I got an email the other day from someone in Australia, who was looking for an old Sutafed commercial and happened upon my Trip East travelogue. It’s a strange coincidence, because I’ve been thinking of Seattle lately, for a lot of different reasons. Part of it is that tomorrow will be the 7th anniversary of when I left Jet City and headed out here to New York, and nice round numbers make me think back. And I think part of it is also the weather here, how it’s jumped from a steady 30 to some days when it’s actually light jacket 50s. Hell, I just looked down at my weather widget, and it’s saying 62. That’s almost a solid spring day.

Something about spring always pulls my brain back to Seattle. A lot of natives tell you the winters are mild, but they’re only half right. You won’t see feet of snow, but that persistent darkness and muggy gloom really sits on you after a while. After about 100 days of 40 degrees, rain, and dark, you really start thinking Kurt Cobain had the right idea. I guess when I lived there, I didn’t really have the means to fly down to Vegas for the weekend or otherwise escape the grasp of the PNW. Maybe it would be different with my current worldview. I don’t know. But I do know that once the sun crawled back out and spring hit, I really LOVED Seattle. I loved driving around in my car, going everywhere and nowhere, when the sun was out and it was a crisp fifty degrees, and the air had that fresh smell that everything had been showered down for six months, and in a couple more, it would be summer. Spring anywhere makes me think of Seattle.

Every once in a while, someone will ask me if I miss Seattle, or what I thought about it, or why I left. It’s a hard question to answer. I do miss it a lot sometimes. There are certain albums that instantaneously transfer me back there faster than a Star Trek transporter could. One of them is Queensryche’s 1997 album Hear in the Now Frontier. I listened to these fourteen tracks so many times while driving around the city, they’re inseparable from that year of my life. I first heard the title cut when I was stuck in Longview, Washington on a Monday. This was when I dated Karena and before she moved north, and we used to trade off weekends for who had the 100-mile commute. I was heading back late Sunday night, and got a blowout in my Escort. I only had the baby spare, not rated for 100 miles of highway driving in the rain, so I called off work, borrowed her Saturn, and spent the next day getting a new tire fitted. When I was driving around this tiny town hidden in the evergreens of southwest Washington, the new Queensryche song came on the radio, and I made a mental note: “go buy that album.” A couple days later, I went to Silver Platters, my old CD hangout, and picked up a copy. I made a dup on tape for the car, and played it 200 million times.

When I think of that whole story, there are so many great nostalgic things to pick up on. First, there’s all of these trips to Longview. Now, things with Karena didn’t end on the greatest of terms, and I’m not longing for her or anything. But there was a certain charm to when I went down there. The place was about as big as Goshen, Indiana, for those who know my hometown, and it’s the kind of place where we ended up going to the Red Lobster that shared a parking lot with the Target a lot. The biggest shopping experience in Longview was driving a half hour to go to the mall in Portland. Otherwise, we rented a lot of videos, bought a lot of Papa Murphy’s premade but not baked pizzas, and just hung out. It was nice. And the story makes me think about my old Escort, which I hated so much when I got it, but now I’d pay cash on the barrelhead for a car just like it now. And man I miss going to Silver Platters, going from A to Z through the racks, and dumping a c-note on double coupon Tuesday, because I was totally locked into their little coupon scheme to get free discs, even if it meant I bought way too many CDs I didn’t need.

That kind of nostalgia kills me. And it makes it hard to answer the simple question: would I go back? I haven’t even visited Seattle since I left in 1999. And I don’t know that I would move back. I mean, I think about when I went back to Bloomington last for more than like a lunch or an evening, which was probably back on that 1999 trip east. I was writing Summer Rain hardcore when I left Seattle. I spent three or four months basically poring into the draft full-time, doing nothing but thinking about Bloomington. Then I drove halfway across the country, opened the car door, and basically stepped into my own book. Yeah, a lot of things changed in the seven years since the book took place. But I remember walking from the Union to my old apartment on Mitchell Street, and probably 95% of everything I saw in the spring air around me was identical to what I saw in 1992. It really freaked me out. But then I got hit with this really heavy “you can’t go back” vibe, when I realized that I didn’t know anyone on campus anymore, and everyone that was there looked like they were about twelve.

So yeah, you can’t go back. And I’ll be honest: I’m not going to stay in New York forever. There will come a time when we will bug out of here and go to the next big stop down the road. And I know my relatives automatically assume the next and last stop for me will be when I “grow up” and decide to move back to Elkhart and buy a house right across from my parents’ house and spit out some kids and come over every Sunday for dinner. And of course, that’s all shit. It’s gotta be something new for me on the next stop; I can’t have a do-over. I’m not saying I want to zip all over the country like I’m following the Dead, but I wouldn’t mind trying something else someday. It would also be nice if they had real grocery stores. But there’s Trader Joe’s now, so that’s huge.

Speaking of, we’ve booked our next vacation, and will be going to Alaska at the end of May/beginning of June. Sofar, we’ve got airfare, a week of hotel in Anchorage, and a rental car. From there, we’ll drive around, see some glaciers, take a lot of pictures, eat some food, and who knows what else. I’m going through Frommer’s now. There will probably not be any above Arctic circle exploration, and given my knee condition, I doubt we’ll be climbing Mount McKinley. But I’m hoping for some flightseeing, and it would be absolutely golden if I could get in a flight lesson while we’re up there.

Alaska also has a weird Seattle connotation, too. Seattle’s always had a tight bond with the 49th state. A lot of people that fly up there end up with a plane change at SeaTac, but even back in the old days, Seattle was the last big outpost before you headed north. Some of the culture of Alaska is second-tiered in Seattle in some weird way; salmon’s big because of the fisherman bringing it down. Lots of commercial boats winter down in Seattle, too. There are a lot of street names and other places and buildings in Seattle that are named after Alaskan cities, features, or explorers. And the whole time I was in Seattle, I thought hard about making the jump up the Alcon to get up there. I’d sit in bed with my Rand-McNally, tallying the miles and trying to find the shortest route, the number of hours and days it would take me. Growing up, you look at the big map at the front of the classroom and it looks like Alaska’s just one state’s worth of Canada up from Washington. Really, you have to drive like 24 hours straight through the mountains of British Columbia to get to the most remote southernmost point on the tail of Alaska. If you wanted to get to a city that was actually in the meat of the state, add another 24 hours of solid driving. It’s basically like driving across the entire United States, but up, and on much worse roads. So I never made it further north than Vancouver, and I’m glad I will be able to do it now.

Not much else. Still working on the book of Bloomington stories. It’s getting there, slowly. I should get on that now, actually.

One of the 200-some odd reasons my writing throughput and/or quality has dropped considerably in recent years (and I’m talking reasons in my head, not real, quantifiable reasons) is that Coca-Cola stopped bottling Surge soda. For those of you who don’t remember or never experienced it, Surge is/was a citrus soda that originally was called Urge in Norway, and was bottled there to compete with Mountain Dew. (Some Coke bottlers compete with Mountain Dew with Mello Yello, which is available in some markets, but not others.) Anyway, Seattle was a test market for Surge when it showed up in 1997, and once I tried it, I was hooked. Surge basically reminded me of a carbonated version of the Hi-C Ekto-cooler drink. It was more lime than lemon, with an unnatural bright green color, carbonation, and caffeine. It had a very unique taste, and wasn’t anything like its nearest competitor, Mountain Dew. I really liked it.

This was right after the time I quit caffeine entirely, but was going back on it again. I wouldn’t drink any Coke or anything else all day, except maybe the occasional Sprite. But on the weekends, when I was busy slamming away at the text for Rumored to Exist, I would go to Safeway, buy a 2-liter of Surge, and put it in the fridge, as my fuel for the next few days. I drank a lot of the stuff as I worked on the text, and I absolutely loved it.

Of course, when I moved to New York, I couldn’t find the shit anywhere. You already know the rant about how New York grocery stores don’t stock anything of variety, so I won’t repeat it. But I could not find Surge anywhere. Sometimes on a vacation, I’d get a taste. And I think the girl I dated in Cornell back in 2000 found a few bottles at a gas station upstate somewhere once. But after that, it was gone. And that pissed me off, because writers can get really locked into habits or triggers that can set off the hard-to-channel zone of writing. Some people have strange rituals. I used to start writing at the same time every night; others need a certain chair or pillow or snack or drink. Some need certain music; others require quiet. And for whatever reason, I got myself into a situation where I needed a certain type of sugar-water that a corporation test-marketed and then decided not to make anymore.

Well, good news, maybe. Coke has decided to come out with a new drink called Vault. There were a few ads during the superbowl, and they hinted at nationwide distribution in February. Now, I interpreted that as “distribution in every place with real grocery stores that aren’t run by the mafia, so fuck you New York”, and also wondered if the stuff really tasted like Surge, and if I’d get a chance to try it the next time that I went on vacation to a place with real grocery stores. But today, when we were at K-Mart, Sarah found that they actually had the stuff! I bought a couple of 20-ounce bottles, and gave it a try. It’s similar to Surge, although maybe a little more tart, and without as distinct of a green color as the original. The bottle looks different, of course, and you’d be amazed at how much different something appears to taste when it’s in a different bottle. But it’s pretty close. I like it.

I don’t know if I’ll be stocking our fridge with the stuff or not. My writing schedule and situation have been pretty off lately, and I don’t know if the magic elixer will suddenly have me pouring out words or not. I am in that process of thinking about what I will do before I start doing anything, and that’s frustrating and takes time. But it’s getting there.

Okay, I have to figure out a movie and a dinner and make them hobbling distance from each other so it will work out okay…

I sometimes have this weird nostalgia that’s much more complicated than just “remember the 80s,” but rather a deep nostalgia for what I saw as cutting edge or a glimpse of the future way back when. It’s hard to explain, but it’s that weird feeling I had twenty years ago when I looked at some futuristic computer or technology, and I had this premonition that in the year 2000, this would be “it.” And the feeling is stronger when there are a lot of other interconnected memories or feelings about it. And the other day, this totally happened in a way that is easily explained, but probably still doesn’t capture what the fuck I’m rambling on about.

Okay, Wikipedia had a featured article the other day about The Xanadu House. No, it has nothing to do with Olivia Newton-John or the Rush song from Farewell to Kings. It was a series of three houses built as demo/museum units by the architect as a showcase to “the home of tomorrow.” They were made of sprayed polyurethane foam and looked something like Yoda’s house or maybe something a Hobbit would live in. They were a very 70s-looking design, and I could totally see something like them in a Roger Dean-airbrushed Yes double gatefold album cover, or maybe done up on the side of a van with a wizard shooting lightning bolts that lit up along with the 8-track player.

Okay, the outside did look pretty borderline artschool-project, but the inside was the interesting stuff. There were computers everywhere: controlling the lights, monitoring the bitchin’ hot tub, cooking your food; measuring your calories and watching your weight; integrated into the Elvis-like wall of TVs, one tuned to each station (total: 3); and everywhere else. The house was a full-on wet dream of automation. Now you see why I was somewhat pulled into reading all about this house and scouring the web for more info. I’ve still got this land out in Colorado with nothing but cacti and prarie dogs on it, and the idea of building some huge, fucked up, unconventional structure like a geodesic dome or a decommissioned jet airliner or a giant tube made out of a million egg cartons and some nuclear-proof epoxy solution is pretty appealing. Add to that a slew of computers that I don’t really need and that’s damn near what-I’d-do-if-I-hit-the-Lotto material for me.

But as I dove deeper, I found a lot of threads that pulled me back to when they got this house built down in Florida, in 1983. These computers back in the day weren’t a bunch of IBM blade servers or anything; turns out the builders were using a slew of good old Commodore 64s in the styrofoam innards of this dream palace. The TVs weren’t giant plasmas like Bill Gates would have, but rather the old-school, silver, two-knob not-so-flat CRT sets like you’d find at your Aunt Barbara’s rec room back in ‘80. The online shopping system wired into the food-processor kitchen used a 12” analog laserdisc for its info. The “home gym” consists of the same non-resistance exercise bike your parents bought back in ‘78 and used as a clothes rack for ten years before unloading it at a yard sale. This wasn’t a Jetsons home as much as it was my Christmas list from 1983.

And that’s when this unfamiliar house became a home I knew, at least in proxy, for some weird reason. I was IN Florida, in Orlando, in 1983. My parents loaded us up in the station wagon and drove south a thousand miles, first to Tampa, and then to the Disney kingdom. And we didn’t go to the Xanadu house, but it looks a lot like the kind of place we would have stopped. We hit a lot of roadside attractions that trip, and a lot of the gift shops and historical viewpoints, from Tarpon Springs to the Atlantic coast, had the same tacky yet “futuristic” sign that graced the front of the Xanadu house. Everything about the old pictures, the way they were framed, the style of the furniture, just rubs some weird brain cell deep in my head that makes me think of a million memories that have nothing to do with this house and everything to do with my own life.

For example, I remember, again on the trip, going to a Showbiz pizza with my family. For those who don’t remember, Showbiz was similar to Chuck E. Cheese, the pizza parlor where you bring the rugrats for birthdays and parties. But back in the day, Showbiz was very oriented toward arcade games, and had a fuckload of consoles, including duplicates of many popular games. And at that time, the big deal were laserdisc-based games like Dragon’s Lair. Nobody seems to remember this particular fad, but these machines had a big giant laser disc player in them, and when you jerked around the joystick, different scenes from this Disney-eque cartoon would play. The game totally sucked from a playability standpoint, but everyone was too busy circle-jerking over the fact that the output was basically like DVD-quality animation and sound, and this was at a time when most arcade heroes were 16 by 16 pixel sprites. I remember staring at people playing these games in amazement, thinking this was the future of arcade games. Of course, the future was that nobody wanted to pay 50 cents per game (this was one of the first two-coin titles), the laser players crapped out and took forever to load, and in another year, the entire coin-op arcade game industry would take a crap and completely implode, meaning nobody would be too interested in the progress of games for another five years. (About when Nintendo started slapping NES guts into consoles and charging people to play games on a console you could just buy and play at home on a TV - that is if you could find a NES, which you couldn’t, because Nintendo was in the middle of a price-fixing, fake-supply-problem war.)

And I went to Epcot on that trip, which was right when it opened and they had a lot of cool displays about the future and how science would win everything. (They’ve long since ripped all of this shit out and replaced it with “Bob the Builder’s Why Every Kid Should Buy More of My Garbage” exhibits.) And the exhibit showed electronic cars that we’d all drive to work in 1997, and ways to raise more food for the world through hydroponic greenhouses we’d all use when we went to Mars, and so on. Epcot was originally going to be a huge experiment in sustainable living, but when Disney realized there was no money in that, they had GE, GM, and AT&T drop these huge advertisements for life in the future. And the same thing is, in 1983, it all seemed so fucking feasible that in 20 years we’d all have video phones and TVs with smellovision and pod cars, and I remember that view of the future so vividly. And now that future is in the past, and none of it happened. I used to read in Compute magazine about how, maybe if we all tried hard, cars might have a single microprocessor in them, and it would be so cool to get so much blazing power out of an 8-bit 6510 wired into our engine. And now, I’ve got at least twenty processors sitting on my desk, in my watch, in my camera, in my mouse, and none of them are doing anything remotely as interesting as what I thought they would be. I have ten times the computing power of that Xanadu house sitting in the battery charger to my camera, and none of it is being used to automatically cook my food or turn on the jaccuzi when I get home from work. And that’s sad, in a way.

The house has a much more sad ending, though. It ran as a museum until the ’90s, then sat vacant, as Florida mold consumed the sterile white interior. Squatters broke in and tore up the interior, and eventually, last year, the owners bulldozed the place, and plan on putting in a condo on the land. There are a lot of pictures on line of the interior in disrepair, and then the dozer taking out the foam walls. Very sad stuff.

Anyway, I forgot what my point is, other than to somehow describe that feeling I get when I look at an old Amiga or something. I remember the summer of 85 when all of the computer magazines were abuzz about that thing like all of the glamour mags are currently abuzz about the Jessica Simpson divorce or something. I mowed lawns and babysat and applied at every McDonald’s and Hardees within 10-speed distance of my house to scrape up money for that A-1000, and never made it. Just looking at the magazine pictures was like a view into the future of computing, something that could draw multiple windows and 4096 simultaneous colors! Looking back at the old beige-platinum machines, I imagine this massive future, but then I realize that my old Palm Pilot is probably faster and with a better screen.

Ah well, enough rambling. I’m still reading this Neil Armstrong book and it’s going to take me forever to finish. Better invest some more time into it…

I’ve been wasting all of my free time lately reviewing CDs. I’m not sure why, because I don’t want to be in the business of having a bunch of crappy death metal bands emailing me their mp3s to review. But I have a lot of loose reviews around, and I wanted to write more long-form reviews and find a place to put them, and I’ve got it about figured out now. When I get more than about 7 reviews done, I’ll post a link. Anyway, that’s why I haven’t been writing here much. It’s far easier to write 1500 words on an old Metallica album than it is to try to come up with 500 words when nothing is going on that I want to write about, except maybe the weather. So, there you go.

But, the other day, I was digging around and found a bunch of ROMS to various stand-up arcade games I had from my old laptop. So I downloaded a MAME emulator program for the Mac, and started digging around all of these old games. I don’t know about you, but I played a lot of arcade games back in the day, and I don’t just mean the really popular Pac-Man/Donkey Kong/Centipede era. I found a lot of these games and played them, and they totally reminded me of my days in a Bally’s, wasting a couple dollars while at the mall. And video game brand loyalty is a huge thing, and it made me think about all of the different brands and games and the whole caste system of consoles, and who played what.

For example, there were certain games that I absolutely loved to play. Like there was the Star Wars vector game, the original Tetris, this Tetris plus enhancements called Bloxxed, and Roadblasters. If an arcade had all of those, it was excellent. If it had one or two of them, it was good. If an arcade (like that shitty one in Pierre Moran Mall, or maybe one in an airport or something) didn’t have any of those games, it sucked, and either I’d play nothing and go off to the Walden Books, or maybe drop a quarter on a sub-par game, just to see if maybe it was really okay. There were a lot of games that either I didn’t like or didn’t see the point of, like most of the three-button-attack quarter-eater types that came out later, or the driving games that didn’t have a good catch to them. I mean, for a buck in gas, I could drive around the parking lot of the mall in my real car and have more fun than half of the sloppy-controller stand-up drivers out there in the early 90s.

But different people liked different games, which always made it weird when you went with other people, because people always had different allegiances to different games. It’s weird, because now, decades later, I can still remember what friends liked what games, way more than I could remember their favorite beer or band or movie. And that would be cool, but sometimes, based on the games there, it would cause problems. Like, sometimes I’d go to the Bally’s in College Mall in Bloomington with Bill, and I’d inevitably buy into some “a shitload of tokens for $20” deal before I’d remember that they had absolutely no machines I liked. I mean, the best game on the list was a Ms. Pac Man, and I could play that for about six months on $20 of change, given that I wouldn’t die of boredom. But there was some game there that he loved, and he’d play it all day, even though I was either no good at it or hated it. So you have that. Another example is that Spaceport had some pretty esoteric game machines, so if you stopped in there with someone who just wanted to play the core Atari games, they’d be screwed.

Oh, at the lowest end of the totem pole were the situations where you only had one or two games, and you had to pick one. A classic example is when you’re with your family at Pizza Hut, and there are two games, and it’s either Bust-a-Move or Robocop, and neither one are very good, but you need something to do until the breadsticks arrive or something. This also applies to dorms with a couple of stray machines, or little arcades in laundromats or whatever.

Another game I didn’t get were the sports games, like the football, hockey, and whatnot. None of my friends played these, because I think you had to like the sport in question, and none of my friends were huge soccer fans. The only sports game that was the exception to the rule was Summer Games. This - I think it came out around the time of the 84 Olympics, but wasn’t a sponsored game or anything - it was all of the track and field events, like throwing discus and running around a track and soforth. But the thing is, to run, you had to slap two buttons really fast to get your dude to run or throw or something. And for some reason, that made it different; it wasn’t about your ability to know about NFL football. It was about how fast you could slap two buttons, and dammit, you knew you could do it faster than the other guy. The sport part was secondary - it could have been monster trucks or shooting dragons or anything else, as long as it was competitive and measured your ability to pretty buttons at light-speed. I knew a lot of people who were really into that, and you could always tell when someone was playing, because it sounded like someone was bitch-slapping a keyboard. And now we wonder why so many people have RSI.

The competitive games, or more likely the collaborative ones, are the things that have so much memory to me. I’ve already written many times about how me and Ray used to play Smash TV for hours, feeding many quarters into it. I think the first game like this I remember is the original Gauntlet. When I play this now, it reminds me of Adam Pletcher, who I knew from school, and who is now more known for working on the video game Descent and a million others. We played the game a couple times at the Aladdin’s Castle in the Concord Mall, although at that point, the game was so damn popular, all four slots would be full, and the second someone ran out of change, someone else would jump in. Games like this were great, and it’s amazing how shitty some of them are when you look at them now. There’s a Simpsons game that came out in 90 or so that was the same console as a Teenage Mutant Ninja Turtle and X-Men game. Then, the graphics were mind-numbing, but now, I cannot stop laughing my ass off the images are so blocky and bad. But being able to get two or three people on a machine to all kick ass hid the poor graphics somewhat.

One of the games that I played but didn’t entirely like at first was Golden Axe. The student union had a room with maybe six or eight game machines, all of them duds, and one of them was Golden Axe. I reluctantly played the side-scroller for a while, and it really grew on me. The animations weren’t bad, but the sound effects were horrible. (When I was playing the other day, Sarah said that the dying people’s screams sounded like some kind of Crunk rap.) It’s also a collective game, although I played by myself a lot. I got the ROM and actually finished the game, which I guess is easier when you’re pressing a button instead of feeding in a coin, but it brought back so many memories of wasting time at the IMU.

Anyway, just some vague thoughts. I think if I had a lot of time and could remember more of this, I could write some kind of book or at least a good essay on greater taxonomy of video games. But, I’ve got these music reviews to write…

I’m somewhat depressed. I just watched this movie called Boys and Girls on TV while I was sitting at home on a Saturday night, eating canned ravioli and frozen garlic bread for dinner. It’s one of those college comedy/romance movies, starring Freddie Prinze Jr. and Claire Forlani as these two college students that are opposites but very paired together. They keep running into each other by chance and don’t entirely click, but over the course of their college career, become the best of friends. Then they semi-accidentally sleep together at the end of Act II, insert cliche commotion, and the whole thing ends with her giant soliloquy as he’s on the plane leaving for home at the end of the year, about how she needs him and really does love him, etcetera.

It all sounds very cliche, and it is. But I guess it was very well done, at least as far as these sort of teen college movies go, and it caught me for some reason. Maybe part of it is Claire Forlani, who is not only very easy on the eyes, but also had this role where she seemed to be the perfect, down-to-earth female, the kind of girlfriend one would really want, both very sexual and beautiful, yet very carefree and open. But part of the reason the film stuck in my craw was the same reason I spent so long writing Summer Rain: I really do feel nostalgic over my years in college. Even if the fairytale romance like the one in this movie (or, for that matter, the one in Summer Rain, which was fictional) never happened, that era was the playing field for something like that to happen. So I did enjoy the movie, but it also brought this weird funk over me that I can’t seem to shake.

(Weird aside - the movie also briefly featured Heather Donahue, who was in The Blair Witch Project, although I didn’t even know it was her. It also had Jason Biggs as Prinze’s roommate, and Alyson Hannigan as Prinze’s first girlfriend. And then in the American Pie movies, Biggs and Hannigan end up married. Weird.)

So I got audited AGAIN, by the State of New York. They claim I did not file a tax return in 1999, which is humorous considering I DID file a return, and I’ve got a copy of it sitting right here, and then they later audited said return to squeeze a bit more money out of me. Fuckers. I would like to send them a letter saying “Dear NYSIRS: it appears your records are FUCKED. I did pay my taxes, you pieces of shit. You now owe me a refund of 25% of the amount of taxes paid for wasting my fucking time and another stamp to mail this stupid letter, you pieces of shit. Love, Jon.”

I got Command and Conquer: Generals and it is the most perfect way to destroy any writing ethic I may have remaining. It’s a pretty cool game, albeit a slight bit sluggish on my machine.

Not much else is going on. The weather is a bit shitty, and I am broke, so I’ve spent most of the weekend sofar either running errands or trying to clean the house. I am slowly making progress on the apartment, and there are a few new patches of floor visible from the shifting of things. I’m throwing out junk, trying to shuffle the bookshelves a bit to get things off the floor, and just trying to put things away as I can. Nothing major, but it’s getting there.

I should write, but I don’t know if I can. Either way, I should get something done now…