGA WORLD 2; the original was built in 2003, and the second opened in 2017. Cambodians can’t legally gamble, so the resort was primarily for Chinese visitors. But on the Monday before the Cambodian new year, that meant the place was largely empty. They put me in a room on the 20th floor, with a view of the Mekong on the horizon.

I got settled in the room, then went for a quick walk around the area. The heat was absolutely brutal – it was maybe 97 degrees, 85% humidity – and I was completely jet-lagged, now awake for days. But the jumble of worlds all converging in the few blocks of the hotel was overwhelming. I walked through a chaotic mass of street vendors and food carts and mopeds blocking the road, then turned left and strolled through a corridor of four-star Chinese hotels like the Snowbell, the Peak, and the Shangri-La. These were all maybe 40-story buildings of steel and glass built in the last ten years. I also saw a ton of construction going on, heavy work on more large towers. I turned down a side street and through the Golden Street mall, which was a Chinatown-style shopping center that looked like a Blade Runner-style dystopian series of corridors packed with half-empty local stores and bags of rice and fruits I’d never seen in my life being sold from carts.

I somehow crossed one of the busiest streets in the world with no crosswalk, navigated to the NAGA 1 complex, and realized I hadn’t eaten in probably a dozen hours, since the half-edible airplane food. I didn’t know where to go or what to do, so I wandered into a series of restaurants above the casino, and ended up at an Italian bistro place. I ordered a margherita pizza, not knowing what to expect, and I basically got the same exact pizza I’d get at a fake Italian place in the Grand Canal Shops at the Venetian in Las Vegas. It was actually decent, but the entire thing was bizarre. All I’m thinking of is the line in the Dead Kennedys song about a bowl of rice a day, and I’m filling up on bread in a place with cloth napkins and waiters in suits.

That lunch/dinner was at about 2:00. The entire trip, I ended up eating twice a day, and then ate trail mix or power bars between meals. I got back to the hotel room after eating, got everything unpacked and set up, then forced myself to stay awake as long as possible, so I’d sleep through the night. I think I blacked out at about 6:00, which was close enough.

* * *

A note on the money situation. Cambodia has their own currency, the Riel. It’s a closed currency in that it’s technically not legal to bring in or out any Riel, and it’s worthless outside of Cambodia. I wasn’t able to easily buy Riel before I arrived, because no money changing services sell it. I usually like to have some small amount of local currency when I enter a country, in case I get stuck on a cab fare or a visa charge. I found a hole-in-the-wall eBay coin collector who was selling a few loose Riel online for roughly the normal exchange rate, and bought all of his stock, maybe 220,000 Riel. That cost about $57 with shipping.

Cambodia also uses USD as an unofficial de facto currency. The Riel isn’t officially pegged to to the US dollar, but unofficially, it’s widely used. A dollar is worth between 4,000 and 4,100 Riel. There aren’t Riel coins anymore, but given a 100៛ note is like 2.5 cents, they aren’t really needed. The notes range up to 50,000៛, which is worth about $12.50. During my time there, I saw a lot of 10,000៛ and 20,000៛ notes floating around.

The pain here is that Cambodia has phased out the use of US bills smaller than a twenty for the most part. So when you go to an ATM and ask for US currency, it’s going to spit out hundred-dollar bills. And it’s about as hard to spend a hundred in Cambodia as it is in the US. You get a lot of suspicion of any bill that doesn’t look like it’s fresh off the printing press. Even passing twenties is sometimes a pain.

If you do manage to break a hundred, you’ll often get fifties back, which have the same problem. Or when I would spend a twenty, I’d maybe get back a ten and a tall stack of Riel. I had a lot of trouble doing the math and parsing the value of bills, given that they’re printed with large Khmer numbers and then smaller Arabic numerals that are easy to miss. By the end of the trip, I had this giant stack of bills that was about an inch thick, and they were worth maybe $17.

Credit cards are sometimes taken, but it’s not like Norway or Sweden, where I was able to not touch money for an entire trip. I think Cambodia was probably the least digital country I’ve visited, money-wise. There are also sometimes oddities when credit cards are accepted, like some places will take Visa but not MasterCard. Amex was fairly useless there; I’d reserved and paid for my hotel with Amex, but they didn’t take it for the incidentals charge. Bottom line: bring a lot of US twenty-dollar bills, and make sure they’re crisp.

Tuesday

Going to bed at 6:30 obviously caused problems. I woke up at midnight not knowing where I was. I popped a sleeping pill, then woke up at 3:30 AM, pitch black outside but wide awake and ready to start my day.

After trying to write for a minute, I showered and went to find the breakfast buffet included with the room. It was over in NAGA 1, and I found the secret to getting across that busy street: there’s a half-mile long mall underground between the two NAGA complexes. At 6am, this was completely dead, with a few security guards, but otherwise it was an absolutely empty liminal space to the highest degree. The mall was a China Duty Free operation, run by the state-owned China Tourism Group. So this Unitary Marxist–Leninist one-party socialist republic runs a super high-end shopping mall filled with brands like Dior, Gucci and Bvlgari. Until recently, Cambodian nationals could not shop in this mall; they recently got permission to do so for anything except alcohol and tobacco. This is otherwise like the duty-free in the airport, where you have to show a passport and return ticket and they seal the stuff in a tamper-proof plastic bag. It’s yet another absurd contradiction well into “where the hell am I?” territory: a 68-degree Vegas-like luxury brand mall that’s absolutely spotless in a country where it’s 100 out and people make $200 a month.

I went up to NAGA 1, and the breakfast restaurant was the same deal I had at the hotel in Norway last January, except instead of brown cheese and lingenberries, they had a ramen station and a counter serving fish curry for breakfast. They had all the usual Western breakfast items: eggs, sausage, pastries, donuts, and a waffle station. I filled up on protein and got ready for my 8:30 door call to what would be a very bizarre field trip.

* * *

I decided to knock the most horrific part of the trip out on the first day: a trip to the Killing Fields and S-21.

You probably already know the basics of this story. In 1975, Pol Pot and the Khmer Rouge took control of Cambodia and started a ruthless campaign of persecution, relocation, re-education, and systematic execution of a wide swath of the Khmer population. The Khmer Rouge emptied cities, marched people to forced labor camps, and turned Cambodia into an agrarian society. Pol Pot wanted an isolationist society with no need for support from external nations, and used racism and anti-intellectualism to drive a fierce genocide, eventually killing 25% of Cambodia’s population.

I met up with a tour guide and a driver in a van with maybe a dozen others, and we headed out to Choeung Ek, one of the killing fields twenty minutes south of my hotel. Our guide gave us the brief history of the site and the conflict, trying to set up the background and prepare us for the visit. I think Choeung Ek used to be a fairly remote location, but recent growth of Phnom Penh has pretty much connected the area with the city proper, including a colossal Aeon Mall just built on the highway where you turn to get to the site.

The outside of the unassuming memorial looks like a typical Buddhist temple site, with a bus parking lot out front, and a set of gates. When I went inside, the surroundings resembled the orchard the site was before 1975, with a large, modern stupa in the center, a building that holds remains. But the first thing I noticed was that this stupa had columns of windows looking in. And in the windows were shelves containing rows and rows of human skulls stacked twenty feet high.

Choeung Ek was connected to the S-21 detention center, which I’ll get to in a minute. But basically, after being processed, interrogated, and tortured, people were trucked to Choeung Ek, executed, and thrown into shallow mass graves. To save bullets, many of the people were killed with farm implements or simply smashed against trees. We walked on a wooden walkway that went through the fields and graves, which was an absolutely harrowing experience. The small wooden bridges reminded me of the walkways through a wooded park where I grew up, but there were signs every few feet telling you not to step on the mass graves. Many of the graves have been exhumed, and they’ve identified about 9,000 bodies. But many are still there. When it rains and floods, they still find pieces of bone and clothing. It’s not uncommon for visitors to find teeth or bones as they tour the site.

After walking the bridges, seeing glass cases filled with femurs and rags of clothing, I went to the stupa, to take off my shoes, walk clockwise around the perimeter, and leave lilies on the edge. There are 5,000 skulls packed into this small building, and they’re arranged by age, from adults to children. It’s absolutely chilling to walk around the stupa and see this, skulls stacked two stories high. And Choeung Ek is one of hundreds of killing fields that killed millions of Cambodians in less than three years and nine months.

After the tour, we returned to the bus and drove back into town to see Tuol Sleng also known as S-21. This secret torture center used to be a high school that was built in 1962, with a perimeter of five three-story concrete classroom buildings overlooking a courtyard park and playground. When the Santebal (secret police; literally “keepers of peace”) took over the site, they erected electrified barbed wire, put bars on the windows, then turned the classrooms into narrow jail cells and torture chambers.

Between 1976 and 1979, 18,145 people were brought to S-21. Most of them were politicians and their families, and teachers, students, doctors, and engineers. Between 1,000 and 1,500 people were at S-21 at any time. They were tortured, coerced to give confessions, shackled in narrow cells, starved, and beaten. They were then trucked to Choeung Ek for execution and burial.

Of the 18,145 inmates brought to S-21, 18,133 of them were killed. 12 people survived. I would meet three of them that day.

Walking through the buildings of S-21 is absolutely gut-wrenching. You look in the windows with bars and razor wire over them, then step into a room with brown and white square tiles. The concrete walls and ceilings make the rooms look like bedrooms in a French-era Vietnamese tenement building. Then you look down and realize these are the floors where people were tortured, beaten, and killed, and there’s still faint stains in the grout, and tiles that were broken by skulls smashed into the ground. There are pictures everywhere of emaciated teens and peasants and the shells of men who were interrogated, starved, then loaded into trucks. In some ways, there’s a sense of normalcy, the bustling neighborhood surrounding the facility, the trees in the courtyard, the playground monkey bars right outside the torture buildings. But in the negative space of the rooms, there are nothing but ghosts.

I don’t know how to write about this. I couldn’t write about Birkenau when I visited in 2023, because I felt any writing was insulting to the memories of who were killed. I don’t know how to capture my feelings about a place like this because I often think my feelings are wrong. While I haven’t lived a trauma like the people who were here or the people who survived those years of this regime, I have this base trauma in my life, some of which happened in September of 2001 and some of it that’s generational and started long before I was born. And my first feeling is that I can’t compare my suffering to theirs, and I have an immense guilt about even thinking that. And then I see how others react, and I realize I’m not feeling what they feel. Everyone in the group stared in horror, broke down crying, or completely locked up from what they were shown. And if there’s anything that’s worse for me than feeling upset, it’s being with other people who are upset.

After walking through two or three of the buildings, I had to leave the group and stand outside, and it wasn’t because the display was completely shutting me down. It’s because it wasn’t. And I don’t know why. This is all so horrific, but there’s something in my PTSD mind that reaches a certain point and completely shuts off any connection to reality. I’m not me; I’m a person watching a video of me and not reacting to it. After seeing my thousandth human skull or the room full of shoes at Auschwitz, I don’t feel anything anymore, and have complete clarity. And… that’s probably wrong. And it worries me. And it’s hard to admit.

I stood outside among the palm trees in a quiet part of the courtyard while my tour group finished going through the rooms. Then I went over to where three of the survivors were selling their books and posing for photos. I paid double for all three books, then basically emptied my wallet stuffing money into every collection box I could find. I talked to Norng Chan Phal, who is roughly my age, and was eight when he was brought to S-21. His daughter was there, and I talked to her too. She had a calico cat with her, asleep on a pillow next to the pile of books. It was the first cat I’d seen in Cambodia. I asked to pet her cat and took a picture.

catI don’t know why, but the cat connected me to reality, this site to reality. There’s a transformation that has to happen to move from what’s seen to what’s thought to what’s felt. And for me, that last step lags or doesn’t happen or happens erratically. Like I said, I know this a problem, and I know the reasons and I’m working on it. But that moment, petting the cat, is when I felt again. Maybe this is a bad description of all of it, but this is as far as I can go with it right now.

* * *

That night, I booked a “sunset voyage” which was basically a booze cruise that circled a boat around the Mekong River for an hour and a half or so, with a bar and buffet on board. I wanted to go out on the water, get a lay of the land, and maybe get some good pictures from an open platform. I think I ended up getting a ticket for free, so the price was right, too.

This started with a quick ride on a tuk-tuk which picked me up at my hotel. I’ve probably talked about tuk-tuks before in my India trips, but they’re basically a motorcycle with two rear wheels, then an open cab with bench seats in the front and back. The driver sits in front with motorcycle-style handlebars, and a little ten-horsepower engine is under their seat. A tuk-tuk sounds like it would be a lot of fun, and I’m sure I would have thought they were the coolest thing ever when I was like 15. But in practice, I’m not a huge fan. It doesn’t feel super safe bouncing around in the open back seat with no seat belt, and depending on the country, drivers can range from scary to absolutely delusional. There’s also an engine right at your feet, belching out fumes and heat. I guess it’s better than being on the back of a moped in Vietnam with no helmet and nothing to hang on to, but it’s not exactly like an air-conditioned Mercedes sedan taxi.

The ride to the boat wasn’t too bad, maybe a mile in rush-hour traffic. I shot a bit of video as we zipped east past the Chinese tower buildings, over a small bridge, and onto Diamond Island. Right as we approached Norea bridge, we hung a left and went along the shore, past a theme park and a bunch of shops, and to a dock. Sitting on the shore of the Mekong was a two-deck boat that looked like it had been abandoned by the Viet Cong in 1973 and later fitted with a cheap Soundesign stereo system as a PA and a bar. I went to the upper deck, which was covered in tattered astroturf and old patio furniture. There was one life jacket for show, which looked like it had been ordered on Temu. Cambodia doesn’t exactly have OSHA, so there were many areas with no railings or any thought about safety. I should also mention that I don’t know how to swim.

Maybe five or six couples and an extended Indian family of another dozen people got on board. The captain fired up the massive rumbling engines and we went chugged along on our way. They blasted yacht rock through the speakers as servers went around asking if we wanted to buy well drinks or pay for the buffet, a steam table of questionable food that I didn’t even want to think about trying. I passed on the $6 all-you-can-eat listeria, got a can of Coke Zero, no ice, and sat at a table, taking pictures as we sailed out.

I know it’s stereotypical to say it, but this was giving me serious, serious Apocalypse Now vibes. (“Sampan off the port bow!”) On the starboard side of the boat, the shoreline was nothing but chrome and glass hotels and resorts, extravagant restaurants, and what looked like a mini-Singapore. But on the port side was Kandal Province, which was all unimproved beaches, farms, and villages of two-story shacks. Kandal could have been 2025 or 1925 from a distance, and it was utterly striking to see the two terrains collide. Also, on the water were various sampans casting fishing nets, and aside from the occasional five-horsepower outboard motor or maybe a radio antenna, these boats could have been from a hundred years ago.

We did a lazy loop around the confluence, with Croft and Seals and Jimmy Buffet blasting through the cheap speakers. The temperature cooled and the sky turned golden yellow and then bright orange as the sun passed behind the horizon. I snapped pictures and stared at the odd juxtaposition of the two worlds, the colors of the brightly-lit Norea bridge and the skyscraper resorts versus the bamboo stilt houses and flat-bottom canoes clustered on the Akreiy Ksatr Village shoreline. I thought about the horrors of that day, in the background of my head, then saw the two worlds and it once again begged the question: “Where am I?”

We pulled to shore right as Journey’s “Don’t Stop Believin'” blared through the stereo. The Tuk-Tuk driver was on shore waiting for me, and he slightly scammed me on the way home. He mumbled something about having to go around, and what that actually meant was he was taking me on a 30-minute “tour” for an extra $40 that I didn’t entirely understand we were taking. I just wanted to get home, but I was a good sport about it. I flipped on Facebook Live and recorded a big chunk of the random journey in the night in the city that was bustling, even on a Tuesday night. He weaved through traffic, and I’d look over and there would be a family of four on a 50cc moped literally six inches away from me. It felt a lot like Saigon, with everything lit up, the street markets in full swing, everyone out eating, listening to live music, relaxing, socializing.

I came back exhausted and starving but didn’t want to spend $75 on a sushi dinner at the hotel and then eat only a third of it. I went back to the room and ordered the worst club sandwich imaginable. It had a bunch of non-club sandwich stuff on it like eggs and baloney, so I picked it apart and ate it bit-by-bit as I watched a David Lynch documentary on my laptop, then quickly fell asleep.

Wednesday

Once again, I woke up early and had no idea where I was, what country or continent or decade or universe I was in. My first thought was that I was in Vegas, then I opened the drapes and saw a Buddhist Institute and the Mekong river. Where am I?

I had most of the day to myself. I did the same breakfast buffet and did a bit of recon on Google Maps, then headed out for a walk. My goal was to find a mall and see what the city looked like on foot, along with shooting as much as I could on my DSLR.

I immediately found out the problem with this: it was way too hot to walk. By 9am, the temp broke 90F, and it went up to 100 after lunch. But it was also 70% humidity, so that 90 felt more like 106. I strolled along Sihanouk Boulevard and snapped some pictures of the decorations and the statue of the king. But I knew my hang time on this walk would be severely limited.

* * *

I ran into something very firmly in the “you don’t see this every day” category: the Korean Embassy. No, not the home of K-pop and the show M*A*S*H, the Republic of Korea. I’m talking about the Democratic People’s Republic of Korea, aka North Korea. North Korea only has 30-some diplomatic missions, and they obviously don’t have an embassy in America. North Korea is also an interesting footnote in Cambodia’s history, because after the 1970 coup, King Norodom Sihanouk was in exile in North Korea, living in a guesthouse in Pyongyang and trying to convince other communist Asian countries to stop recognizing Lon Nol’s government.

Because of this, Cambodia has an above-average diplomatic relationship with the DPRK. There used to be a number of North Korean restaurants in Phnom Penh, places where you could get the more bland northern dishes along with a generous serving of propaganda performances from the servers. These were all shut down by the UN recently, because of sanctions. There was also a musem in Siem Riep about Angkor history that was built and operated by North Korea, but it was also shut down in 2020.

The embassy is on Sihanouk Boulevard, across from the (French) Indepenence Monument and right next to PM Hun Sen’s mansion. It doesn’t look much different than other nearby embassies, with an iron gate across the drive, flanked by a small guardhouse and a display case. There’s a front courtyard and an unassuming two-story building set back from that. But, there’s a North Korean flag flying up front, which seemed pretty bizarre outside of the Mercenaries video game. I went closer and there was a security guard dressed in a full-on DPRK uniform sitting behind the glass, watching a soap opera on his cell phone. Next to that was a display case with pictures of Kim Il Sung and Kim Jong Un posing with schoolchildren and handing out supplies.

I only spent a minute in front of the embassy and moved away fast, because I didn’t want to get in trouble. But that ominous minute was another example of the every-present question: “Where am I?”

* * *

I hung south on a street and walked towards a mall, hoping to get there before I completely short-circuited from the heat. The walk was on a not-so-pedestrian-oriented boulevard, and it gave me a nice view of a cross-section of the city. My usual thought process was to think “what is this city like?” and compare it to other recent destinations. It was nowhere near as busy as Bangalore, but it did have some of the same feel, with the three-story buildings, disparate mixes of stores on every street, and tuk-tuks everywhere. The mopeds and the bustle reminded me of Saigon. And some of it made me remember when I got deep into Singapore, away from Marina Bay and the massive malls, and into the Chinatown area filled with cramped shopping stalls and busy markets crammed between temples. And this was sprinkled with Western influence everywhere, a random 20-story hotel with a brand new Starbucks on the ground floor. Phnom Penh was bits of all of these things, but it wasn’t strongly any one of them.

After passing the Russian Embassy, Google Maps said I was just as far from the mall as when I started, and I had no idea where I was going. I ducked into another mini-mall, which was more of a narrow collection of small stores with an open area, a shopping arcade with a bunch of ramen shops that looked like it just opened recently. At least it was air-conditioned. I went to a convenience store and grabbed two cans of Coke Zero, drank them in twelve seconds, then gave up on this mall adventure and stumbled back north to the hotel. (Quick video from the walk back: https://youtu.be/Wy7XGC_X-YY)

Back in the room, I felt slightly dazed and heatstroked, and my clothes were 100% wet with sweat. I spent the afternoon hydrating and researching a bit more, trying to get my energy back. I really wanted to go to that big mall, but I needed to get some rest and figure out a better way to do it.

After a few hours, I figured out where I messed up my walk, and found another path to the mall. It was about the same distance, but on a more pedestrian-friendly street, and said it was only 16 minutes. I drank more water and headed out, leaving behind the DSLR and bag. The trick was to head down the hotels and shops of National Assembly Street, then get around the Russian Embassy in the other direction, which dumped me out in front of the parking structure of the Aeon Mall.

I know I keep using the word “bizarre” for everything I see, but I don’t know how else to describe the Aeon Mall. It seriously looked a notch nicer than the nicest Westfield Mall I’d ever been in, which wasn’t even one in the states; it looked like a giant mall from Sweden. This Japanese company Aeon is dropping these mega-malls all over Asia, and they all look like they’re from the 22nd century. This was a triple-decker with over a million square feet, zero vacancies, packed on a random Wednesday afternoon. It was all high-end stores, all glass and chrome, all built recently. This was in a city that was 100% destroyed within my lifetime, and this place filled to the brim with Coach, The Body Shop, Pandora, H&M, and the usual lineup. I walked around and completely forgot where I was, thought I was in San Jose at the Valley Fair mall, and I would go to the garage, get in my car and drive home.

In addition to building malls, Aeon is also a hypermarket brand. Their anchor store was basically like an old-school Marshall Field smashed into a Meijer store, but all for an Asian audience. Like the bottom floor was an actual grocery with live fish and snails and snakes and exotic fruits I’d never seen. It was packed wall-to-wall with stalls and hawker food and everything a Ranch 99 would have if it was ten times bigger. Second floor: all hardlines like an 80s department store: TVs, air conditioners, fridges, and toys. Third floor: clothes, bedding, housewares, and other softlines. I wandered around in a daze. This is Cambodia? It looked like Singapore. Instead of that bowl of rice a day from the Dead Kennedys song, you could swing by the Auntie Anne’s and get a thousand-calorie pretzel with cheese like you’re shopping back in Ohio.

I thought I’d eat early, and being the Ugly American, I had to pull my typical Ugly American stunt. I went to a Burger King and ordered the usual: a Whopper Junior meal. It was pretty much identical to the same meal I’ve eaten in Saigon, Stockholm, Bangalore, and Goshen, Indiana. The 27,000 KHR price gave me sticker shock, but once I translated that to dollars, that’s like $6.75, which I guess is cheap for fast food these days. I quickly ate the forgettable burger, then headed back to the hotel to get ready for my night activity.

* * *

That night, I took a night tour on a tuk-tuk for three hours, just me 1:1 with the driver. He met me at 6:30p and I think the usual gig is he takes you to street food places or restaurants, or to see S-21, but I told him I had a big camera and mostly wanted to take some great night photos of the streets, and he was more than happy to oblige.

This was the setup where the motorcycle was in front, pulling a trailer-like carriage, so it was less cramped and I wasn’t breathing fumes from an engine right underneath me. My driver was very personable and talked about the different areas of town, what was going on, where people went and ate and shopped. We took the same route out towards the bridge that I took the night before on the way to the boat, but he stopped every block or two to explain things or point something out. We talked history, and I’m glad I’d did some reading before I left, because he appreciated when I knew a few random facts about the past.

We left Boeng Keng Kang I, crossed the Swan bridge, and went to Koh Pich, also known as Diamond Island. This was once a swamp off the Mekong. Twenty years ago, a conglomerate built up an island with silt and sand, and then constructed a giant planned community that looks like if one of those fake “town center” malls in the US went all-out and tried to reconstruct a facsimile of Paris. Many of the tallest buildings in the city are now there, surrounded with walkable communities. We stopped at a place called Elysée, designed like Paris, or maybe the Paris casino in Vegas. It’s all brand new and largely vacant, entire city blocks of expensive apartments and empty shops, completely dark at night. We drove around and it looked like the Universal backlot where they film European street scenes for movies, but everything was like a year old and vacant.

We drove under the new Norea bridge, a cable-stayed suspension bridge almost a kilometer long, spanning where the Bassac River meets the Mekong. The bridge was lit up at night to look like the Cambodian flag, the suspension wires brightly lit in neon shades of red and blue. As we rounded the island, we stopped at a strip of modern restaurants that looked like they could have been in Santana Row back in California, hip new sushi places filled with bankers and NGO workers with money to burn. We sat and talked at a pedestrian mall on the riverfront, and watched a stream of young folks out for the night, grabbing dinner and drinks and mingling.

The driver had choice words to say about both the Chinese and Vietnamese. I was careful not to go there, but he did. Many working-class Cambodians harbor some resentment or ill will towards the Vietnamese, and every conspiracy theory about their version of “the swamp” has to do with them. Like some government official who’s corrupt: “oh, his wife is from Vietnam.” Or “he secretly works for the Vietnamese.” All of South Vietnam used to be Cambodia centuries ago, and nobody will forget it. The Vietnamese liberated Cambodia in 1979 by stopping the KR with that war, but the Vietnamese occupation and the war continued for another decade. It’s a complicated situation, and even a book or three can’t explain it clearly. The driver’s opinion of the Chinese was way worse. They threw around money for tons of development like Diamond Island and the casinos and skyscrapers and everything else, but there was nothing for the Cambodians. The Chinese own all of this new glitz and glamour, and most Cambodians reap no rewards. Maybe they can get a dishwasher job at an expensive restaurant, but they aren’t eating there. The Chinese keep to themselves in their gated communities. Interesting to hear about this side of it from him.

We drove more, and he dropped me off at the front of the Royal Palace, and told me to walk across and meet him at a large gate on the other side. This gave me a few minutes to wander the grounds, look at all the people strolling at night, getting street food, having night picnics in the green spaces, taking pictures. I met with the driver on the other side, and there were street vendors selling fried insects, which I really did not want to try. We kept moving and walked past Veal Preah Meru Square, the funeral complex of King Norodom Sihanouk, where he was cremated. Next to that was Wat Ounalom Monastery, a temple from the 1400s surrounded by stupas and a monastery. Young monks in orange robes sat in the courtyard around the temple, drinking water and lounging on the stairs of the buildings in the heat of the night.

I wish my camera had a GPS so I could track the next hour and a half, because we circled around to see various temples and gardens and tourist areas, the giant clock and the oldest temple and every other big photo op in the area. We crossed the red light district – no pictures, but I did snap one of a tea place called PourHub. When then went on to the big night market. He said to meet him at the pharmacy with the large green cross on the opposite side and left me to roam through the massive central market.

This place was an entire city block packed with rows and rows of tents, tables, vendors of every possible ware, lit by bare bulbs and fluorescent lights, neon signs on some of the food carts. It was overwhelming, shoulder-to-shoulder, packed with people of all ages wandering the stalls, looking at bootleg merch and endless fruits and snacks and treats. In the middle of the market was a large open area, covered with rugs, filled with people sitting down, eating food, watching a duo singing what sounded like karaoke up on a stage. It was too tight to take pictures, so I kept my camera at my waist and kept shooting without looking, hoping to get something that would look okay. I scan through the stream of photos now and it’s a river of old women selling housewares; teenagers at ice cream carts; kids looking at walls of fake Nike shoes; families eating various meats on sticks; toddlers sitting next to their grandparents at fruit stands. I just skimmed through the hundred or so pictures and determined I was the only westerner there; every other person was Cambodian. I was completely immersed. And the world of this market was 100% different than the world of the riverside park a block away. There were so many layers to this central neighborhood, each one totally a different galaxy from the one ten feet away.

I talked a lot with my driver, probably more than anyone else on the trip. He told me about his youth, his family, how they all lived in a remote province and he worked all the time in the city, driving and touring and hustling. He showed me pictures of his wife, his kids, his wedding, his dogs, his animals, his house. We talked about the economy, the pandemic and the recovery, about America and China and Vietnam and Singapore. It felt good to just talk, but to find out so much from another person. I think back to the Norway trip and how completely isolating it was, and this was the absolute opposite. It was an amazing few hours with him. By 10:00 I was fading fast, and we headed back to the hotel. I think I tipped him like 200% what I paid for the tour and wished him a good new year and to have a good time with his family next week.

Thursday

Woke up again at early o’clock to walk the empty ghost mall and get my breakfast. By this point, I’d lost track of all time and day and didn’t really know when to respond to messages or text people or anything. I felt like I was in some parallel universe and I could only communicate with people by dropping books on the floor like in Interstellar. Cambodia is 14 hours ahead of home, and for some reason that extra few hours completely threw me. Being 12 hours off is much easier, because you just flip the AM/PM in your head and you know everyone is opposite you. But the little bit extra of a time-slip made it next to impossible for me to deal with reality.

Thursday’s activity was a van trip to Oudong, maybe 50 clicks north on the Tonle Sap river. I had a female tour guide and a guy driving who spoke no English. It was just me, and she started with the usual history of the country, talking more pre-European colonialism, the Post-Angkor era and such. Some tour guides start with the 1953 Kingdom of Cambodia and go forward, so they can quickly get into the 1970 coup, then the Khmer Rouge. There’s no Hollywood movie about the French Independence, so they don’t always go back that far, but she did.

After about 45 minutes of driving north on highway 5, we stopped at a little village called Chey Odam. It had a handful of silversmith shops, like any of these small artisan gift shop clusters where tourists get dropped off to buy trinkets. I watched a few women in an open garage working metal with hammers, smoothing out pots and elephant statues, while two guys had a forge going in the corner of the already-hot space. I shot a few pictures, then went to the gift shop and dropped $50 on a little silver Buddha statue. Before we took off, I stood outside on the narrow road, the side street, and looked around. Most of the structures were almost improvised, a mix of cinder block, bamboo, and loose wood or metal that looked like it was salvaged or found on the side of the road. But this was dotted with random pieces of the 21st century, like a bright sign for an ATM, a new ice cream freezer, an umbrella from a local beer company on a patio. And the cluster of shops reminded me so much of being in similar places in upstate New York or Alaska, the same kind of artists and craftsmen banging out ashtrays and decorative plates.

Next up, we went to the Vipassana Dhurak Buddhist center. This was about the size of a college campus, where they teach meditation, school the monks, offer food to everyone, operate a nursing home, and run a language institute. Walking the campus of the center was absolutely amazing, because at every turn was some temple or pagoda or statue or thing of beauty. We walked up to a huge temple, scaled all the steps, and walked into a large room (after taking off hats and shoes) to see scores of people sitting in front of a 30-foot tall Buddha statue and listening to a monk chanting away, the sound echoing through the massive hall.

Everything about this center was fantastically designed, a collection of steps and statues and school buildings, everything with ornate decoration and meticulous handiwork. I’d be standing at a holy chamber, turn to my right, and see a reflecting pool that was acres wide. Past that, there would be a grove of carefully groomed trees. Next to that, there would be a pond full of lilies. We went in a few of the chambers, where I couldn’t take pictures but I could be overwhelmed by the altars, statues, collections of relics, and monks everywhere, in prayer or just carrying buckets of food from one building to another.

The campus looked centuries old, untouched by time. In reality, a lot of this was destroyed by the Khmer Rouge and rebuilt recently. I asked about this, about when various things were built, thinking it was from like 1473, and the guide would say, “Oh, they finished that in 2021.” While digging around the web to write this, I found someone’s pictures from 2004 or 2005, and most of the center still looked completely bombed-out, the Buddha statues broken apart, the pagodas torn down or in the process of being rebuilt. It’s amazing that the government and the people have put so much into the restoration of the culture. But it’s also a way of life; when families can’t afford for children to go to school, they send them to the monastery to have a better way of life. I don’t know anything about Buddhism and have mixed feelings about state-run religion (or any religion), but it was good to see this working here.

We continued to one edge of the campus, where there was a massive Buddha statue maybe ten meters tall, sitting on the top of a hill, surrounded by a promenade of tiles. I wasn’t allowed to go up to the statue, but I took many pictures from a block away. We headed back through a grove of mahogany trees, talking little and taking in the serenity of the area. The whole thing was somber but very peaceful. There were also lots of stray cats wandering around, who were all well-fed by the monks, but who would of course come up to me and say otherwise.

We drove over to a series of temples in the forest and climbed the hundreds of steps to the top of Throap Mountain. This was all 16th-century architecture, 509 steps from bottom to top, and felt slightly precarious, but it wasn’t like climbing Everest or anything. These shrines were much more rustic and unimproved compared to the center, with more trees, more rocks, and a more weathered appearance. Some of these were stupas of former royalty. At the top of the mountain, the climb culminated with a massive spire temple, the royal tombs, a sandstone tower with extremely ornate carvings and an observation deck circling around it. From the top, we could see the entire Buddhist center below us. And in the distance, you could also see a large industrial park full of garment factories, a bit of a hot topic with the current events of the tariff war just starting the week before.

Once again, I waited until she brought it up, but I did talk politics with that tour guide. She was worried about the current American administration and I told her I don’t like them either. She asked, “No Americans I talk to like him, how is he in power?” Yeah, exactly. Cambodia has its own swamp, the same people in charge for 38 years, one-party elections where all opposition parties are now illegal, the father PM handing it off to the son yet staying in the background to run congress. The whole thing is heartbreaking, because these people are like “maybe we can make a trade deal with the Americans” and “maybe we can get more tourism” and I’m thinking, maybe I’m pessimistic, but you need a plan B here. This brought back that quote from the Brinkley book. “You will fall in love with it , and eventually it will break your heart.” That’s what I felt like any time someone mentioned economic recovery. The more I saw the beauty of Cambodia, the more I thought, “This really isn’t going to work out in the long run, is it?”

The sky suddenly turned dark and the temperature dropped, and we were certain a thunderstorm would start, so we scattered back down all the stairs through the woods. It miraculously did not rain on us, though. And I saw monkeys on the steps below, including a mama monkey tightly gripping a baby against her chest. At the end of the trail was a small market, a tent-covered promenade full of vendors with cauldrons of stir-fry and egg rolls and fried insects. We made a quick run through the market, and I did more from-the-hip shooting, but politely avoided all food. It was neat to see everything though, snap some pictures and watch everyone else shop and eat and socialize.

* * *

I had a brief moment to myself, when the tour guide called up the driver, who was parked a few minutes away, then had to take another phone call. I sat on a bench, sipping a bottle of water, watching the people on mopeds, the kids playing, the people shopping for their weekend. I saw a small shrine in the middle of a courtyard maybe twenty feet away, watched a kid who was maybe three or four running around the perimeter of the yellow spire building. The kid looked over at me and smiled, and I snapped a quick candid shot of him. I thought it would make a cute picture, and filed away in my head to crop and develop it when I got home.

Back at the hotel, I pulled up the shot. That spire had glass windows on it. I didn’t notice it, but it was filled with human skulls.

When you visit Cambodia, you can go to the Killing Fields and the monuments and S-21, and there’s a certain “history porn” aspect to this. When I saw this in Poland or in Ho Chi Minh City, there was this unsaid “always remember, but always forget,” because those societies have grown beyond the horrors of their past. But in Cambodia, I felt this strong undercurrent where the scars of trauma run deep. A very high percentage of the survivors of the Democratic Kampuchea era have completely unchecked PTSD, and no resources to come to grips with it. They’re silent about their trauma, and it has a ripple effect of generational trauma to their children and grandchildren. This leads to rampant health problems, pathological mental health disorders and behaviors, and it’s all unanswered, unresolved.

The war ended decades ago, and three-quarters of Cambodia’s young population were born after the fall of Democratic Kampuchea. Aside from the two museums I visited, the government does little to remember the genocide. Cambodian children do not learn about the Khmer Rouge in school. The elders who could tell them more are all aging away and soon to be gone. None of this is talked about; my tour guides for this trip and the night trip the day before said almost nothing about the Pol Pot era, talked very little about the genocide. People want to forget, but I felt like the country was still haunted by the wounds of this in a deep way I couldn’t fathom until I was there and saw it. The genocide is largely sequestered to those two museums, but it was also still everywhere.

Friday

There’s this memetic phenomenon called “Sunday scaries,” which is the crushing feeling when the end of the weekend has arrived and a crippling doubt over what was accomplished sets in. I get this a lot, and I’ve noticed I get a very similar vibe when it’s the end of a vacation. I often don’t plan things for the last day, except “pack back up and get checked into your flight,” and that was the case on Friday. I felt a strong need to do something, but I didn’t know what, and I felt like I’d already hit my stated goals for the most part.

So: shower, breakfast, start sorting things in the room, think about what goes in the checked luggage, the carry-on, or the trash. Then I obsessed over weather and Google Maps for a bit, and decided to head out without the big camera, only carrying the palm-sized Olympus 35mm. My main goal was a picture of a 7-Eleven. That place is obviously big in the Konrath lore: I always joke about me and Ray going there when I lived in Indiana, and it was part of my writing ritual in Seattle to work until midnight, then get a Slurpee. It’s always amusing to me to see them everywhere in the world now. I think I’ve been to them in Sweden, Iceland, India, Poland, Singapore, Vietnam, and Norway. Time to add another to the list.

The walk took maybe twenty minutes, and I took my time on the stroll, burning off film with snapshots of the side streets. I made my way down Rue Pasteur, past embassies and UN buildings, managed apartments and spas, a lane with a few more trees and shade compared to the big boulevards. The 7-Eleven was brand new, on the ground floor of one of the secondary buildings of the Brunei embassy. Inside, it didn’t look much different from any other Asian 7-Eleven, except the Hello Kitty rip-off characters on the walls and signs were speaking Khmer. The front counter had some kind of Asian dumpling things instead of roller dogs and nachos. I got two cans of Coke Zero, took my pictures, then headed out.

After finishing my second roll of film, I circled back and went to the big Aeon mall again. I know I’m supposed to be done with malls, and I am, but there’s something so oddball about a top-tier mall in a country like Cambodia that I could not resist it. It’s like wandering through Death Valley and stumbling across an exact duplicate of Rockefeller Center in the desert, then taking the elevator up to 6-A and seeing a young David Letterman doppelganger doing a monologue in Khmer. Nothing about Aeon made any sense, and because of that, it was spectacular.

I don’t know how, but I promptly lost my baseball cap, and with the bald head and the sun, that’s a significant problem. I went to four or five stores to find something that wasn’t completely stupid and would fit my giant head. I wandered to the MLB store and thought it would be worth a LOL to buy a Cleveland cap, but every one in that store was sized to fit a toddler. At a New Era store they had choices other than NYY/LAD and I found an adjustable snap-back black-on-black Raiders hat. The idea of buying a Raiders cap in 2025 seemed so obnoxious and absurd that it was absolutely perfect. I decided I’m going to start wearing it to work, and when people give me grief about it, I’ll start yelling THE GENO SMITH DYNASTY STARTS NOW! (Oddly enough, every time I wear the hat back home, someone compliments it.)

I went to a Krispy Kreme booth in front of the Aeon store and got a chocolate sprinkle donut and can of soda, and sat at a table, recording a long video with the Pocket 3 camera pointed at the concourse, capturing the people bustling through the stores on a Friday afternoon. (https://youtu.be/l-pYV6qmsNM) I soaked in the absurdity of eating 350 calories of pastry from a North Carolina-based company, wearing a Raiders hat, watching people shop at a Swedish fast-fashion store selling garments made in Vietnam. Once again, where the hell am I?

* * *

I left the hotel at about 5:00 to catch the last hour of daylight and snap a few pictures with the big camera before heading to dinner. I also resisted gambling all week, but felt a need to drop $50 into a slot machine just to say I did. I made the same stroll up Norodom Boulevard towards the Independence Monument, and took some video of the Friday night traffic and the fountains in front of the monument, but nothing earth-shattering. It just felt good to be in the cooling temperature, the golden hour.

While standing across from the North Korean embassy, I ran into an “influencer” couple, filming what would probably become a click-baity “7 things you should never do in Cambodia!” video. They both looked like a page from a J. Crew catalog, and were adorned with expensive sling bags and photo gear they likely got for review. I asked if he was American, and it was obvious he was, but he immediately got defensive and wouldn’t answer. I just said, “Dude, relax – I didn’t vote for him either.” I pointed out the embassy and said it was a good photo op. He sort of mumbled and I left them alone. Two minutes later I saw him shooting footage of his conventionally-attractive girlfriend pointing out something you don’t see back in Park Slope. Whatever.

As the sun set, I walked down to Kabko Market, an open-air street of food carts and outside vendors. I traversed the parade of parked mopeds and watched people buy satay skewers and whole roast ducks and chickens. This was yet another completely different world, a sea of pedestrians of all ages, shopping for fresh fruits I’d never see back in the states, couples at open patios at brightly-lit colorful restaurants, people streaming in and out of pastry shops and beer gardens and small clubs. I was only two blocks west of the hotel, but it was a completely different world. It was like walking out of the Bellagio, going over a block, and being in downtown Ho Chi Minh City. It felt so good to be out on a Friday night with a cool breeze and a wide lens on a new camera, 7851 miles from home and 14 hours ahead in the future, watching the people and shooting from the hip.

Twilight faded to dusk and then to darkness. I cut through the underground Chinese mall and over to get some dinner. Speaking of traversing worlds, I ended up in a Japanese teppanyaki place that was totally empty. I didn’t want to sit at a grill alone and then smell like fried meat for the rest of the trip, so I got a small booth and spent way too much money on an A5 Wagyu steak, which was decent but unremarkable. It was like the Japanese food you’d get at any other mid-level Vegas resort. I think the big takeaway for me was that it was decidedly not Cambodian.

Down in the casino, I immediately got approached by security, who tried to bounce me because I was wearing a hat. Okay, calm down, dude. For the rest of my brief stay in the casino, I had three security guards within ten feet of me. This rudeness made any thought of spending more than the fifty dollars I budgeted quickly leave my head. There was a token $10 table but everything else was $50 and up, with continuous shuffle, dealers communicating only in Mandarin. Everyone but me who was gambling was Chinese. I walked past a hundred-dollar table, and the dealer had a handheld RFID scanner, and was checking every chip put in play. I knew in Vegas, high-denomination chips all have RFID – there was a high-profile robbery at Bellagio a few years ago where someone took a cart with seven million in hundred-dollar chips, and security was able to immediately killswitch them all. But I’ve never seen dealers scanning chips at tables.

Chinese slots aren’t as kinetic as American ones, with all the bonus rounds and animations and music. They’re rarely branded franchise things, like you won’t see a Ghostbusters or X-Files machine. It’s all golden lucky 777 dragon stuff. I played the one branded machine I found – and this is hilarious – they had a Squid Game slot machine. It’s barking at me in Korean, and a crowd of gamblers behind me are arguing in Chinese, and there’s Khmer New Year music blasting through the casino. I’m the only white person in there, and all I can think of is, “Where am I? Why am I here? What is going on?”

I quickly lost the $50 and went back outside. On the boulevard in front of the resort, there was a park between the streets, maybe a few blocks long, with just green space and decorations and lights for the new year. Almost nobody was outside, and I took a long stroll up and down the park area. It felt tranquil, with the hum of the traffic in the background, the bright neon lights of the two casinos in the background. I took a long selfie video with the Pocket 3, five minutes of me rambling and experiencing the experience.

And I had this sudden sense memory, an absolutely overpowering teleportation into the past. The temperature had dropped from 100 to 80 since the sun set; I heard the sound of bugs chirping in the background; and the darkness and crispness of the night gave me this absolutely clear recollection of being back in Indiana on a summer night in 1992. And I thought about what I knew about Cambodia or the world when I was 21, which was almost nothing. And I thought about how back then, I wanted to someday leave, and didn’t even know how that would work, how I’d graduate and get a job and move away, given that I had $3 to my name and no real job and no skill at anything. And thirty-some years later, I felt the same feeling as those late nights in Indiana, the same air and sound and sense, but I was half a world away, in this strange land that was a collision of many lands, a place that didn’t even really exist in 1992.

It’s not that I miss Indiana or I’m nostalgic for that past. I’m not going to write a book about it. (I already did.) I don’t want to go back. But sometimes I see a faint reminder of it, and I see another part of this world, and looking at the two, I have more context of what I now have and who I have become. And that has nothing to do with Cambodia or travel or vacation or anything else, but I think it’s the most important thing I can take from any of this.

Saturday

I woke up early on my last day, which I knew I’d pay for dearly about twenty hours later if I forced myself to stay awake on the plane. I got breakfast, packed everything up, tried to write for a bit, and ran out the clock on the noon checkout. I have this new habit of staying at my hotel until the last possible second, like until someone from the front desk calls and asks when I’m checking out.

At 11:58, I said my last goodbye to NAGA WORLD 2, took one last look at the Buddhist center and the Mekong, then went downstairs, checked out, and asked the concierge for a ride to the hotel. He got me a car and we headed out. Luckily the car had good AC, because the “feels like” temperature outside was 106. The airport was a straight shot up Norodom Boulevard and over on Russian Federation Boulevard, maybe 13km that would take us an hour to traverse. I took a few lazy shots out of the window on my phone as the city unspooled, looking at the university and the embassies and the mopeds and traffic ebbing through the district. Any time I do this, those last few moments lock in my head and I know for sure if I liked the city or just endured it. And I liked Phnom Peng. I never knew where I was or what I was doing, but it has its own vibe, and i enjoyed that.

Everyone would ask me when I got home if Cambodia was what I expected, either wanting to hear it was some incredible adventure of hidden treasures or a miserable quest of disaster. I feel like Cambodia was everything I thought it would be: a struggling nation that’s quickly developing; the scars of a genocide slowly healing but ever-present; the duality of an ancient culture and a quick push into a high-tech future. All of that was there, and it was magnified by actually seeing it. But Cambodia was so much more than I expected, because it wasn’t just one world. There are so many Cambodias twisted together, and every time I fell into a different one, it was yet another completely different experience.

peace sign, CambodiaOne of the last things I saw before we turned off and went into the airport was a large blue sign with a single phrase in Khmer script, no picture. Below the large word was an English subtitle, which just said “THANKS PEACE.” I wasn’t sure what they were selling or who posted this, but it seemed like a nice coda to the week.

* * *

I tipped the driver a large fistful of Riel that was soon to be worthless to me, and he was confused as to why I’d pay him extra. Inside the terminal, I realized I was like five hours too early to check in, and there were no lounges I could access. I bought a couple of cans of Coke Zero and found a table in an open cafe where it was air conditioned and I could work without hearing someone on speakerphone. I chipped away at my next book for about two hours, which was nice, especially since I got basically no writing done all week. I’m discovering that I can’t really get much done on my new laptop computer and the small screen. I’ve pretty much conditioned myself to using a big external monitor and my weirdo ergo keyboard. Fair enough.

Check-in and customs was a fairly minimal experience, with no crazy questions, no problems. Once I got through security, I ate a subpar chicken sandwich at a Burger King and then found an Amex lounge where I could sit in a little cubicle and dissociate for a while. I thought maybe I’d buy a last-second gift or two with my remaining Cambodian money, but I wasn’t going to spend $68 on a Hard Rock Cambodia t-shirt. I took most of the remaining Riel and shoved it into a Red Cross donation box. Then I fought my way onto the plane, which took patience, because the concept of lines hasn’t really made it there yet.

After a quick two and a half hours, I was back in Hong Kong, with the usual bustle and futuristic weirdness. I landed just in time for most of the duty-free shops in the mall to be closing for the night. This is an airport with 89 boarding gates, so even with a two-hour layover, I immediately went through security as fast as possible, then started hustling in the direction of my plane. I reluctantly stopped at a McDonald’s for the usual two-cheeseburger meal, then completely forgot about arming up with waters and Cokes before being shoved into yet another screening line, where a belligerent representative of the Chinese government asked a bunch of random questions about the usual. I just gave them yes/no, destination/length. Saw a woman a generation older than me going into an extended monologue about her travelogue and what friend they wanted to see and what they ate yada yada and I was thinking, “You poor idiot. Good luck with Chinese prison.”

I had a bulkhead exit row seat again, but planned on not sleeping. They put me next to a 400-pound guy who wanted to talk my ear off about work for the entire flight, but he eventually fell asleep. Food on the flight was completely inedible, again. They were also extremely stingy with the fluids and I finally got sick of waiting and just got up, went to the galley, and started pouring myself Cokes. I paid an extra $400 for the seat, so why not.

The entertainment center had a random mix of movies, mostly Asian. I went to the “classics” section and they had a wide swath of what I’d categorize as “movies I’d always surf into the middle of on the TBS Superstation on a Sunday, start watching, then fall asleep to.” I watched Empire Strikes Back, Return of the Jedi, and The Fugitive, a bit of a Harrison Ford marathon. I also put on Apocalypse Now, which is pretty burned into my head, but I hadn’t seen it in a few years. I had a whole new take on it after after having just been in Cambodia, and I guess Saigon last year, although it wasn’t actually filmed in either, and the river was fictional. It made me realize how two-dimensional the backdrop of the river and the jungle were to the characters and the story, and gave me this new sense of depth to the 147 minutes of the masterpiece.

I landed in SFO at 10:00 and waited forever to get through customs. They initially had a single agent for two widebodies that landed at the same time. Everyone was wondering if customs would be impossible given the current regime, and we all were shutting off phones, disabling Face ID, but I didn’t see anyone get pulled aside. Not saying it’s not happening, but it was pretty sedate on a late Saturday night.

I caught an Uber back home, told the driver about how I’d been flying for the last 24 hours. He was an Afghani national who was initially very guarded about that, but when I mentioned I had family from Pakistan, he opened up and I had a great conversation with him. We talked about both Cambodia and Afghanistan, how he wanted to visit his family back there again, how he missed the food and the people and maybe someday it would be safe again. I also said I wanted to visit, because I needed to learn about the people there. He said something that stuck with me, and summed up the last week perfectly: “It’s always better to see than hear.”

Anyway. Good trip. Already planning the next two for 2025, so stay tuned.

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general

Paragraph Line site, reissues

AITPL8I’ve been slowly working on what to do about the Paragraph Line web site and social media and whatnot, as both me and John have been releasing books and have no idea how to sell them. Anyway, I did a quick reboot of the web site, and it’s live again at http://paragraphline.com/. It’s currently an incredibly rough static site, just so if someone sees the link on a book cover or whatever and clicks it, they get something.

None of the blog is there, so none of the fiction we published about ten years ago is there. I still have this stuff stashed away, and I’ve thought about republishing it, starting up the slush queue again, and going back to daily blogging, releasing other flash fiction, and that whole thing. Ultimately, that had an incredibly low ROI, and I wasted a lot of time for very little traffic. I got a lot of submissions from people who obviously never looked at the site whatsoever. I also got a lot of traffic from people who had Bizarro-related fiction who couldn’t get it placed at any official Bizarro outlet, so lots of second-rate stuff. There were exceptions, but I did not like spending all my time sifting through the queue, begging people to read the damn thing, and screaming into the void. Faced with that versus actually writing, I chose the latter.

Aside from the content generation and the general algorithm issues, I struggled with tooling. WordPress is basically a virus vector disguised as a CMS, and the “you can do anything with WordPress” people are all designers charging an obscene amount for development. I tried firing up a Ghost instance in AWS and moving everything there, and it didn’t really work well. I also recently tried pulling it into Hugo, and it was a bit of a disaster. I finally gave up and used a static template, which looks okay, but blogging there is not going to be a thing at all.

Social media-wise, I have no idea what to use. I’m absolutely not using Twitter. I think all Meta platforms are impossible to get any reach. All the kids are using Bluesky now, so I just created a profile @paragraphline and maybe someday someone will follow it. This all falls firmly into “I have no time for this” and I’m trying to get the next book done, so it won’t happen in the immediate future.

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Related: John has re-released three of his books in one volume; check out After the Jump: A Trilogy. And I’ve still got my book from December you should check out, Decision Paralysis.

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One of the things that came to mind as I was assembling this books page was the large number of books I have that are now out of print. This was intentional for a few reasons, but I fret over what I should do about this. It’s not as easy as “well just re-list them” because, well, it isn’t.

I currently have 18 books that were published at one point, and four of them are currently for sale. I think the short answer here is a combination of the fact that I am really proud of the four that are currently out, and four is more than zero, so at least there’s that. But when I think about reissuing the others, there are a few things stopping me.

First, there are quality issues. I get unending shit about “you need to hire an editor” which always bothers me. In one sense, it’s like telling Iggy Pop he needs to re-record Raw Power with autotune, because some of the notes aren’t hit perfectly. Also, I’m not going to pay hundreds or thousands of dollars to an editor on a book that’s going to sell 14 copies with a profit margin of like 29 cents a copy. That said, I find typos in these old books, and if I’m going to reissue them, I at least want to sweep through them and fix things.

And the problem with pulling that thread at the edge of the sweater is I will quash typos, but along the way I’ll find paragraphs that are uneven or places I wish I’d expanded or stories that didn’t end right or… whatever. There’s an argument for changing things significantly in a new reissue. Like William Burroughs published three very different versions of The Soft Machine in his lifetime (and a fourth posthumously) and he had no problems ripping out half the book, adding back as many new pages, and rearranging the whole thing. Part of me thinks doing that would be fun. Part of me thinks it’s a bit too George Lucas. And either way, this would require a lot of time I don’t have.

I think there’s also the issue of me having past work I’m not proud of. Sometimes I go back into an old book and find it’s aged well, and parts are still funny or well-written. But there are times I look at some stuff like the trilogy of flash books (Earworm, Sleep, Thunderbird) and I feel like maybe 50% of it is solid, and the rest is plain embarrassing. (The two zine-book things, Help… and Ranch are similar. And I reread He recently and it’s absolutely horrible.) There’s a lot of gonzo writing that’s largely scatological and stupid, and I feel the people who are fans of that aspect of my old writing, that persona I used, will never get what I’m trying to do now. And it’s definitely not stuff I want coworkers or potential employers to read. A lot of it would straight up get me cancelled at this point. I don’t want to write like this anymore, and spending time reintroducing stuff that I’m actually ashamed of now is a fool’s errand. Maybe I could do a “greatest hits” with just some of this stuff picked out. Once again, that’s a lot of time invested that could be used on writing new books.

There are books that are simply too far off my path to even deal with. Memory Hunter was a fun experiment and I loved doing it. The writing maybe 80% holds up. But nobody got the joke, and those of my fans who did read it all said it was good but not Konrath enough. Summer Rain is tough, because it was my first book and it meant a lot to me. And its fans are into that heavy 90s nostalgia, but I absolutely do not want to work in that genre anymore. Nostalgia is pain, and it doesn’t help that 40% of the country is actively destroying this country trying to go back to a time that never existed because of their delusions about the past. The Necrokonicon falls into that category, too. The Vegas book and the journal book that nobody read were both quickie get-something-out experiments that failed.

That leaves Rumored and Atmospheres. Spoiler alert: both of those have sequels that are well underway. So there may be a tie-in rerelease of either or both, but there’s a combination of all of the above problems with them. Like I’ve been rereading Atmospheres a lot recently and there are some absolutely solid riffs in there that I love. And then there’s some borderline sexist diatribe or embarrassing scatalogical bit that does nothing for the story and is just “look at me! I’m crazy!” writing. I’ve actually paid an editor to proof both of those books and search out the typos, but I don’t know what to do about questionable content.

And case in point on all of this: I reissued Vol. 13 last fall. I did a quick editing pass, changed the ebook layout, and redesigned the cover. I don’t know how many hours I spent on the project, but it was not a quick job. Since then it has sold five copies. I make about two bucks a book. So the “you could just pay someone else to do it for you” argument sort of falls flat, as I’d probably sink a few hundred bucks into it and get back ten of it. And I’d be rolling the dice on getting a layout I’d actually like.

Bottom line: I’m writing a lot right now, and that’s the focus. So, more of that, right?

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general

State of the Cameras, 2025 edition

Canon camerasAs expected, before this Norway trip, I had a big freak-out about what cameras to take, which led to too many discretionary purchases. Let me explain.

There were two main cameras before the trip. The big one is the Canon EOS 6D mkii. It’s a great camera and ticks a lot of boxes: full-frame, weather sealed, uses the EF lenses and I’ve got a couple of great L lenses for it, runs forever on a single battery, excellent sensor, built-in GPS and it’s a DSLR so it doesn’t have the usual problems a mirrorless has. More than that, it’s got the usual Canon design language and I like the way it feels, the way the controls are laid out, and the way the Canon works. And as much as I like it, it is not light or small. Glue two pounds of glass to the front end of it, and it’s really not great to haul around all day. And I’ve taken some okay photos with it, but it seems like I was almost doing better with a much lighter crop-sensor camera.

In 2023, I got a Sony Alpha a6400. It’s half the weight of the 6D and much easier to shove in a bag. I’ve taken this camera to India, Singapore, and Spain, and it’s okay, but the ergonomics of it are bugging me. It’s just different, and I can’t explain it. The menu system is complete garbage, but it feels so toy-like and cheap, it’s not enjoyable to use at all. And there’s something off about the color space or the exposure program or something, and I’m constantly blowing shots with it. It’s hard to use in daylight, and isn’t entirely capable at night. And regardless of the time of day, it seriously chews through batteries. I often think that I need better lenses or more practice or more patience with it. And then I go take a hundred shots in an afternoon and look at them and wonder what’s wrong.

And I struggle to say what “kind” of photographer I am. I’m not like a street photographer or a devoted landscape photographer or specialize in portraiture or whatever. I don’t know if I am even a photographer in the artistic sense of the word. I like to capture things, and I like to go back and look through photos to revisit a mood or relive a trip or write about something that happened in the past. I am more of a “document everything” person, and if I get a great shot out of it, cool. But that lack of a specific genre or focus makes me flail when it comes to buying gear, because that’s really the first question someone asks when you are trying to find out what to get, right?

I also have been wandering back and forth on photos versus video, and I have no answers there. Since the 90s, I’ve experimented with different cameras, thinking I needed to shoot video to capture a mood or feeling or vacation or whatever. That started with buying a Hi8 camcorder back in like 1996, which was entirely impractical and largely useless to me. I never took that camera with me, because it weighed so much and I was never comfortable walking around with it and taking random video. I absolutely love the videos I did capture (see https://www.rumored.com/randomlife) but with the impracticality of it, I never used it.

So, two things. First, I decided to get another Canon mirrorless. I was reluctant to do this because i bought an EOS-M1 about ten years ago and bought into their flop of a mirrorless system. They’ve since moved to a new platform, and it’s stabilized and picked up steam, so I thought I’d give it a try. I also thought maybe going back to crop sensor might help. So I bought a Canon EOS R10. It uses a new type of lens, the RF; I didn’t want to buy into that with all my EF lenses, so I bought the adaptor. This also lets me use some of my old EF-S crop lenses from when I had Rebel cameras, so that’s useful. The R10 is amazingly light, uses the same batteries as my old Rebel T6i, and isn’t horribly bad on battery life, especially compared to the Sony. It’s not weatherproof (which was a problem in Norway, walking in the snow all day every day) and there’s no more GPS. (I don’t know why, but I love having a GPS on my cameras.) It also has incredible autofocus and a great sensor. Not only does it have eye tracking autofocus, but it can eye track on animals, which is useful for someone who takes a thousand pictures of their cats a year.

More than anything, the R10 feels like a Canon camera. The Program mode works like I’m used to. It feels the same in my hand. I don’t have to think to know where the knobs are. It’s not as full-featured as the 6D, but it feels the same. It feels the same as both of my Rebels, and even my old EOS 620 film camera.

The other thing, the video thing: I don’t know why, but on a lark, I bought a DJI Osmo Pocket 3. It’s an amazing little gizmo, a gimbal camera in a thing the size of a TV remote, with a screen that flips from portrait to landscape. This was largely a useless purchase, as I’m not going to be full-time vlogging over on TikTok or anything like that. But it does shoot incredible video, and it’s extremely small. I think it’s close to being the perfect “document-everything” camera, and I got a few good shots out of it in Norway.

So, the Sony’s probably going to go. I’m too lazy and impatient to sell it on eBay, and I know I’ll get nothing for it on KEH. But I think the Sony experiment is over. I am not sure if I’m going to start buying RF lenses, although given the current state of things, probably not a good idea to be dropping more money on gear. And the film thing – I’ve still got a few dozen rolls on ice, but I have lost all passion for shooting film these days. I feel like if I’m going to make a bunch of mistakes with exposure, I shouldn’t do it at a dollar a shot. I was completely unhappy with the film I burned in Iceland in 2023, and haven’t gotten back into it since. Fair enough.

And all of this is secondary to what I should be doing: writing. That’s the main priority, so I should get back to it.